Brown Eyed Women | 1977-05-08 | Grateful Dead

Bernie Worrell and the WOO Warriors

249

Playback	Listens	Hours
48h	9	38m
7d	47	5
30d	249	28

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	1	12m
7d	1	12m
30d	81	11

Playback	Listens	Hours
48h	11	2
7d	54	8
30d	624	87

Playback	Listens	Hours
48h	131	17
7d	418	52
30d	2.2k	288

Playback	Listens	Hours
48h	11.7k	1.1k
7d	19.9k	2k
30d	97.6k	9.8k

Playback	Listens	Hours
48h	156	11
7d	318	22
30d	2.1k	150

62 shows

76 tapes

Blueground Undergrass

244

Playback	Listens	Hours
48h	59	7
7d	62	7
30d	244	25

Playback	Listens	Hours
48h	91	10
7d	173	17
30d	1.8k	194

Playback	Listens	Hours
48h	340	42
7d	760	98
30d	6.2k	815

305 shows

505 tapes

Bobby Previte

Playback	Listens	Hours
48h	2	15m
7d	0	0m
30d	19	5

20 shows

26 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	1	13m
30d	7	2

Playback	Listens	Hours
48h	115	19
7d	105	16
30d	867	140

Playback	Listens	Hours
48h	19	2
7d	21	3
30d	142	16

Playback	Listens	Hours
48h	83	7
7d	83	8
30d	771	74

Playback	Listens	Hours
48h	79	9
7d	126	13
30d	690	72

Playback	Listens	Hours
48h	85	6
7d	90	5
30d	707	40

Playback	Listens	Hours
48h	79	10
7d	108	15
30d	641	82

Playback	Listens	Hours
48h	4	14m
7d	84	6
30d	548	36

241 shows

270 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	6	1
7d	6	1
30d	15	2

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	11	56m
30d	21	2

79 shows

93 tapes

Circles Around The Sun

G. Love and Special Sauce

Playback	Listens	Hours
48h	90	19
7d	248	51
30d	1.5k	300

Playback	Listens	Hours
48h	23	4
7d	53	11
30d	321	62

Playback	Listens	Hours
48h	3	17m
7d	47	4
30d	477	41

Playback	Listens	Hours
48h	14	2
7d	35	5
30d	563	80

Playback	Listens	Hours
48h	464	70
7d	969	144
30d	4.1k	603

Playback	Listens	Hours
48h	238	30
7d	486	74
30d	5.8k	781

786 shows

1,037 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	24	5

Playback	Listens	Hours
48h	8	58m
7d	26	3
30d	304	34

Playback	Listens	Hours
48h	1.7k	269
7d	4.1k	649
30d	29k	4.6k

Playback	Listens	Hours
48h	15	2
7d	97	10
30d	445	49

Playback	Listens	Hours
48h	34	2
7d	202	13
30d	1.2k	73

Playback	Listens	Hours
48h	127	15
7d	162	18
30d	1.5k	176

Playback	Listens	Hours
48h	803	171
7d	1.4k	294
30d	11.8k	2.5k

Playback	Listens	Hours
48h	72	7
7d	63	6
30d	454	44

Playback	Listens	Hours
48h	221	39
7d	446	76
30d	2.3k	367

Playback	Listens	Hours
48h	0	0m
7d	3	45m
30d	139	27

Playback	Listens	Hours
48h	175	19
7d	112	11
30d	1.5k	155

Playback	Listens	Hours
48h	42	8
7d	68	12
30d	482	77

Playback	Listens	Hours
48h	97	9
7d	295	26
30d	2.1k	186

Playback	Listens	Hours
48h	69	12
7d	116	20
30d	671	116

Playback	Listens	Hours
48h	18	2
7d	35	3
30d	152	18

Playback	Listens	Hours
48h	153	27
7d	226	37
30d	2.8k	466

141 shows

269 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	13	2

Playback	Listens	Hours
48h	188	26
7d	457	59
30d	2.8k	380

Playback	Listens	Hours
48h	0	0m
7d	17	3
30d	103	30

Playback	Listens	Hours
48h	149	9
7d	68	4
30d	752	42

Playback	Listens	Hours
48h	8	52m
7d	35	5
30d	392	52

Playback	Listens	Hours
48h	3	24m
7d	7	1
30d	142	28

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	0	0m
7d	3	15m
30d	67	11

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	4	26m
30d	17	2

Playback	Listens	Hours
48h	90	9
7d	42	4
30d	431	45

Playback	Listens	Hours
48h	12	51m
7d	12	48m
30d	375	25

Playback	Listens	Hours
48h	0	0m
7d	13	53m
30d	284	22

Playback	Listens	Hours
48h	10	32m
7d	43	2
30d	448	27

Playback	Listens	Hours
48h	685	110
7d	1.2k	191
30d	10.1k	1.6k

246 shows

1,218 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	16	3

14 shows

15 tapes

855

Playback	Listens	Hours
48h	32	3
7d	94	9
30d	855	78

Playback	Listens	Hours
48h	72	8
7d	137	15
30d	946	103

Playback	Listens	Hours
48h	1	12m
7d	37	5
30d	266	39

Playback	Listens	Hours
48h	75	14
7d	56	10
30d	518	103

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	55	6

Playback	Listens	Hours
48h	10	1
7d	48	7
30d	213	41

Playback	Listens	Hours
48h	104	12
7d	106	13
30d	1.2k	139

369 shows

496 tapes

Godspeed You Black Emperor!

239

Playback	Listens	Hours
48h	51	13
7d	37	9
30d	239	57

Playback	Listens	Hours
48h	13	2
7d	108	15
30d	314	47

Playback	Listens	Hours
48h	1.7k	327
7d	3.2k	617
30d	21.3k	4.1k

Playback	Listens	Hours
48h	1	7m
7d	13	1
30d	324	31

362 shows

591 tapes

Grahame Lesh and Friends

5.8k

Playback	Listens	Hours
48h	382	56
7d	929	145
30d	5.8k	915

32 shows

106 tapes

Grampas Grass

Playback	Listens	Hours
48h	23	2
7d	22	3
30d	78	9

Playback	Listens	Hours
48h	261	28
7d	460	48
30d	4.4k	488

Playback	Listens	Hours
48h	66	7
7d	195	22
30d	1.4k	163

220 shows

304 tapes

GrooveSession

Playback	Listens	Hours
48h	12	2
7d	7	59m
30d	56	8

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	23	2

52 shows

56 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	18	3
30d	72	10

Playback	Listens	Hours
48h	13	56m
7d	68	4
30d	575	41

747 shows

1,024 tapes

Hard Working Americans

336

Playback	Listens	Hours
48h	21	2
7d	54	6
30d	336	37

Playback	Listens	Hours
48h	59	8
7d	61	10
30d	726	114

186 shows

225 tapes

Horseshoes and Hand Grenades

289

Playback	Listens	Hours
48h	0	0m
7d	101	9
30d	289	24

Playback	Listens	Hours
48h	26	2
7d	70	6
30d	364	34

677 shows

850 tapes

Infamous Stringdusters

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	65	6
7d	125	12
30d	1.5k	138

623 shows

1,001 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	152	10
7d	798	53
30d	3.6k	237

Playback	Listens	Hours
48h	27	2
7d	79	8
30d	656	67

364 shows

489 tapes

Jazz Mandolin Project

554

Playback	Listens	Hours
48h	16	2
7d	50	7
30d	554	82

218 shows

275 tapes

Playback	Listens	Hours
48h	0	0m
7d	8	40m
30d	85	8

12 shows

14 tapes

Jeff Austin And Friends

201

Playback	Listens	Hours
48h	7	38m
7d	0	0m
30d	201	19

Playback	Listens	Hours
48h	31	3
7d	64	9
30d	815	111

112 shows

160 tapes

Jerry Joseph and the Jackmormons

2.5k

Playback	Listens	Hours
48h	277	48
7d	373	62
30d	2.5k	420

1,123 shows

1,518 tapes

Jerry's Middle Finger

2.3k

Playback	Listens	Hours
48h	182	28
7d	317	47
30d	2.3k	318

247 shows

297 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	20	3
7d	18	3
30d	97	14

2 shows

Karl Denson's Tiny Universe

Joe Russo's Almost Dead

21.8k

Playback	Listens	Hours
48h	1.5k	259
7d	2.9k	528
30d	21.8k	3.9k

358 shows

1,172 tapes

John Kadlecik

Playback	Listens	Hours
48h	36	5
7d	125	16
30d	1k	113

Playback	Listens	Hours
48h	186	17
7d	413	39
30d	2.4k	217

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	2	23m
7d	2	13m
30d	65	7

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	117	9

Playback	Listens	Hours
48h	7	46m
7d	3	35m
30d	110	12

71 shows

104 tapes

364

Playback	Listens	Hours
48h	13	1
7d	44	6
30d	364	54

Playback	Listens	Hours
48h	231	22
7d	551	54
30d	3.4k	318

Playback	Listens	Hours
48h	30	5
7d	99	14
30d	384	51

40 shows

51 tapes

King Gizzard & the Lizard Wizard

12.7k

Playback	Listens	Hours
48h	642	84
7d	1.4k	188
30d	12.7k	1.7k

Playback	Listens	Hours
48h	109	14
7d	309	38
30d	2.2k	278

308 shows

393 tapes

Kung Fu

Playback	Listens	Hours
48h	4	40m
7d	6	55m
30d	85	12

Playback	Listens	Hours
48h	28	6
7d	95	20
30d	543	103

Playback	Listens	Hours
48h	84	10
7d	100	12
30d	1.9k	225

Playback	Listens	Hours
48h	193	20
7d	397	38
30d	2.4k	235

Playback	Listens	Hours
48h	133	19
7d	427	62
30d	2.9k	425

454 shows

703 tapes

Little Feat

Playback	Listens	Hours
48h	170	15
7d	400	34
30d	4k	371

Playback	Listens	Hours
48h	58	4
7d	151	11
30d	1.1k	86

Playback	Listens	Hours
48h	152	29
7d	225	43
30d	1.8k	357

Playback	Listens	Hours
48h	19	2
7d	39	5
30d	182	19

Playback	Listens	Hours
48h	56	6
7d	155	17
30d	1.4k	148

Playback	Listens	Hours
48h	19	2
7d	59	5
30d	422	42

348 shows

447 tapes

Matt Pond PA

Playback	Listens	Hours
48h	10	48m
7d	1	5m
30d	2	9m

Playback	Listens	Hours
48h	306	48
7d	476	75
30d	3.9k	586

Playback	Listens	Hours
48h	65	4
7d	57	4
30d	475	27

Playback	Listens	Hours
48h	0	0m
7d	28	3
30d	241	27

Playback	Listens	Hours
48h	43	1
7d	58	2
30d	223	6

Playback	Listens	Hours
48h	8	36m
7d	44	3
30d	469	37

Playback	Listens	Hours
48h	618	98
7d	1.1k	177
30d	10.1k	1.7k

1,965 shows

4,443 tapes

Mogwai

Playback	Listens	Hours
48h	1	7m
7d	2	9m
30d	75	8

Playback	Listens	Hours
48h	0	0m
7d	39	3
30d	244	19

Playback	Listens	Hours
48h	219	23
7d	567	59
30d	4.5k	460

411 shows

597 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	5	17m
30d	24	2

46 shows

50 tapes

Neal Francis

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	44	4

Playback	Listens	Hours
48h	101	14
7d	148	21
30d	662	96

Playback	Listens	Hours
48h	7	1
7d	3	49m
30d	164	25

61 shows

71 tapes

New Riders of the Purple Sage

1.2k

Playback	Listens	Hours
48h	101	8
7d	183	17
30d	1.2k	103

403 shows

589 tapes

North Mississippi Allstars

1.1k

Playback	Listens	Hours
48h	94	9
7d	123	12
30d	1.1k	113

Playback	Listens	Hours
48h	22	3
7d	101	13
30d	701	79

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	5	32m
7d	0	0m
30d	1	4m

Playback	Listens	Hours
48h	1	7m
7d	26	4
30d	174	34

Playback	Listens	Hours
48h	0	0m
7d	5	41m
30d	217	31

Playback	Listens	Hours
48h	71	12
7d	195	32
30d	1.5k	254

687 shows

915 tapes

Phil Lesh and Friends

14.4k

Playback	Listens	Hours
48h	844	155
7d	2k	361
30d	14.4k	2.5k

788 shows

2,852 tapes

Pigeons Playing Ping Pong

Playback	Listens	Hours
48h	24	4
7d	146	23
30d	1.5k	230

Playback	Listens	Hours
48h	205	27
7d	430	56
30d	3.4k	427

290 shows

430 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	21	2
7d	0	0m
30d	53	4

Playback	Listens	Hours
48h	167	23
7d	370	49
30d	2.8k	368

1,231 shows

2,193 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	8	3

Playback	Listens	Hours
48h	88	10
7d	119	15
30d	774	105

Playback	Listens	Hours
48h	645	82
7d	1.1k	142
30d	8.8k	1.2k

Playback	Listens	Hours
48h	204	15
7d	267	22
30d	1.3k	105

Playback	Listens	Hours
48h	84	8
7d	50	4
30d	943	81

Playback	Listens	Hours
48h	110	8
7d	330	29
30d	1.7k	143

580 shows

728 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	26m

10 shows

Ted Leo and the Pharmacists

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	2	24m
30d	44	5

Playback	Listens	Hours
48h	163	15
7d	405	39
30d	2.7k	262

Playback	Listens	Hours
48h	2	35m
7d	13	3
30d	215	29

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	2	6m
7d	1	9m
30d	41	6

Playback	Listens	Hours
48h	2	16m
7d	31	4
30d	154	17

Playback	Listens	Hours
48h	52	4
7d	101	8
30d	991	82

Playback	Listens	Hours
48h	205	32
7d	363	58
30d	3.2k	497

Playback	Listens	Hours
48h	74	14
7d	121	27
30d	1.8k	407

Playback	Listens	Hours
48h	45	2
7d	81	5
30d	295	19

Playback	Listens	Hours
48h	3	30m
7d	3	27m
30d	145	27

Playback	Listens	Hours
48h	123	18
7d	193	30
30d	1.1k	165

Playback	Listens	Hours
48h	122	27
7d	269	61
30d	1.3k	281

Playback	Listens	Hours
48h	57	8
7d	115	14
30d	961	123

664 shows

1,137 tapes

String Cheese Incident

11.4k

Playback	Listens	Hours
48h	698	117
7d	1.5k	236
30d	11.4k	1.8k

1,275 shows

2,059 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	8	39m
7d	21	2
30d	80	8

Playback	Listens	Hours
48h	27	5
7d	68	14
30d	471	89

Playback	Listens	Hours
48h	4	30m
7d	41	5
30d	291	37

Playback	Listens	Hours
48h	44	5
7d	148	16
30d	992	110

727 shows

1,112 tapes

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	1

Playback	Listens	Hours
48h	887	104
7d	2.6k	304
30d	31.6k	3.6k

Playback	Listens	Hours
48h	50	3
7d	57	3
30d	396	20

Playback	Listens	Hours
48h	37	5
7d	92	12
30d	810	107

Playback	Listens	Hours
48h	30	5
7d	38	7
30d	229	32

473 shows

629 tapes

The California Honeydrops

881

Playback	Listens	Hours
48h	26	4
7d	117	16
30d	881	112

76 shows

83 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	25	4

Playback	Listens	Hours
48h	263	40
7d	338	52
30d	2.7k	390

Playback	Listens	Hours
48h	15	1
7d	36	4
30d	403	35

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	87	13

160 shows

219 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	41	8

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	1	2m
7d	0	0m
30d	16	2

Playback	Listens	Hours
48h	42	7
7d	75	13
30d	184	29

Playback	Listens	Hours
48h	4	25m
7d	10	1
30d	253	35

Playback	Listens	Hours
48h	104	5
7d	238	12
30d	1.1k	56

Playback	Listens	Hours
48h	22	2
7d	23	2
30d	441	32

Playback	Listens	Hours
48h	45	5
7d	19	5
30d	166	40

Playback	Listens	Hours
48h	81	8
7d	253	25
30d	1.1k	110

Playback	Listens	Hours
48h	49	7
7d	176	30
30d	1.4k	191

Playback	Listens	Hours
48h	307	31
7d	787	77
30d	5.2k	515

Playback	Listens	Hours
48h	1	4m
7d	31	2
30d	116	8

Playback	Listens	Hours
48h	33	3
7d	201	21
30d	949	101

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	234	46

Playback	Listens	Hours
48h	70	7
7d	152	17
30d	962	88

Playback	Listens	Hours
48h	83	6
7d	31	2
30d	889	64

175 shows

208 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	42	4

Playback	Listens	Hours
48h	273	43
7d	553	82
30d	4.8k	695

Playback	Listens	Hours
48h	14	1
7d	33	3
30d	139	14

Playback	Listens	Hours
48h	155	24
7d	117	20
30d	1.4k	226

Playback	Listens	Hours
48h	370	56
7d	714	102
30d	5.9k	869

Playback	Listens	Hours
48h	33	3
7d	47	4
30d	461	39

36 shows

49 tapes

Warren Zevon

Playback	Listens	Hours
48h	41	3
7d	135	10
30d	1k	76

Playback	Listens	Hours
48h	836	65
7d	1.8k	135
30d	11k	857

Playback	Listens	Hours
48h	26	2
7d	86	6
30d	137	9

Playback	Listens	Hours
48h	7.5k	899
7d	17.6k	2.1k
30d	132.9k	16k

Playback	Listens	Hours
48h	79	8
7d	100	14
30d	751	103

1,417 shows

2,244 tapes

Yonder Mountain String Band

Playback	Listens	Hours
48h	722	72
7d	1.3k	123
30d	9k	845

Playback	Listens	Hours
48h	101	17
7d	76	13
30d	1.5k	228

12 shows

16 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	25m

Playback	Listens	Hours
48h	51	9
7d	176	32
30d	1.2k	211

461 shows

663 tapes

Zoofunkyou

Playback	Listens	Hours
48h	2	18m
7d	3	23m
30d	47	6

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.5k	222
7d	3k	426
30d	20k	2.7k

Playback	Listens	Hours
48h	2k	275
7d	2.7k	354
30d	19.3k	2.6k

Playback	Listens	Hours
48h	1k	139
7d	4.2k	547
30d	41.4k	5.3k

Playback	Listens	Hours
48h	447	57
7d	1.1k	142
30d	26.9k	3.5k

Playback	Listens	Hours
48h	3.2k	436
7d	7.9k	1.1k
30d	38.3k	5.4k

Playback	Listens	Hours
48h	2.8k	376
7d	12.4k	1.6k
30d	113.9k	14.5k

Playback	Listens	Hours
48h	6.5k	802
7d	15.1k	1.8k
30d	46k	5.7k

Playback	Listens	Hours
48h	3.6k	427
7d	9.6k	1k
30d	48k	5.5k

Playback	Listens	Hours
48h	5.2k	568
7d	11.6k	1.3k
30d	54.3k	6.3k

Playback	Listens	Hours
48h	799	94
7d	3.2k	368
30d	21.7k	2.5k

Playback	Listens	Hours
48h	5k	611
7d	9.8k	1.1k
30d	44.6k	5.4k

Playback	Listens	Hours
48h	4k	483
7d	3.7k	458
30d	22.5k	2.8k

Playback	Listens	Hours
48h	1.3k	168
7d	2.8k	369
30d	25.5k	3.2k

Playback	Listens	Hours
48h	6.4k	776
7d	11.3k	1.4k
30d	34k	4.4k

Playback	Listens	Hours
48h	1.9k	242
7d	4.2k	525
30d	70.1k	9k

Playback	Listens	Hours
48h	2k	230
7d	5.3k	611
30d	35.7k	4.1k

Playback	Listens	Hours
48h	1.2k	165
7d	3.4k	464
30d	24.8k	3.4k

Playback	Listens	Hours
48h	10.2k	1.3k
7d	8.6k	1.1k
30d	37.6k	5k

Playback	Listens	Hours
48h	5.3k	741
7d	14.6k	2.1k
30d	112.2k	15.8k

Playback	Listens	Hours
48h	1.5k	197
7d	3.7k	493
30d	24.8k	3.3k

Playback	Listens	Hours
48h	384	39
7d	848	85
30d	7.4k	792

Playback	Listens	Hours
48h	2.8k	372
7d	7.4k	943
30d	53.7k	6.8k

Playback	Listens	Hours
48h	4k	479
7d	11.1k	1.3k
30d	100.3k	12.2k

Playback	Listens	Hours
48h	3.1k	364
7d	6.8k	813
30d	56.6k	6.8k

Playback	Listens	Hours
48h	7.2k	751
7d	13.1k	1.5k
30d	40.4k	4.6k

Playback	Listens	Hours
48h	1.2k	130
7d	7.1k	717
30d	27.8k	3k

Playback	Listens	Hours
48h	2.1k	298
7d	5.2k	722
30d	19.8k	2.8k

Playback	Listens	Hours
48h	405	54
7d	918	115
30d	7.5k	912

41 shows

125 tapes

1967

Playback	Listens	Hours
48h	161	25
7d	236	33
30d	4k	441

Playback	Listens	Hours
48h	518	38
7d	734	46
30d	6.2k	451

Playback	Listens	Hours
48h	28	2
7d	50	3
30d	488	29

1977

Playback	Listens	Hours
48h	2	3
7d	0	0m
30d	0	0m

367

Playback	Listens	Hours
48h	16	3
7d	99	15
30d	367	56

356

Playback	Listens	Hours
48h	19	3
7d	59	10
30d	356	55

774

Playback	Listens	Hours
48h	45	6
7d	76	9
30d	774	93

803

Playback	Listens	Hours
48h	138	16
7d	231	27
30d	803	98

Playback	Listens	Hours
48h	57	7
7d	161	19
30d	851	104

2:52:12

Community War Memorial Auditorium

11/05SBD

Rochester, NY, USA

618

Playback	Listens	Hours
48h	56	7
7d	93	13
30d	618	79

2:57:39

6 tapes

11/04SBD

Cotterrell Gym, Colgate U.

Hamilton, NY, USA

871

Playback	Listens	Hours
48h	57	7
7d	169	20
30d	871	110

3:03:06

Field House, Seneca College

11/02SBD

Toronto, Ontario, Canada

423

Playback	Listens	Hours
48h	11	2
7d	80	8
30d	423	52

Playback	Listens	Hours
48h	8	1
7d	48	6
30d	278	37

2:29:26

2 tapes

10/30SBD

Assembly Hall, Indiana U

Bloomington, IN, USA

365

Playback	Listens	Hours
48h	34	4
7d	37	5
30d	365	46

2:37:00

Field House, Northern Illinois U.

10/29SBD

De Kalb, IL, USA

1.6k

Playback	Listens	Hours
48h	127	18
7d	331	43
30d	1.6k	208

3:20:06

Soldiers' and Sailors' Memorial Hall

10/28SBD

Kansas City, KS, USA

138

Playback	Listens	Hours
48h	11	2
7d	14	3
30d	138	20

3:00:28

6 tapes

10/16SBD

Assembly Center, Lousiana State U

Baton Rouge, LA, USA

506

Playback	Listens	Hours
48h	40	7
7d	107	16
30d	506	75

2:39:05

Lloyd Noble Center, U. of Oklahoma

10/15SBD

Moody Coliseum, S.M.U

Dallas, TX, USA

196

Playback	Listens	Hours
48h	9	1
7d	29	4
30d	196	25

Playback	Listens	Hours
48h	5	48m
7d	68	10
30d	471	66

Playback	Listens	Hours
48h	13	1
7d	26	3
30d	280	31

2:34:16

4 tapes

10/11SBD

Norman, OK, USA

558

Playback	Listens	Hours
48h	93	13
7d	100	15
30d	558	83

2:37:06

Activity Center. Arizona State U

10/09SBD

McNichols Sports Arena

Denver, CO, USA

370

Playback	Listens	Hours
48h	33	4
7d	24	3
30d	370	46

Playback	Listens	Hours
48h	17	3
7d	27	5
30d	95	15

1:26:51

4 tapes

10/06SBD

Tempe, AZ, USA

498

Playback	Listens	Hours
48h	23	3
7d	44	6
30d	498	69

Playback	Listens	Hours
48h	45	6
7d	148	19
30d	966	129

Playback	Listens	Hours
48h	11	1
7d	31	4
30d	298	36

2:43:45

Paramount Northwest Theater

9/29SBD

Seattle, WA, USA

Playback	Listens	Hours
48h	45	7
7d	53	9
30d	1.5k	248

2:53:08

Paramount Northwest Theater

9/28SBD

Seattle, WA, USA

224

Playback	Listens	Hours
48h	20	3
7d	15	2
30d	224	31

Playback	Listens	Hours
48h	126	16
7d	257	35
30d	2k	263

2.4k

Playback	Listens	Hours
48h	247	33
7d	422	55
30d	2.4k	311

1.8k

Playback	Listens	Hours
48h	103	14
7d	307	48
30d	1.8k	260

2.5k

Playback	Listens	Hours
48h	106	15
7d	238	33
30d	2.5k	357

Playback	Listens	Hours
48h	24	3
7d	118	14
30d	558	74

3:05:07

3 tapes

5/28SBD

Hartford Civic Center

Hartford, CT, USA

1.6k

Playback	Listens	Hours
48h	71	12
7d	282	41
30d	1.6k	241

3:19:35

5/26SBD

Baltimore Civic Center

Baltimore, MD, USA

Playback	Listens	Hours
48h	57	8
7d	286	40
30d	1.5k	208

Playback	Listens	Hours
48h	132	17
7d	394	53
30d	1.6k	215

Pembroke Pines, FL, USA

2.8k

Playback	Listens	Hours
48h	188	26
7d	371	51
30d	2.8k	382

3:17:29

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

5/21SBD

Lakeland Civic Center

1.2k

Playback	Listens	Hours
48h	58	7
7d	218	27
30d	1.2k	159

Playback	Listens	Hours
48h	18	3
7d	148	22
30d	1.2k	173

Playback	Listens	Hours
48h	30	4
7d	123	17
30d	1.1k	152

2:56:45

3 tapes

5/17SBD

Memorial Coliseum, U. of Alabama

Tuscaloosa, AL, USA

Playback	Listens	Hours
48h	191	25
7d	431	58
30d	2k	268

Playback	Listens	Hours
48h	39	5
7d	189	24
30d	1.4k	186

Playback	Listens	Hours
48h	58	7
7d	141	18
30d	1.2k	147

Playback	Listens	Hours
48h	4	46m
7d	10	1
30d	167	21

2:29:28

2 tapes

5/11SBD

St. Paul Civic Center

St. Paul, MN, USA

2.5k

Playback	Listens	Hours
48h	182	24
7d	370	49
30d	2.5k	332

5:53:21

5/09SBD

War Memorial Auditorium

Buffalo, NY, USA

7.7k

Playback	Listens	Hours
48h	318	48
7d	1.2k	180
30d	7.7k	1.1k

5:15:24

Barton Hall, Cornell University

5/08SBD

Ithaca, NY, USA

7.7k

Playback	Listens	Hours
48h	431	66
7d	1.3k	192
30d	7.7k	1.2k

Playback	Listens	Hours
48h	256	37
7d	934	135
30d	4.6k	655

3:15:28

9 tapes

5/05SBD

Veterans Memorial Coliseum

New Haven, CT, USA

2.9k

Playback	Listens	Hours
48h	157	24
7d	461	73
30d	2.9k	430

Playback	Listens	Hours
48h	144	23
7d	549	90
30d	2.4k	388

Playback	Listens	Hours
48h	37	4
7d	106	13
30d	672	82

Playback	Listens	Hours
48h	31	4
7d	60	8
30d	655	84

Playback	Listens	Hours
48h	12	2
7d	115	13
30d	513	59

Playback	Listens	Hours
48h	33	5
7d	82	13
30d	401	58

Playback	Listens	Hours
48h	74	12
7d	207	32
30d	989	152

Playback	Listens	Hours
48h	8	59m
7d	45	6
30d	247	32

Playback	Listens	Hours
48h	52	5
7d	117	13
30d	782	87

2:38:35

4/23SBD

Springfield Civic Center

Springfield, MA, USA

Playback	Listens	Hours
48h	127	17
7d	508	70
30d	3k	413

Philadelphia, PA, USA

Playback	Listens	Hours
48h	149	23
7d	382	59
30d	1.5k	237

9.8k

Playback	Listens	Hours
48h	101	14
7d	304	41
30d	9.8k	1.3k

9.8k

Playback	Listens	Hours
48h	191	30
7d	391	61
30d	9.8k	1.5k

Robertson Gym, UC Santa Barbara

10.5k

Playback	Listens	Hours
48h	137	20
7d	356	54
30d	10.5k	1.5k

Playback	Listens	Hours
48h	16	2
7d	1	4m
30d	58	7

3:10:50

1 tape

2/27SBD

Goleta, CA, USA

565

Playback	Listens	Hours
48h	43	6
7d	139	17
30d	565	69

San Bernardino, CA, USA

6.2k

Playback	Listens	Hours
48h	338	45
7d	865	116
30d	6.2k	827

5:39:22

Studio (Terrapin Station Outtakes)

2/20SBD

Novato, CA

Playback	Listens	Hours
48h	12	2
7d	2	21m
30d	75	10

Playback	Listens	Hours
48h	26	3
7d	44	4
30d	426	50

1:16:53

3 tapes

Sources

Taper: Betty Cantor

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448

Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48

gd1977-05-08.mtx.seamons.97274.sbeok.flac16

View Notespatch info:
- shnid 137569 supplies
- s1t01; start - 01:00
- s1t08; 03:18 - end
- s1t09; start - 00:25
- s2t10; 04:36 - end

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to dusborne for his work on the matrix

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

View Notes----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

Source 3 of 23

1:03:29

SBD

gd1977-05-08.sbd.cube.87486.flac16

Transferrer: Dan Haugh

gd1977-05-08.mtx.dan.35086.flac24

DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

gd77-05-08.sbd.hicks.4982.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital 
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on 
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > 
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam 
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, 
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch 
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob 
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit 
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > 
First Gen Reel > Played directly to hard drive > CDR > SHN 

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.   CEP2.0 used to adjust 
the volume for the SBD & both AUDs. CEP was used to do the 
multitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  DiscWelder was used to author and create the 
DVD-Audio in 24/96.  DVD Decryptor read and created the ISO 
image file.  This incorporates 2 channels of 24/96 wave files.     
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double DVD case.

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

This represents the 24 bit files that are the result of all 
my editing and the multitrack mixdown. It is unclear exactly 
what we have in the way of high resolution. However it seems 
there is agreement that what we have cannot be represented 
accurately in 16/44. What you are getting is the full result 
of the matrix mix process. How much different does this sound? 
is this better? A little and yes. This is more accurate and 
has more dynamic range.  24/96 resolution versus a 16/44 of 
the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in 
mind, this 24 bit copy is no different.  Small but important 
gains over the same material in 16/44.  This is just one 
man's take.  Take it or leave it.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

---------------------------------------------------------

Burning Instructions A & B

A. Use DVD Decryptor or similar program to burn as an image 
file (ISO) onto a DVDR.  Enjoy.

B. This may also circulate as 2 channel FLAC files and will
require assembly.  Included is the discwelder file. If you 
use that program, decode all the FLAC file and stick them in 
a folder. Click on the DiscWelder file (which will open 
DiscWelder) and point it towards that folder with the wave 
files and VIOLA! DVD-A pre-assembled and ready to author.

---------------------------------------------------------

Taper: Steve Maizner

Matrix (see notes)

gd1977-05-08.sbd.cantor.sacks.266.shnf

View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks 

Taper: Betty Cantor

WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN

Charlie Miller;Rob Berger

View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD

Taper: Jerry Moore

gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Jerry Moore

Charlie Miller, Rob Berger

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Recording by Rich Petrunis.

Recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 04/2021

gd1977-05-08.152379.aud.petrunis.flac2448

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

View NotesNote: Most of the stand-alone tracks clip-in abruptly with small
amounts missing. Noted flaws: The tape broke, causing drop-outs
at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication
cuts-out near the end. Taper got disrupted or lowered the mic in
Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended
together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.
With thanks to John and Rich Petrunis for sharing their tapes!

Transferrer: Matrix by Dave Usborne

2:56:25

Transferrer:

gd1977-05-08.137572.mtx-2aud.dusborne.flac16

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137570.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

3:02:47

REMASTER

Transferrer:

gd1977-05-08.137569.mtx.dusborne.flac24

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Taper: Jim Cooper

gd1977-05-08.134093.aud.cooper.berger.flac24

source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

Transferrer: Hunter Seamons

gd1977-05-08.111493.mtx.seamons.sbeok.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>

DTS and Matrixing by Dan Haugh

View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.


Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*40th Matrix* 

----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 

I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing.

Thank you for your continued patience and support.

-Hunter

February 14, 2010

Taper: See info file

gd1977-05-08.mtx.dts.dan.30756.flac16

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.  CEP2.0 used to adjust the 
volume for both AUDs, matrix/CTR and LFE channels.  Surcode 
CD Pro DTS was used to encode to DTS. The center matrix track 
is a 60% SBD, 40% AUD2 mix.   
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD Reel 
Right Channel SBD Reel

Center 	
Mixed to mono -6db SBD+AUD2 Matrix 

Surround 
Left Channel -2db AUD1 (with some AUD2 patches)
Right Channel -2db AUD1 (with some AUD2 patches)

Sub/LFE
Mixed to mono -4db SBD Reel

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

Taper: See info file

Matrixing by Dan Haugh

gd1977-05-08.mtx.dan.29511.flac16

View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) >
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)

AUD1
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master >
First Gen Reel > Played directly to hard drive > CDR > SHN

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch the SBD & both AUD sources.   CEP2.0 used to adjust the
volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a
fake AUD recording by mixing crowd cheer with the SBD. This
was effective at creating patches for the rear channels in
the 5.1 presentation but also maintained a smooth quality in
the stereo matrix mix as well.  These patches are numerous
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources
to pull up the vocals and give the center channel a unique
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo
field moves.  The result, although not perfect, I think
provides the listener with a more enjoyable and natural
listening experience.  Maybe you disagree.  For those of you
who would rather have a patch using a matrix mix of the 2 AUD
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 -
43:16.362.  This was patched using a matrix mix of the 2 AUD
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is
still pretty good.  The switch back to SBD is actually
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you
didn't really read the text file, did you?

Taper: Jeff Stevenson

gd1977-05-08.shure57.stevenson.29303.flac16

Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC

MC>CDR>EAC>WAV>FLAC

Rob Berger and Chris Larson

View NotesNotes:10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's 
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
if Anyone Wants To  Matrix This Feel Free, I'd Love To Hear It!

Transferrer: Rob Berger and Chris Larson

gd1977-05-08.aud.moore.berger.28354.flac16

MAC>R>CD

Rob Berger and Sean Cribbs

View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

Taper: Jerry Moore

gd1977-05-08.aud.moore.cribbs.28301.shnf

MAC>R>CD

gd77-05-08.matrix.dan.26857.sbeok.flacf

View NotesMAC>R>CD
Audience Recording by Jerry Moore

Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.

Transferrer: Dan

Matrix - 3 Sources

gd77-05-08.dts.dan.26856.sbeok.flacf

View NotesSBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 

Tech Notes: 

SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave.  CEP2.0 was used to align & synch the SBD & both AUD sources.   CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.  

- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case.

Notes: 

I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up.  So, although not complete, you will get a good idea of what was done to bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations.  A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well.  These patches are numerous and I think completely smooth and most likely undetectable.

d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD.  Starting this monster project with an unrecoverable flaw was unacceptable to me.  I decided to patch that opening portion with a SBD and AUD recording from 5-7-77.  As this patch ends you will hear some slight phasing as the stereo field moves.  The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience.  Maybe you disagree.  For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362.  This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD.  I also tried to match the volume on the SBD.  A switch in sources is obvious to the listener but this is still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap.   This is smooth and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?

Source 22 of 23

<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7

gd77-05-08.maizner.hicks.5002.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

<b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

Taper: Steve Maizner

Audience - Sony ECM-990

Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive