Morning Dew | 1977-05-08 | Grateful Dead

Bernie Worrell and the WOO Warriors

315

Playback	Listens	Hours
48h	20	2
7d	8	55m
30d	315	37

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	1	7m
7d	13	2
30d	97	13

Playback	Listens	Hours
48h	17	3
7d	125	17
30d	632	89

Playback	Listens	Hours
48h	109	14
7d	448	58
30d	2.1k	274

Playback	Listens	Hours
48h	6.7k	677
7d	12.7k	1.3k
30d	100.5k	10.3k

Playback	Listens	Hours
48h	182	14
7d	258	19
30d	2.1k	154

62 shows

76 tapes

Blueground Undergrass

235

Playback	Listens	Hours
48h	22	2
7d	55	5
30d	235	23

Playback	Listens	Hours
48h	114	11
7d	268	28
30d	2.2k	242

Playback	Listens	Hours
48h	543	68
7d	1k	137
30d	7.4k	971

305 shows

505 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	18	5

20 shows

26 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	98	14
7d	166	26
30d	851	141

Playback	Listens	Hours
48h	6	32m
7d	23	2
30d	162	18

Playback	Listens	Hours
48h	26	3
7d	109	10
30d	904	84

Playback	Listens	Hours
48h	17	2
7d	184	18
30d	726	78

Playback	Listens	Hours
48h	1	4m
7d	53	3
30d	689	38

Playback	Listens	Hours
48h	49	7
7d	68	7
30d	594	76

Playback	Listens	Hours
48h	155	9
7d	36	3
30d	342	23

241 shows

270 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	4	42m
7d	0	0m
30d	13	2

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	2	5m
7d	3	11m
30d	16	2

79 shows

93 tapes

Circles Around The Sun

1.6k

Playback	Listens	Hours
48h	133	27
7d	172	33
30d	1.6k	324

Playback	Listens	Hours
48h	6	33m
7d	116	22
30d	384	71

Playback	Listens	Hours
48h	57	5
7d	83	7
30d	771	63

Playback	Listens	Hours
48h	133	19
7d	41	7
30d	589	83

Playback	Listens	Hours
48h	292	45
7d	613	88
30d	4.2k	630

Playback	Listens	Hours
48h	411	53
7d	814	108
30d	6.2k	837

783 shows

1,033 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	24	5

Playback	Listens	Hours
48h	12	1
7d	55	7
30d	384	40

Playback	Listens	Hours
48h	2.1k	329
7d	3.9k	621
30d	30.1k	4.8k

Playback	Listens	Hours
48h	60	6
7d	39	4
30d	379	43

Playback	Listens	Hours
48h	69	4
7d	199	13
30d	1.1k	65

Playback	Listens	Hours
48h	127	15
7d	203	24
30d	1.7k	201

Playback	Listens	Hours
48h	855	171
7d	1.9k	390
30d	12.1k	2.6k

Playback	Listens	Hours
48h	8	42m
7d	102	11
30d	511	51

59 shows

70 tapes

Dogs In A Pile

Playback	Listens	Hours
48h	205	32
7d	319	51
30d	2k	321

Playback	Listens	Hours
48h	13	2
7d	15	3
30d	122	24

Playback	Listens	Hours
48h	109	11
7d	129	14
30d	1.8k	184

Playback	Listens	Hours
48h	28	5
7d	119	20
30d	567	89

Playback	Listens	Hours
48h	204	18
7d	414	37
30d	2.5k	221

Playback	Listens	Hours
48h	84	14
7d	89	16
30d	787	136

Playback	Listens	Hours
48h	2	11m
7d	16	2
30d	125	16

Playback	Listens	Hours
48h	170	30
7d	404	70
30d	2.7k	449

141 shows

269 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

Playback	Listens	Hours
48h	153	21
7d	573	79
30d	2.7k	371

Playback	Listens	Hours
48h	0	0m
7d	13	5
30d	102	31

Playback	Listens	Hours
48h	15	50m
7d	43	2
30d	912	51

Playback	Listens	Hours
48h	17	3
7d	55	7
30d	350	47

Playback	Listens	Hours
48h	0	0m
7d	6	2
30d	223	44

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	126	17

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	37	6

Playback	Listens	Hours
48h	57	6
7d	17	2
30d	388	42

Playback	Listens	Hours
48h	59	4
7d	64	4
30d	343	23

Playback	Listens	Hours
48h	17	1
7d	40	3
30d	305	24

Playback	Listens	Hours
48h	49	3
7d	63	4
30d	453	28

Playback	Listens	Hours
48h	798	121
7d	1.4k	206
30d	11.2k	1.7k

246 shows

1,218 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	25	5

14 shows

15 tapes

G. Love and Special Sauce

729

Playback	Listens	Hours
48h	114	10
7d	81	7
30d	729	68

Playback	Listens	Hours
48h	81	8
7d	123	15
30d	841	94

Playback	Listens	Hours
48h	3	10m
7d	27	4
30d	291	41

Playback	Listens	Hours
48h	34	7
7d	62	13
30d	623	129

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	4	55m
7d	16	1
30d	75	8

Playback	Listens	Hours
48h	22	5
7d	14	2
30d	220	42

Playback	Listens	Hours
48h	89	10
7d	106	12
30d	1.4k	162

369 shows

496 tapes

Godspeed You Black Emperor!

277

Playback	Listens	Hours
48h	15	4
7d	28	6
30d	277	68

Playback	Listens	Hours
48h	12	2
7d	31	5
30d	258	37

Playback	Listens	Hours
48h	1.4k	259
7d	2.9k	555
30d	22.5k	4.3k

Playback	Listens	Hours
48h	4	14m
7d	39	4
30d	413	37

362 shows

591 tapes

Grahame Lesh and Friends

3.5k

Playback	Listens	Hours
48h	795	124
7d	1.7k	274
30d	3.5k	547

32 shows

103 tapes

Grampas Grass

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	96	12

Playback	Listens	Hours
48h	374	42
7d	557	64
30d	4.5k	497

870 shows

1,446 tapes

Greyboy Allstars

Playback	Listens	Hours
48h	114	13
7d	149	17
30d	2k	227

220 shows

304 tapes

GrooveSession

Playback	Listens	Hours
48h	15	2
7d	12	1
30d	57	9

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	2	11m
7d	0	0m
30d	23	2

Playback	Listens	Hours
48h	0	0m
7d	14	2
30d	103	15

Playback	Listens	Hours
48h	41	3
7d	109	8
30d	469	34

747 shows

1,024 tapes

Hard Working Americans

325

Playback	Listens	Hours
48h	0	0m
7d	66	7
30d	325	36

Playback	Listens	Hours
48h	56	9
7d	112	16
30d	852	130

186 shows

225 tapes

Horseshoes and Hand Grenades

218

Playback	Listens	Hours
48h	10	1
7d	42	4
30d	218	17

Playback	Listens	Hours
48h	20	2
7d	56	6
30d	383	37

677 shows

850 tapes

Infamous Stringdusters

1.9k

Playback	Listens	Hours
48h	72	6
7d	214	20
30d	1.9k	171

622 shows

1,000 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	4

Playback	Listens	Hours
48h	292	19
7d	530	35
30d	3.3k	212

Playback	Listens	Hours
48h	99	10
7d	63	6
30d	701	73

364 shows

489 tapes

Jazz Mandolin Project

673

Playback	Listens	Hours
48h	34	5
7d	88	13
30d	673	103

218 shows

275 tapes

Jeff Austin and Chris Castino

142

Playback	Listens	Hours
48h	30	3
7d	8	37m
30d	142	12

12 shows

14 tapes

Jeff Austin And Friends

199

Playback	Listens	Hours
48h	26	3
7d	66	6
30d	199	18

34 shows

47 tapes

Jeff Austin Band

Playback	Listens	Hours
48h	111	16
7d	187	25
30d	1k	138

112 shows

160 tapes

Jerry Joseph and the Jackmormons

2.8k

Playback	Listens	Hours
48h	168	26
7d	479	78
30d	2.8k	446

1,123 shows

1,518 tapes

Jerry's Middle Finger

2.2k

Playback	Listens	Hours
48h	140	20
7d	335	46
30d	2.2k	306

247 shows

297 tapes

Joe Russo Presents: Hooteroll? + Plus

125

Playback	Listens	Hours
48h	2	21m
7d	27	4
30d	125	17

2 shows

Karl Denson's Tiny Universe

Joe Russo's Almost Dead

24.4k

Playback	Listens	Hours
48h	1.4k	253
7d	3.3k	581
30d	24.4k	4.4k

Playback	Listens	Hours
48h	80	10
7d	193	16
30d	904	98

Playback	Listens	Hours
48h	124	10
7d	307	25
30d	2.7k	241

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	15	1
30d	71	10

Playback	Listens	Hours
48h	1	6m
7d	0	0m
30d	201	15

Playback	Listens	Hours
48h	0	0m
7d	16	2
30d	163	17

71 shows

104 tapes

456

Playback	Listens	Hours
48h	10	2
7d	29	4
30d	456	66

Playback	Listens	Hours
48h	220	22
7d	319	33
30d	3.4k	316

Playback	Listens	Hours
48h	17	2
7d	21	2
30d	188	26

40 shows

51 tapes

King Gizzard & the Lizard Wizard

13.8k

Playback	Listens	Hours
48h	826	115
7d	1.8k	240
30d	13.8k	1.8k

Playback	Listens	Hours
48h	78	11
7d	409	52
30d	2.5k	321

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	170	25

Playback	Listens	Hours
48h	52	9
7d	52	10
30d	678	126

Playback	Listens	Hours
48h	217	25
7d	161	20
30d	2.4k	294

Playback	Listens	Hours
48h	250	24
7d	409	39
30d	2.5k	242

Playback	Listens	Hours
48h	199	29
7d	401	62
30d	2.9k	421

Playback	Listens	Hours
48h	221	20
7d	646	57
30d	4.5k	421

Playback	Listens	Hours
48h	37	3
7d	139	12
30d	1.2k	88

Playback	Listens	Hours
48h	199	37
7d	299	61
30d	1.7k	336

Playback	Listens	Hours
48h	16	2
7d	7	1
30d	231	25

Playback	Listens	Hours
48h	70	7
7d	222	21
30d	1.6k	170

Playback	Listens	Hours
48h	85	8
7d	107	10
30d	383	38

347 shows

445 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	285	40
7d	712	112
30d	3.8k	588

Playback	Listens	Hours
48h	49	3
7d	40	2
30d	455	27

Playback	Listens	Hours
48h	22	2
7d	50	5
30d	167	18

Playback	Listens	Hours
48h	3	4m
7d	13	21m
30d	204	6

Playback	Listens	Hours
48h	100	7
7d	18	1
30d	506	43

Playback	Listens	Hours
48h	614	98
7d	1.5k	252
30d	11.2k	2k

Playback	Listens	Hours
48h	18	2
7d	13	1
30d	175	19

Playback	Listens	Hours
48h	26	2
7d	30	2
30d	191	14

Playback	Listens	Hours
48h	357	35
7d	699	70
30d	4.6k	476

411 shows

597 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	2	11m
30d	23	2

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	104	9

Playback	Listens	Hours
48h	51	8
7d	87	13
30d	512	74

Playback	Listens	Hours
48h	11	2
7d	14	2
30d	170	24

59 shows

69 tapes

New Riders of the Purple Sage

1.4k

Playback	Listens	Hours
48h	49	4
7d	226	20
30d	1.4k	128

402 shows

587 tapes

North Mississippi Allstars

1.2k

Playback	Listens	Hours
48h	78	9
7d	156	15
30d	1.2k	114

Playback	Listens	Hours
48h	52	6
7d	125	14
30d	710	79

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	4m

Playback	Listens	Hours
48h	0	0m
7d	6	2
30d	298	55

Playback	Listens	Hours
48h	29	4
7d	56	8
30d	223	33

Playback	Listens	Hours
48h	90	15
7d	266	45
30d	1.4k	256

686 shows

913 tapes

Phil Lesh and Friends

14.5k

Playback	Listens	Hours
48h	935	170
7d	2k	373
30d	14.5k	2.5k

788 shows

2,852 tapes

Pigeons Playing Ping Pong

1.9k

Playback	Listens	Hours
48h	64	9
7d	290	42
30d	1.9k	287

Playback	Listens	Hours
48h	192	24
7d	613	80
30d	3.8k	465

290 shows

430 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	58	5

Playback	Listens	Hours
48h	122	16
7d	353	46
30d	2.9k	383

1,231 shows

2,193 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	1	2
30d	15	3

Playback	Listens	Hours
48h	29	4
7d	156	20
30d	912	122

Playback	Listens	Hours
48h	669	85
7d	1.3k	171
30d	9.1k	1.2k

679 shows

1,283 tapes

Robert Hunter

Playback	Listens	Hours
48h	175	15
7d	110	8
30d	1k	79

Playback	Listens	Hours
48h	106	10
7d	182	15
30d	1.2k	99

Playback	Listens	Hours
48h	114	11
7d	296	23
30d	1.7k	145

580 shows

728 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

10 shows

Ted Leo and the Pharmacists

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	9	59m
30d	84	10

76 shows

95 tapes

Sam Grisman Project

Playback	Listens	Hours
48h	205	20
7d	525	50
30d	3k	285

Playback	Listens	Hours
48h	10	1
7d	1	7m
30d	403	50

135 shows

253 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	54	8

Playback	Listens	Hours
48h	24	2
7d	28	3
30d	164	18

Playback	Listens	Hours
48h	104	7
7d	188	15
30d	876	75

Playback	Listens	Hours
48h	120	19
7d	464	73
30d	3.5k	559

Playback	Listens	Hours
48h	54	11
7d	301	68
30d	2.3k	526

Playback	Listens	Hours
48h	32	2
7d	24	2
30d	254	16

Playback	Listens	Hours
48h	0	0m
7d	8	2
30d	156	30

Playback	Listens	Hours
48h	42	7
7d	132	27
30d	1.2k	184

Playback	Listens	Hours
48h	93	21
7d	175	40
30d	1.1k	251

Playback	Listens	Hours
48h	75	9
7d	172	24
30d	1.2k	152

664 shows

1,137 tapes

String Cheese Incident

11.5k

Playback	Listens	Hours
48h	762	122
7d	1.9k	309
30d	11.5k	1.9k

1,275 shows

2,059 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	83	8

Playback	Listens	Hours
48h	31	7
7d	49	9
30d	427	78

Playback	Listens	Hours
48h	13	2
7d	11	1
30d	279	36

178 shows

276 tapes

Tea Leaf Green

Playback	Listens	Hours
48h	52	6
7d	171	19
30d	1k	114

727 shows

1,112 tapes

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	52	4

Playback	Listens	Hours
48h	2.8k	332
7d	4k	468
30d	26.6k	3k

Playback	Listens	Hours
48h	18	49m
7d	111	5
30d	418	21

Playback	Listens	Hours
48h	21	4
7d	132	17
30d	731	96

Playback	Listens	Hours
48h	15	2
7d	66	9
30d	262	37

473 shows

629 tapes

The California Honeydrops

715

Playback	Listens	Hours
48h	61	8
7d	182	21
30d	715	90

76 shows

83 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	45	8

Playback	Listens	Hours
48h	165	23
7d	320	46
30d	3.3k	474

Playback	Listens	Hours
48h	29	2
7d	53	4
30d	413	35

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	104	15

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	1	14m
7d	0	0m
30d	79	13

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	1	7m
7d	3	21m
30d	23	3

25 shows

25 tapes

The Jauntee

Playback	Listens	Hours
48h	20	3
7d	11	1
30d	83	13

Playback	Listens	Hours
48h	6	57m
7d	60	9
30d	409	56

Playback	Listens	Hours
48h	171	10
7d	272	14
30d	789	41

Playback	Listens	Hours
48h	34	2
7d	64	4
30d	608	44

Playback	Listens	Hours
48h	16	6
7d	27	6
30d	230	59

Playback	Listens	Hours
48h	73	7
7d	166	16
30d	983	97

Playback	Listens	Hours
48h	82	9
7d	153	22
30d	1.5k	203

Playback	Listens	Hours
48h	473	45
7d	477	48
30d	5.5k	545

1,447 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	3	12m
7d	0	0m
30d	85	6

Playback	Listens	Hours
48h	44	4
7d	67	7
30d	943	99

Playback	Listens	Hours
48h	0	0m
7d	9	2
30d	232	46

Playback	Listens	Hours
48h	118	10
7d	62	5
30d	881	76

Playback	Listens	Hours
48h	19	1
7d	120	8
30d	1.2k	83

174 shows

207 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	38	3

Playback	Listens	Hours
48h	356	48
7d	733	113
30d	5.1k	728

Playback	Listens	Hours
48h	2	14m
7d	20	2
30d	114	11

Playback	Listens	Hours
48h	103	15
7d	160	25
30d	1.7k	278

Playback	Listens	Hours
48h	378	56
7d	850	122
30d	6.7k	966

Playback	Listens	Hours
48h	56	5
7d	77	6
30d	330	27

Playback	Listens	Hours
48h	76	5
7d	124	9
30d	1.5k	112

Playback	Listens	Hours
48h	848	65
7d	1.3k	98
30d	10.5k	822

618 shows

1,125 tapes

White Denim

Playback	Listens	Hours
48h	0	0m
7d	24	2
30d	39	3

Playback	Listens	Hours
48h	10.5k	1.3k
7d	22.9k	2.8k
30d	127k	15.1k

Playback	Listens	Hours
48h	43	6
7d	74	10
30d	730	98

1,417 shows

2,244 tapes

Yonder Mountain String Band

9.3k

Playback	Listens	Hours
48h	654	61
7d	1.2k	107
30d	9.3k	869

Playback	Listens	Hours
48h	84	12
7d	443	66
30d	1.7k	270

11 shows

15 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	16	35m

Playback	Listens	Hours
48h	92	15
7d	155	30
30d	1.4k	248

460 shows

662 tapes

Zoofunkyou

Playback	Listens	Hours
48h	13	1
7d	0	0m
30d	17	3

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	2k	266
7d	3.2k	462
30d	16.3k	2.2k

Playback	Listens	Hours
48h	1.4k	180
7d	2.2k	300
30d	25.5k	3.3k

Playback	Listens	Hours
48h	3.1k	394
7d	5.3k	673
30d	39.9k	5.1k

Playback	Listens	Hours
48h	695	92
7d	1.9k	246
30d	48.3k	6.3k

Playback	Listens	Hours
48h	2.9k	395
7d	4.9k	685
30d	32.1k	4.5k

Playback	Listens	Hours
48h	12k	1.6k
7d	15.9k	2k
30d	91.8k	11.7k

Playback	Listens	Hours
48h	3.9k	474
7d	5.3k	651
30d	35.3k	4.4k

Playback	Listens	Hours
48h	3.1k	371
7d	7.8k	883
30d	35.6k	4.1k

Playback	Listens	Hours
48h	6.1k	702
7d	11k	1.3k
30d	55.6k	6.5k

Playback	Listens	Hours
48h	1.4k	160
7d	2.8k	307
30d	18.3k	2.1k

Playback	Listens	Hours
48h	4.3k	522
7d	6.1k	765
30d	38.2k	4.6k

Playback	Listens	Hours
48h	3.7k	444
7d	2.2k	277
30d	20k	2.5k

Playback	Listens	Hours
48h	2.7k	328
7d	7.2k	877
30d	25.6k	3.3k

Playback	Listens	Hours
48h	1.4k	177
7d	2.4k	297
30d	29.1k	3.7k

Playback	Listens	Hours
48h	2.8k	370
7d	3.9k	499
30d	118.1k	15.2k

Playback	Listens	Hours
48h	2k	234
7d	3k	357
30d	29.5k	3.4k

Playback	Listens	Hours
48h	1.5k	206
7d	3k	412
30d	28.1k	3.9k

Playback	Listens	Hours
48h	2.3k	320
7d	4.1k	555
30d	39.9k	5.4k

Playback	Listens	Hours
48h	7.5k	1.1k
7d	11.1k	1.6k
30d	120.5k	17k

Playback	Listens	Hours
48h	2.2k	298
7d	3.1k	411
30d	28k	3.7k

Playback	Listens	Hours
48h	325	35
7d	875	95
30d	8.5k	934

Playback	Listens	Hours
48h	4k	508
7d	8k	983
30d	60.2k	7.6k

Playback	Listens	Hours
48h	9.7k	1.2k
7d	16.1k	1.9k
30d	93.9k	11.6k

Playback	Listens	Hours
48h	5.5k	671
7d	13.5k	1.6k
30d	64.3k	7.6k

Playback	Listens	Hours
48h	1.4k	158
7d	3k	328
30d	37k	4.2k

Playback	Listens	Hours
48h	1.4k	162
7d	3.6k	407
30d	34.7k	3.8k

Playback	Listens	Hours
48h	2.5k	419
7d	1.8k	268
30d	27.7k	4.1k

Playback	Listens	Hours
48h	969	112
7d	498	66
30d	8.3k	1.1k

41 shows

125 tapes

1967

Playback	Listens	Hours
48h	146	21
7d	280	34
30d	4k	475

Playback	Listens	Hours
48h	320	21
7d	769	55
30d	6.7k	490

Playback	Listens	Hours
48h	28	2
7d	78	4
30d	532	32

1977

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

396

Playback	Listens	Hours
48h	21	3
7d	48	8
30d	396	56

457

Playback	Listens	Hours
48h	12	2
7d	23	4
30d	457	69

993

Playback	Listens	Hours
48h	47	6
7d	112	15
30d	993	122

784

Playback	Listens	Hours
48h	83	10
7d	139	18
30d	784	95

Playback	Listens	Hours
48h	197	23
7d	168	20
30d	917	108

2:52:12

Community War Memorial Auditorium

11/05SBD

Rochester, NY, USA

620

Playback	Listens	Hours
48h	15	2
7d	18	3
30d	620	78

2:57:39

6 tapes

11/04SBD

Cotterrell Gym, Colgate U.

Hamilton, NY, USA

848

Playback	Listens	Hours
48h	68	9
7d	113	14
30d	848	108

3:03:06

Field House, Seneca College

11/02SBD

Toronto, Ontario, Canada

355

Playback	Listens	Hours
48h	45	8
7d	71	10
30d	355	48

Playback	Listens	Hours
48h	3	27m
7d	0	0m
30d	293	39

2:29:26

2 tapes

10/30SBD

Assembly Hall, Indiana U

Bloomington, IN, USA

468

Playback	Listens	Hours
48h	21	3
7d	69	8
30d	468	59

2:37:00

Field House, Northern Illinois U.

10/29SBD

De Kalb, IL, USA

1.4k

Playback	Listens	Hours
48h	89	11
7d	246	33
30d	1.4k	189

3:20:06

Soldiers' and Sailors' Memorial Hall

10/28SBD

Kansas City, KS, USA

193

Playback	Listens	Hours
48h	1	11m
7d	21	3
30d	193	26

3:00:28

6 tapes

10/16SBD

Assembly Center, Lousiana State U

Baton Rouge, LA, USA

554

Playback	Listens	Hours
48h	54	8
7d	132	19
30d	554	79

2:39:05

Lloyd Noble Center, U. of Oklahoma

10/15SBD

Moody Coliseum, S.M.U

Dallas, TX, USA

183

Playback	Listens	Hours
48h	28	4
7d	27	3
30d	183	23

Playback	Listens	Hours
48h	2	18m
7d	36	5
30d	648	91

Playback	Listens	Hours
48h	42	5
7d	2	12m
30d	291	32

2:34:16

4 tapes

10/11SBD

Norman, OK, USA

563

Playback	Listens	Hours
48h	29	5
7d	58	10
30d	563	82

2:37:06

Activity Center. Arizona State U

10/09SBD

McNichols Sports Arena

Denver, CO, USA

464

Playback	Listens	Hours
48h	1	4m
7d	29	3
30d	464	60

Playback	Listens	Hours
48h	12	2
7d	4	34m
30d	107	16

1:26:51

4 tapes

10/06SBD

Tempe, AZ, USA

511

Playback	Listens	Hours
48h	12	2
7d	31	4
30d	511	74

Playback	Listens	Hours
48h	91	12
7d	67	9
30d	1.1k	147

Playback	Listens	Hours
48h	35	4
7d	25	3
30d	348	42

2:43:45

Paramount Northwest Theater

9/29SBD

Seattle, WA, USA

2.6k

Playback	Listens	Hours
48h	49	8
7d	163	27
30d	2.6k	452

2:53:08

Paramount Northwest Theater

9/28SBD

Seattle, WA, USA

289

Playback	Listens	Hours
48h	2	20m
7d	8	1
30d	289	40

Playback	Listens	Hours
48h	195	24
7d	78	11
30d	2.2k	288

2.5k

Playback	Listens	Hours
48h	92	11
7d	119	16
30d	2.5k	319

1.7k

Playback	Listens	Hours
48h	40	7
7d	304	43
30d	1.7k	246

2.6k

Playback	Listens	Hours
48h	216	29
7d	264	36
30d	2.6k	376

Playback	Listens	Hours
48h	80	11
7d	59	10
30d	615	83

3:05:07

3 tapes

5/28SBD

Hartford Civic Center

Hartford, CT, USA

1.7k

Playback	Listens	Hours
48h	118	17
7d	196	30
30d	1.7k	259

3:19:35

5/26SBD

Baltimore Civic Center

Baltimore, MD, USA

1.7k

Playback	Listens	Hours
48h	119	17
7d	116	17
30d	1.7k	234

Playback	Listens	Hours
48h	212	29
7d	172	24
30d	2k	260

Pembroke Pines, FL, USA

3.1k

Playback	Listens	Hours
48h	161	23
7d	283	39
30d	3.1k	428

3:17:29

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

5/21SBD

Lakeland Civic Center

Playback	Listens	Hours
48h	143	19
7d	118	15
30d	1k	131

Playback	Listens	Hours
48h	130	18
7d	53	8
30d	1.3k	185

Playback	Listens	Hours
48h	102	15
7d	73	11
30d	991	145

2:56:45

3 tapes

5/17SBD

Memorial Coliseum, U. of Alabama

Tuscaloosa, AL, USA

2.4k

Playback	Listens	Hours
48h	196	26
7d	151	19
30d	2.4k	310

Playback	Listens	Hours
48h	91	12
7d	176	23
30d	1.3k	172

Playback	Listens	Hours
48h	147	18
7d	196	26
30d	1.3k	161

Playback	Listens	Hours
48h	12	1
7d	23	3
30d	142	18

2:29:28

2 tapes

5/11SBD

St. Paul Civic Center

St. Paul, MN, USA

2.6k

Playback	Listens	Hours
48h	197	27
7d	164	22
30d	2.6k	352

5:53:21

5/09SBD

War Memorial Auditorium

Buffalo, NY, USA

7.9k

Playback	Listens	Hours
48h	608	89
7d	848	123
30d	7.9k	1.1k

5:15:24

Barton Hall, Cornell University

5/08SBD

Ithaca, NY, USA

8.5k

Playback	Listens	Hours
48h	849	130
7d	1.1k	178
30d	8.5k	1.3k

Playback	Listens	Hours
48h	676	96
7d	363	49
30d	4.2k	605

3:15:28

9 tapes

5/05SBD

Veterans Memorial Coliseum

New Haven, CT, USA

Playback	Listens	Hours
48h	279	44
7d	582	85
30d	3k	437

Playback	Listens	Hours
48h	129	21
7d	168	26
30d	2.2k	353

Playback	Listens	Hours
48h	62	7
7d	44	5
30d	834	103

Playback	Listens	Hours
48h	54	8
7d	101	12
30d	687	87

Playback	Listens	Hours
48h	56	6
7d	1	6m
30d	599	71

Playback	Listens	Hours
48h	30	5
7d	30	4
30d	506	73

Playback	Listens	Hours
48h	60	9
7d	126	18
30d	1k	158

Playback	Listens	Hours
48h	12	1
7d	43	5
30d	200	26

Playback	Listens	Hours
48h	69	8
7d	49	6
30d	665	73

2:38:35

4/23SBD

Springfield Civic Center

Springfield, MA, USA

3.2k

Playback	Listens	Hours
48h	202	27
7d	555	77
30d	3.2k	442

Philadelphia, PA, USA

1.1k

Playback	Listens	Hours
48h	127	21
7d	154	25
30d	1.1k	166

9.8k

Playback	Listens	Hours
48h	135	18
7d	416	59
30d	9.8k	1.3k

10k

Playback	Listens	Hours
48h	89	14
7d	468	73
30d	10k	1.5k

Robertson Gym, UC Santa Barbara

11.1k

Playback	Listens	Hours
48h	138	20
7d	569	78
30d	11.1k	1.6k

Playback	Listens	Hours
48h	12	1
7d	13	2
30d	421	57

3:10:50

1 tape

2/27SBD

Goleta, CA, USA

877

Playback	Listens	Hours
48h	59	8
7d	63	7
30d	877	111

San Bernardino, CA, USA

8.5k

Playback	Listens	Hours
48h	606	81
7d	1.2k	156
30d	8.5k	1.1k

5:39:22

Studio (Terrapin Station Outtakes)

2/20SBD

Novato, CA

153

Playback	Listens	Hours
48h	0	0m
7d	7	50m
30d	153	20

Playback	Listens	Hours
48h	36	5
7d	43	5
30d	504	60

1:16:53

3 tapes

Sources

Taper: Betty Cantor

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448

Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48

gd1977-05-08.mtx.seamons.97274.sbeok.flac16

View Notespatch info:
- shnid 137569 supplies
- s1t01; start - 01:00
- s1t08; 03:18 - end
- s1t09; start - 00:25
- s2t10; 04:36 - end

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to dusborne for his work on the matrix

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

View Notes----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

Source 3 of 23

1:03:29

SBD

gd1977-05-08.sbd.cube.87486.flac16

Transferrer: Dan Haugh

gd1977-05-08.mtx.dan.35086.flac24

DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

gd77-05-08.sbd.hicks.4982.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital 
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on 
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > 
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam 
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, 
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch 
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob 
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit 
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > 
First Gen Reel > Played directly to hard drive > CDR > SHN 

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.   CEP2.0 used to adjust 
the volume for the SBD & both AUDs. CEP was used to do the 
multitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  DiscWelder was used to author and create the 
DVD-Audio in 24/96.  DVD Decryptor read and created the ISO 
image file.  This incorporates 2 channels of 24/96 wave files.     
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double DVD case.

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

This represents the 24 bit files that are the result of all 
my editing and the multitrack mixdown. It is unclear exactly 
what we have in the way of high resolution. However it seems 
there is agreement that what we have cannot be represented 
accurately in 16/44. What you are getting is the full result 
of the matrix mix process. How much different does this sound? 
is this better? A little and yes. This is more accurate and 
has more dynamic range.  24/96 resolution versus a 16/44 of 
the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in 
mind, this 24 bit copy is no different.  Small but important 
gains over the same material in 16/44.  This is just one 
man's take.  Take it or leave it.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

---------------------------------------------------------

Burning Instructions A & B

A. Use DVD Decryptor or similar program to burn as an image 
file (ISO) onto a DVDR.  Enjoy.

B. This may also circulate as 2 channel FLAC files and will
require assembly.  Included is the discwelder file. If you 
use that program, decode all the FLAC file and stick them in 
a folder. Click on the DiscWelder file (which will open 
DiscWelder) and point it towards that folder with the wave 
files and VIOLA! DVD-A pre-assembled and ready to author.

---------------------------------------------------------

Taper: Steve Maizner

Matrix (see notes)

gd1977-05-08.sbd.cantor.sacks.266.shnf

View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks 

Taper: Betty Cantor

WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN

Charlie Miller;Rob Berger

View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD

Taper: Jerry Moore

gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Jerry Moore

Charlie Miller, Rob Berger

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Recording by Rich Petrunis.

Recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 04/2021

gd1977-05-08.152379.aud.petrunis.flac2448

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

View NotesNote: Most of the stand-alone tracks clip-in abruptly with small
amounts missing. Noted flaws: The tape broke, causing drop-outs
at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication
cuts-out near the end. Taper got disrupted or lowered the mic in
Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended
together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.
With thanks to John and Rich Petrunis for sharing their tapes!

Transferrer: Matrix by Dave Usborne

2:56:25

Transferrer:

gd1977-05-08.137572.mtx-2aud.dusborne.flac16

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137570.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

3:02:47

REMASTER

Transferrer:

gd1977-05-08.137569.mtx.dusborne.flac24

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Taper: Jim Cooper

gd1977-05-08.134093.aud.cooper.berger.flac24

source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

Transferrer: Hunter Seamons

gd1977-05-08.111493.mtx.seamons.sbeok.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>

DTS and Matrixing by Dan Haugh

View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.


Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*40th Matrix* 

----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 

I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing.

Thank you for your continued patience and support.

-Hunter

February 14, 2010

Taper: See info file

gd1977-05-08.mtx.dts.dan.30756.flac16

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.  CEP2.0 used to adjust the 
volume for both AUDs, matrix/CTR and LFE channels.  Surcode 
CD Pro DTS was used to encode to DTS. The center matrix track 
is a 60% SBD, 40% AUD2 mix.   
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD Reel 
Right Channel SBD Reel

Center 	
Mixed to mono -6db SBD+AUD2 Matrix 

Surround 
Left Channel -2db AUD1 (with some AUD2 patches)
Right Channel -2db AUD1 (with some AUD2 patches)

Sub/LFE
Mixed to mono -4db SBD Reel

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

Taper: See info file

Matrixing by Dan Haugh

gd1977-05-08.mtx.dan.29511.flac16

View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) >
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)

AUD1
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master >
First Gen Reel > Played directly to hard drive > CDR > SHN

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch the SBD & both AUD sources.   CEP2.0 used to adjust the
volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a
fake AUD recording by mixing crowd cheer with the SBD. This
was effective at creating patches for the rear channels in
the 5.1 presentation but also maintained a smooth quality in
the stereo matrix mix as well.  These patches are numerous
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources
to pull up the vocals and give the center channel a unique
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo
field moves.  The result, although not perfect, I think
provides the listener with a more enjoyable and natural
listening experience.  Maybe you disagree.  For those of you
who would rather have a patch using a matrix mix of the 2 AUD
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 -
43:16.362.  This was patched using a matrix mix of the 2 AUD
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is
still pretty good.  The switch back to SBD is actually
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you
didn't really read the text file, did you?

Taper: Jeff Stevenson

gd1977-05-08.shure57.stevenson.29303.flac16

Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC

MC>CDR>EAC>WAV>FLAC

Rob Berger and Chris Larson

View NotesNotes:10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's 
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
if Anyone Wants To  Matrix This Feel Free, I'd Love To Hear It!

Transferrer: Rob Berger and Chris Larson

gd1977-05-08.aud.moore.berger.28354.flac16

MAC>R>CD

Rob Berger and Sean Cribbs

View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

Taper: Jerry Moore

gd1977-05-08.aud.moore.cribbs.28301.shnf

MAC>R>CD

gd77-05-08.matrix.dan.26857.sbeok.flacf

View NotesMAC>R>CD
Audience Recording by Jerry Moore

Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.

Transferrer: Dan

Matrix - 3 Sources

gd77-05-08.dts.dan.26856.sbeok.flacf

View NotesSBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 

Tech Notes: 

SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave.  CEP2.0 was used to align & synch the SBD & both AUD sources.   CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.  

- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case.

Notes: 

I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up.  So, although not complete, you will get a good idea of what was done to bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations.  A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well.  These patches are numerous and I think completely smooth and most likely undetectable.

d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD.  Starting this monster project with an unrecoverable flaw was unacceptable to me.  I decided to patch that opening portion with a SBD and AUD recording from 5-7-77.  As this patch ends you will hear some slight phasing as the stereo field moves.  The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience.  Maybe you disagree.  For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362.  This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD.  I also tried to match the volume on the SBD.  A switch in sources is obvious to the listener but this is still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap.   This is smooth and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?

Source 22 of 23

<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7

gd77-05-08.maizner.hicks.5002.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

<b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

Taper: Steve Maizner

Audience - Sony ECM-990

Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive