1974-07-29 | Grateful Dead

View NotesNotes:
-- Discs 2 and 3 can be rejoined seamlessly
-- This source does not have any digital noise reduction like shnid=2277
-- Thanks to Jeff Fishman for his help with this project
-- Thanks to Joe B. Jones for his help with the pitch correction

Transferrer: Hunter Seamons

3:07:34

SBD

gd1974-07-29.107990.mtx.seamons.flac16

Source:

SBD (107756) + AUD (106066)

Lineage:

Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut [2496] > AIFF CD tracking via Audacity [w/dither] > FLAC1644 via xAct)

Taper Notes:

View NotesThank you to Charlie Miller for the SBD transfer, to Jerry Moore for recording the show, and to Rob Berger for the AUD transfer.

Taper: Jerry Moore and Teddy Goodbear

Jerry Moore and Teddy Goodbear

Transferrer:

Chris Chappell

SHNID:

gd74-07-29.matrix.chappell.29482.sbeok.flacf

Source:

Matrix

Lineage:

[SBD > MR > C1 > DAT > CD] + [AudMC > DAT > WAV > SHN]

Taper Notes:

View Notes<b>flac16</b>; Sick Bits Vol. 8 - SBD/AUD Matrix of 2 previously circulating sources: (SBD - SHN ID# 2277, and AUD - SHN ID# 17968); edited and transfered by Chris Chappell

See info file for detailed info.

Source 4 of 8

gd74-07-29.sbd.goodbear.2277.sbefail.shnf

Source:

Soundboard

Lineage:

SBD:MR> C1> DAT @ 48kHZ > Sony DAT deck PCM-R300 > coaxial s/pdif > pentium II 350 mHz via Turtle Beach Fiji soundcard > CoolEdit Pro > convert to 44.1kHz in CoolEdit Pro > CD

Taper Notes:

View NotesSBD:MR> C1> DAT @ 48kHZ > Sony DAT deck PCM-R300 > coaxial s/pdif > pentium II 350 mHz via Turtle Beach "Fiji" soundcard > CoolEdit Pro > convert to 44.1kHz in CoolEdit Pro > Smart & Friendly CDR SCSI drive > CD; some diginoise was fixed, some smaller diginoise was not; tracked for 2x80 plus encore for filler elsewhere, but can fit on 3x74; via Teddy Good Bear, Doug Johnson to abgd

Transferrer: seaweed

Source: 2nd Set Mono AUD, 3rd Gen tape, kindly provided by Seaweed1010.

Lineage:

MX-S > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. Feb 2013

Taper Notes:

View NotesThis source does not match Moore's AUD recording. Although it's 
mono, the taper appears to have had a good position and got a 
nice clear recording. Patches from ID-106066 were mixed down to 
mono and added as follows: He's Gone 0:00 > 0:12, Wharf Rat 0:20 > 
0:34, Wharf Rat 7:41 > 9:40, and Sugar Magnolia 0:00 > 0:03. 
Note: small FLAC file size due to mono WAV data.

Transferrer: Hunter Seamons

gd1974-07-29.mtx.seamons.108281.flac24

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC2496 & FLAC1644 > AIFF > Final Cut [2496] > tracking via Audacity > FLAC2496 via xAct)

Taper: Jerry Moore

gd1974-07-29.akgd1000e.moore.berger.106066.flac24

Source:

aud>akg d1000e's>sony tc-152sd (2)tdk c-120sd's**, dolby b cassettes

Lineage:

master cassettes > re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 2/14/10

Taper: Jerry Moore

Mark Cohen and Noah Weiner

SHNID:

gd74-07-29.moore.weiner.gdADT20.17968.sbeok.shnf

Source:

Audience Recording

Lineage:

AudMC (AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON) > DAT > WAV > SHN.

Taper Notes:

View NotesAudMC > DAT > WAV > SHN. Recorded by Jerry Moore(see notes), 1st level off floor, audience left, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120 cassettes, with Dolby B ON, Analog > DAT transfer by Mark Cohen, DAT > SHN/CD by Noah Weiner