Let It Rock (First and Only Time Played) | 1974-06-23 | Grateful Dead

Bands

Featured

Playback	Listens	Hours
48h	99.4k	12.2k
7d	192k	23.7k
30d	1.2M	148.6k

2,080 shows

18,001 tapes

Phish

263.9k

Playback	Listens	Hours
48h	19.2k	3k
7d	38.6k	5.8k
30d	263.9k	40.1k

Bands

Playback	Listens	Hours
48h	158	10
7d	263	17
30d	1.9k	118

Playback	Listens	Hours
48h	32	5
7d	88	12
30d	410	58

Playback	Listens	Hours
48h	17	48m
7d	33	2
30d	186	15

Playback	Listens	Hours
48h	39	6
7d	126	16
30d	447	75

80 shows

113 tapes

Akron/Family

Playback	Listens	Hours
48h	4	24m
7d	10	2
30d	46	7

Playback	Listens	Hours
48h	8	38m
7d	27	3
30d	115	16

Playback	Listens	Hours
48h	49	4
7d	61	5
30d	629	53

125 shows

133 tapes

Andy Frasco & The UN

Playback	Listens	Hours
48h	31	2
7d	76	6
30d	1k	87

Playback	Listens	Hours
48h	17	2
7d	76	7
30d	572	59

123 shows

134 tapes

Animal Liberation Orchestra

1.8k

Playback	Listens	Hours
48h	101	13
7d	176	22
30d	1.8k	223

Playback	Listens	Hours
48h	24	4
7d	105	20
30d	463	83

Playback	Listens	Hours
48h	86	8
7d	137	13
30d	1.3k	123

Playback	Listens	Hours
48h	11	2
7d	41	10
30d	253	58

Playback	Listens	Hours
48h	60	7
7d	143	17
30d	1.1k	133

Playback	Listens	Hours
48h	14	2
7d	36	4
30d	111	12

102 shows

107 tapes

Bela Fleck and the Flecktones

1.8k

Playback	Listens	Hours
48h	145	19
7d	224	27
30d	1.8k	228

473 shows

590 tapes

Ben Kweller

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	45m

Playback	Listens	Hours
48h	19	2
7d	31	4
30d	509	64

278 shows

382 tapes

Bernie Worrell

Playback	Listens	Hours
48h	0	0m
7d	15	2
30d	46	8

7 shows

7 tapes

Bernie Worrell and the WOO Warriors

234

Playback	Listens	Hours
48h	27	2
7d	20	2
30d	234	27

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	9	2
30d	81	11

Playback	Listens	Hours
48h	29	4
7d	49	7
30d	624	87

Playback	Listens	Hours
48h	207	26
7d	279	35
30d	2.1k	275

Playback	Listens	Hours
48h	9.1k	911
7d	13.7k	1.4k
30d	93.8k	9.5k

535 shows

1,048 tapes

Blind Melon

Playback	Listens	Hours
48h	181	13
7d	221	16
30d	2k	148

62 shows

76 tapes

Blueground Undergrass

241

Playback	Listens	Hours
48h	22	2
7d	54	6
30d	241	24

182 shows

204 tapes

Blues Traveler

Playback	Listens	Hours
48h	95	10
7d	288	32
30d	2k	213

Playback	Listens	Hours
48h	451	61
7d	894	116
30d	6.6k	870

305 shows

505 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	10	2
30d	19	5

20 shows

26 tapes

Boyfriends

Playback	Listens	Hours
48h	1	13m
7d	7	2
30d	7	2

Playback	Listens	Hours
48h	16	2
7d	109	18
30d	836	137

Playback	Listens	Hours
48h	7	47m
7d	22	2
30d	140	15

Playback	Listens	Hours
48h	30	3
7d	93	9
30d	802	77

Playback	Listens	Hours
48h	44	4
7d	94	9
30d	589	61

Playback	Listens	Hours
48h	77	4
7d	148	8
30d	727	40

Playback	Listens	Hours
48h	42	6
7d	135	19
30d	580	75

Playback	Listens	Hours
48h	83	5
7d	76	5
30d	509	34

241 shows

270 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	1

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	16	2

79 shows

93 tapes

Circles Around The Sun

1.5k

Playback	Listens	Hours
48h	154	31
7d	230	45
30d	1.5k	306

Playback	Listens	Hours
48h	31	6
7d	39	7
30d	328	61

Playback	Listens	Hours
48h	5	27m
7d	60	6
30d	529	46

Playback	Listens	Hours
48h	18	3
7d	49	7
30d	621	87

Playback	Listens	Hours
48h	552	80
7d	917	129
30d	4.1k	605

Playback	Listens	Hours
48h	284	46
7d	573	80
30d	6.1k	814

784 shows

1,034 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	2	32m
30d	24	5

Playback	Listens	Hours
48h	24	3
7d	61	7
30d	363	39

Playback	Listens	Hours
48h	2.2k	340
7d	3.9k	610
30d	29.8k	4.7k

Playback	Listens	Hours
48h	85	9
7d	106	12
30d	438	48

Playback	Listens	Hours
48h	109	6
7d	223	14
30d	1.1k	67

Playback	Listens	Hours
48h	103	11
7d	174	20
30d	1.6k	190

Playback	Listens	Hours
48h	645	137
7d	1.8k	368
30d	12k	2.5k

Playback	Listens	Hours
48h	45	4
7d	73	7
30d	492	48

Playback	Listens	Hours
48h	270	46
7d	426	67
30d	2.2k	349

Playback	Listens	Hours
48h	3	45m
7d	30	5
30d	152	29

Playback	Listens	Hours
48h	41	4
7d	282	30
30d	1.8k	183

Playback	Listens	Hours
48h	33	6
7d	89	14
30d	556	88

Playback	Listens	Hours
48h	152	13
7d	307	28
30d	2.3k	200

Playback	Listens	Hours
48h	44	8
7d	78	13
30d	696	119

Playback	Listens	Hours
48h	23	2
7d	23	2
30d	129	15

Playback	Listens	Hours
48h	107	17
7d	322	53
30d	2.8k	462

141 shows

269 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	14	2

Playback	Listens	Hours
48h	247	32
7d	492	68
30d	2.7k	372

Playback	Listens	Hours
48h	9	2
7d	12	4
30d	103	31

Playback	Listens	Hours
48h	5	16m
7d	111	6
30d	786	44

Playback	Listens	Hours
48h	19	3
7d	60	8
30d	408	55

Playback	Listens	Hours
48h	3	38m
7d	11	1
30d	167	34

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	1	6m
7d	15	2
30d	77	12

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	4	26m
7d	9	1
30d	35	5

Playback	Listens	Hours
48h	25	2
7d	79	8
30d	459	48

Playback	Listens	Hours
48h	5	20m
7d	110	7
30d	417	28

Playback	Listens	Hours
48h	4	16m
7d	68	6
30d	296	23

Playback	Listens	Hours
48h	28	2
7d	36	2
30d	456	28

Playback	Listens	Hours
48h	647	103
7d	1.5k	238
30d	10.6k	1.6k

246 shows

1,218 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	5	1
30d	17	4

14 shows

15 tapes

G. Love and Special Sauce

841

Playback	Listens	Hours
48h	34	4
7d	148	14
30d	841	77

Playback	Listens	Hours
48h	66	8
7d	113	12
30d	896	97

Playback	Listens	Hours
48h	37	5
7d	56	8
30d	324	47

Playback	Listens	Hours
48h	13	2
7d	86	15
30d	558	113

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	62	7

Playback	Listens	Hours
48h	37	6
7d	40	7
30d	208	40

Playback	Listens	Hours
48h	31	4
7d	97	13
30d	1.3k	149

369 shows

496 tapes

Godspeed You Black Emperor!

248

Playback	Listens	Hours
48h	0	0m
7d	24	6
30d	248	60

Playback	Listens	Hours
48h	62	8
7d	66	10
30d	271	41

Playback	Listens	Hours
48h	1.7k	321
7d	3.5k	672
30d	21.8k	4.2k

Playback	Listens	Hours
48h	2	18m
7d	14	1
30d	328	31

362 shows

591 tapes

Grahame Lesh and Friends

5.1k

Playback	Listens	Hours
48h	456	71
7d	875	131
30d	5.1k	797

Playback	Listens	Hours
48h	14	2
7d	18	2
30d	110	14

Playback	Listens	Hours
48h	177	18
7d	470	54
30d	4.4k	496

Playback	Listens	Hours
48h	78	8
7d	123	14
30d	1.8k	202

220 shows

304 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	3	28m
30d	59	9

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	8	47m
30d	29	2

52 shows

56 tapes

Guitarmageddon

Playback	Listens	Hours
48h	4	37m
7d	11	2
30d	71	10

Playback	Listens	Hours
48h	29	2
7d	108	7
30d	525	38

747 shows

1,024 tapes

Hard Working Americans

348

Playback	Listens	Hours
48h	1	5m
7d	40	5
30d	348	39

Playback	Listens	Hours
48h	26	5
7d	139	21
30d	794	125

186 shows

225 tapes

Horseshoes and Hand Grenades

280

Playback	Listens	Hours
48h	51	4
7d	78	6
30d	280	22

Playback	Listens	Hours
48h	35	3
7d	72	7
30d	392	37

677 shows

850 tapes

Infamous Stringdusters

1.7k

Playback	Listens	Hours
48h	54	5
7d	177	15
30d	1.7k	153

623 shows

1,001 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	539	37
7d	879	60
30d	3.8k	245

Playback	Listens	Hours
48h	26	3
7d	88	10
30d	707	72

364 shows

489 tapes

Jazz Mandolin Project

571

Playback	Listens	Hours
48h	33	4
7d	63	9
30d	571	85

218 shows

275 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	93	9

12 shows

14 tapes

Jeff Austin And Friends

211

Playback	Listens	Hours
48h	0	0m
7d	1	4m
30d	211	20

Playback	Listens	Hours
48h	37	5
7d	56	6
30d	864	116

112 shows

160 tapes

Jerry Joseph and the Jackmormons

2.5k

Playback	Listens	Hours
48h	187	30
7d	382	64
30d	2.5k	415

1,123 shows

1,518 tapes

Jerry's Middle Finger

2.2k

Playback	Listens	Hours
48h	137	20
7d	291	43
30d	2.2k	302

247 shows

297 tapes

Joe Russo Presents: Hooteroll? + Plus

108

Playback	Listens	Hours
48h	12	2
7d	17	3
30d	108	15

2 shows

5 tapes

Joe Russo's Almost Dead

22.5k

Playback	Listens	Hours
48h	1.6k	288
7d	3.1k	552
30d	22.5k	4k

Playback	Listens	Hours
48h	74	8
7d	311	32
30d	1.1k	114

Playback	Listens	Hours
48h	181	15
7d	442	40
30d	2.5k	223

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	1	7m
7d	30	3
30d	64	7

Playback	Listens	Hours
48h	0	0m
7d	4	20m
30d	133	10

Playback	Listens	Hours
48h	0	0m
7d	1	11m
30d	123	13

71 shows

104 tapes

Karl Denson's Tiny Universe

424

Playback	Listens	Hours
48h	41	6
7d	62	8
30d	424	61

Playback	Listens	Hours
48h	284	29
7d	314	31
30d	3.2k	304

Playback	Listens	Hours
48h	48	6
7d	148	17
30d	327	42

40 shows

51 tapes

King Gizzard & the Lizard Wizard

13.5k

Playback	Listens	Hours
48h	738	105
7d	2k	255
30d	13.5k	1.8k

Playback	Listens	Hours
48h	190	23
7d	352	42
30d	2.2k	280

308 shows

393 tapes

Kung Fu

Playback	Listens	Hours
48h	1	10m
7d	0	0m
30d	80	11

Playback	Listens	Hours
48h	38	9
7d	89	17
30d	613	115

Playback	Listens	Hours
48h	55	7
7d	194	24
30d	2.1k	250

Playback	Listens	Hours
48h	254	23
7d	444	43
30d	2.6k	248

Playback	Listens	Hours
48h	291	43
7d	517	76
30d	3.1k	455

Playback	Listens	Hours
48h	278	23
7d	407	37
30d	4.2k	396

Playback	Listens	Hours
48h	66	5
7d	121	9
30d	1.1k	84

Playback	Listens	Hours
48h	96	19
7d	351	66
30d	1.9k	367

Playback	Listens	Hours
48h	20	3
7d	20	2
30d	217	23

Playback	Listens	Hours
48h	91	10
7d	139	12
30d	1.4k	148

Playback	Listens	Hours
48h	34	3
7d	109	10
30d	393	40

347 shows

445 tapes

Matt Pond PA

Playback	Listens	Hours
48h	1	5m
7d	2	9m
30d	2	9m

Playback	Listens	Hours
48h	215	33
7d	453	66
30d	3.8k	584

Playback	Listens	Hours
48h	16	1
7d	107	5
30d	459	26

Playback	Listens	Hours
48h	27	3
7d	63	7
30d	238	27

Playback	Listens	Hours
48h	2	2m
7d	42	1
30d	179	5

Playback	Listens	Hours
48h	16	1
7d	108	8
30d	521	43

Playback	Listens	Hours
48h	612	103
7d	1.5k	226
30d	10.7k	1.8k

Playback	Listens	Hours
48h	1	3m
7d	5	21m
30d	180	20

Playback	Listens	Hours
48h	39	3
7d	24	2
30d	225	17

Playback	Listens	Hours
48h	317	31
7d	498	52
30d	4.5k	460

411 shows

597 tapes

Nathan Moore

Playback	Listens	Hours
48h	5	17m
7d	0	0m
30d	19	1

46 shows

50 tapes

Neal Francis

Playback	Listens	Hours
48h	6	23m
7d	7	54m
30d	42	4

Playback	Listens	Hours
48h	47	7
7d	126	17
30d	569	83

Playback	Listens	Hours
48h	2	12m
7d	7	52m
30d	171	25

61 shows

71 tapes

New Riders of the Purple Sage

1.1k

Playback	Listens	Hours
48h	126	12
7d	123	9
30d	1.1k	93

403 shows

589 tapes

North Mississippi Allstars

1.1k

Playback	Listens	Hours
48h	57	6
7d	199	20
30d	1.1k	116

Playback	Listens	Hours
48h	61	7
7d	132	15
30d	753	84

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	1	4m
30d	1	4m

Playback	Listens	Hours
48h	0	0m
7d	7	2
30d	216	41

Playback	Listens	Hours
48h	5	41m
7d	37	5
30d	240	35

Playback	Listens	Hours
48h	97	16
7d	176	30
30d	1.4k	248

686 shows

913 tapes

Phil Lesh and Friends

14.5k

Playback	Listens	Hours
48h	918	168
7d	2k	357
30d	14.5k	2.5k

788 shows

2,852 tapes

Pigeons Playing Ping Pong

1.6k

Playback	Listens	Hours
48h	73	12
7d	162	24
30d	1.6k	243

Playback	Listens	Hours
48h	245	31
7d	438	57
30d	3.5k	438

290 shows

430 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	53	4

Playback	Listens	Hours
48h	162	21
7d	427	54
30d	2.8k	364

1,231 shows

2,193 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	8	3

Playback	Listens	Hours
48h	36	5
7d	91	13
30d	787	108

Playback	Listens	Hours
48h	420	60
7d	1.3k	165
30d	9.1k	1.2k

Playback	Listens	Hours
48h	114	10
7d	222	18
30d	1.3k	102

250 shows

371 tapes

Rumpke Mountain Boys

Playback	Listens	Hours
48h	10	46m
7d	174	14
30d	1k	88

Playback	Listens	Hours
48h	160	15
7d	235	21
30d	1.6k	141

580 shows

728 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	1	26m
30d	1	26m

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	1	15m
7d	1	1m
30d	45	5

Playback	Listens	Hours
48h	154	15
7d	333	33
30d	2.7k	258

Playback	Listens	Hours
48h	5	2
7d	8	53m
30d	269	33

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	42	6

Playback	Listens	Hours
48h	27	3
7d	19	2
30d	161	17

Playback	Listens	Hours
48h	64	5
7d	161	13
30d	971	80

Playback	Listens	Hours
48h	134	21
7d	554	87
30d	3.3k	513

560 shows

757 tapes

Spafford

Playback	Listens	Hours
48h	55	14
7d	138	32
30d	2k	463

Playback	Listens	Hours
48h	66	4
7d	20	1
30d	237	15

Playback	Listens	Hours
48h	1	10m
7d	37	6
30d	153	29

Playback	Listens	Hours
48h	124	17
7d	138	17
30d	990	153

Playback	Listens	Hours
48h	119	29
7d	270	59
30d	1.2k	265

Playback	Listens	Hours
48h	58	6
7d	126	15
30d	978	124

664 shows

1,137 tapes

String Cheese Incident

11.8k

Playback	Listens	Hours
48h	817	122
7d	1.8k	283
30d	11.8k	1.9k

1,275 shows

2,059 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	11	1
7d	1	12m
30d	63	6

Playback	Listens	Hours
48h	43	9
7d	94	19
30d	472	89

Playback	Listens	Hours
48h	40	5
7d	70	9
30d	289	36

Playback	Listens	Hours
48h	68	7
7d	160	17
30d	972	108

727 shows

1,112 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	7	23m
30d	22	1

Playback	Listens	Hours
48h	1.6k	190
7d	4.6k	525
30d	31.1k	3.5k

Playback	Listens	Hours
48h	20	1
7d	32	2
30d	367	19

Playback	Listens	Hours
48h	51	7
7d	121	16
30d	766	101

Playback	Listens	Hours
48h	29	5
7d	24	4
30d	248	35

473 shows

629 tapes

The California Honeydrops

860

Playback	Listens	Hours
48h	53	7
7d	212	26
30d	860	108

76 shows

83 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	25	4

Playback	Listens	Hours
48h	156	23
7d	458	69
30d	2.8k	397

Playback	Listens	Hours
48h	34	4
7d	37	4
30d	415	35

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	3	14m
30d	94	13

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	48	9

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	16	2

Playback	Listens	Hours
48h	4	49m
7d	27	4
30d	109	16

Playback	Listens	Hours
48h	4	30m
7d	16	2
30d	303	41

Playback	Listens	Hours
48h	102	5
7d	150	9
30d	899	49

Playback	Listens	Hours
48h	3	9m
7d	38	3
30d	528	38

Playback	Listens	Hours
48h	10	3
7d	19	4
30d	184	45

246 shows

327 tapes

The New Mastersounds

Playback	Listens	Hours
48h	143	14
7d	178	19
30d	1k	102

Playback	Listens	Hours
48h	46	6
7d	149	22
30d	1.4k	188

Playback	Listens	Hours
48h	400	40
7d	705	68
30d	5.4k	526

1,447 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	30	2
7d	1	4m
30d	89	6

Playback	Listens	Hours
48h	120	13
7d	137	15
30d	878	93

Playback	Listens	Hours
48h	0	0m
7d	19	4
30d	235	46

145 shows

196 tapes

The Wood Brothers

Playback	Listens	Hours
48h	70	10
7d	217	21
30d	1k	91

220 shows

281 tapes

Trampled by Turtles

Playback	Listens	Hours
48h	23	1
7d	48	3
30d	1k	75

174 shows

207 tapes

Trevor Garrod

Playback	Listens	Hours
48h	1	7m
7d	3	13m
30d	41	3

12 shows

12 tapes

Trey Anastasio

Playback	Listens	Hours
48h	244	37
7d	691	95
30d	5k	715

Playback	Listens	Hours
48h	19	2
7d	18	2
30d	106	10

Playback	Listens	Hours
48h	73	13
7d	241	34
30d	1.6k	252

Playback	Listens	Hours
48h	384	54
7d	699	110
30d	6.2k	916

Playback	Listens	Hours
48h	33	3
7d	83	8
30d	437	37

Playback	Listens	Hours
48h	38	3
7d	51	4
30d	1.2k	85

Playback	Listens	Hours
48h	972	75
7d	1.8k	142
30d	10.9k	855

618 shows

1,125 tapes

White Denim

Playback	Listens	Hours
48h	60	4
7d	60	4
30d	96	7

Playback	Listens	Hours
48h	9.7k	1.2k
7d	19.2k	2.3k
30d	132.4k	15.9k

Playback	Listens	Hours
48h	33	4
7d	156	20
30d	760	103

1,417 shows

2,244 tapes

Yonder Mountain String Band

9.3k

Playback	Listens	Hours
48h	701	66
7d	1.5k	140
30d	9.3k	863

Playback	Listens	Hours
48h	47	8
7d	169	24
30d	1.6k	247

12 shows

16 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	32m

Playback	Listens	Hours
48h	90	16
7d	131	24
30d	1.2k	213

460 shows

662 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	21	4
30d	46	6

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.5k	216
7d	3.8k	527
30d	18.8k	2.6k

Playback	Listens	Hours
48h	1.3k	170
7d	2.8k	399
30d	18.8k	2.6k

Playback	Listens	Hours
48h	2.2k	283
7d	4.3k	556
30d	41.7k	5.3k

Playback	Listens	Hours
48h	650	84
7d	1.4k	188
30d	33.9k	4.4k

Playback	Listens	Hours
48h	4.6k	612
7d	7.5k	1.1k
30d	35.2k	4.9k

Playback	Listens	Hours
48h	8.7k	1.1k
7d	22.4k	2.8k
30d	111.7k	14.3k

Playback	Listens	Hours
48h	5.3k	611
7d	10.1k	1.2k
30d	38.3k	4.8k

Playback	Listens	Hours
48h	6.2k	661
7d	10.8k	1.2k
30d	43.4k	5k

Playback	Listens	Hours
48h	6.5k	727
7d	11.4k	1.4k
30d	49.9k	5.8k

Playback	Listens	Hours
48h	2.1k	235
7d	4.4k	521
30d	20.8k	2.4k

Playback	Listens	Hours
48h	6.2k	715
7d	7.6k	917
30d	42k	5.1k

Playback	Listens	Hours
48h	1.6k	199
7d	5.6k	699
30d	21.9k	2.8k

Playback	Listens	Hours
48h	1.3k	169
7d	4.3k	506
30d	26k	3.2k

Playback	Listens	Hours
48h	4.5k	614
7d	5.3k	705
30d	29.1k	3.8k

Playback	Listens	Hours
48h	2.3k	290
7d	4.3k	544
30d	89.2k	11.5k

Playback	Listens	Hours
48h	2.8k	321
7d	12.1k	1.4k
30d	35.6k	4.1k

Playback	Listens	Hours
48h	1.8k	247
7d	3.5k	487
30d	25.8k	3.5k

Playback	Listens	Hours
48h	3.7k	485
7d	4.8k	651
30d	35.5k	4.8k

Playback	Listens	Hours
48h	8k	1.1k
7d	14.1k	2k
30d	113.6k	16k

Playback	Listens	Hours
48h	1.8k	246
7d	3.6k	477
30d	25.7k	3.4k

Playback	Listens	Hours
48h	405	40
7d	697	70
30d	7.5k	808

Playback	Listens	Hours
48h	4k	501
7d	7.5k	951
30d	54.9k	6.9k

Playback	Listens	Hours
48h	6.1k	712
7d	19.3k	2.2k
30d	100.6k	12.3k

Playback	Listens	Hours
48h	3.7k	445
7d	6.3k	750
30d	57.5k	6.9k

Playback	Listens	Hours
48h	4.6k	503
7d	3.3k	346
30d	31.7k	3.6k

Playback	Listens	Hours
48h	5.6k	548
7d	6k	610
30d	32.7k	3.5k

Playback	Listens	Hours
48h	1.7k	267
7d	1.9k	285
30d	17.6k	2.5k

Playback	Listens	Hours
48h	478	56
7d	1.8k	196
30d	7.7k	937

41 shows

125 tapes

1967

Playback	Listens	Hours
48h	81	12
7d	713	57
30d	4k	441

Playback	Listens	Hours
48h	283	17
7d	344	25
30d	6.1k	445

Playback	Listens	Hours
48h	24	2
7d	73	5
30d	475	28

1974

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	18	2

San Francisco, CA, USA

670

Playback	Listens	Hours
48h	43	6
7d	68	9
30d	670	84

San Francisco, CA, USA

1.5k

Playback	Listens	Hours
48h	83	9
7d	252	28
30d	1.5k	173

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	102	13
7d	289	39
30d	1.4k	204

San Francisco, CA, USA

1.7k

Playback	Listens	Hours
48h	35	3
7d	214	23
30d	1.7k	180

San Francisco, CA, USA

689

Playback	Listens	Hours
48h	11	3
7d	59	9
30d	689	114

Playback	Listens	Hours
48h	37	5
7d	28	4
30d	132	17

Playback	Listens	Hours
48h	12	2
7d	4	23m
30d	285	38

Playback	Listens	Hours
48h	45	6
7d	85	11
30d	761	102

Playback	Listens	Hours
48h	9	1
7d	1	19m
30d	109	17

Playback	Listens	Hours
48h	218	38
7d	307	49
30d	1.6k	254

Playback	Listens	Hours
48h	17	3
7d	108	19
30d	370	61

Playback	Listens	Hours
48h	0	0m
7d	21	3
30d	118	15

Playback	Listens	Hours
48h	173	22
7d	373	49
30d	1.6k	211

4:05:41

9 tapes

8/05SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

729

Playback	Listens	Hours
48h	67	9
7d	185	25
30d	729	90

3:48:28

6 tapes

8/04SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

417

Playback	Listens	Hours
48h	112	15
7d	78	10
30d	417	58

Playback	Listens	Hours
48h	87	10
7d	187	22
30d	1k	125

Playback	Listens	Hours
48h	27	3
7d	59	7
30d	613	78

Playback	Listens	Hours
48h	49	6
7d	30	4
30d	494	64

2:46:46

6 tapes

7/25SBD

International Amphitheatre

Chicago, IL, USA

904

Playback	Listens	Hours
48h	110	12
7d	140	16
30d	904	105

Playback	Listens	Hours
48h	18	2
7d	17	2
30d	372	47

Playback	Listens	Hours
48h	89	12
7d	160	21
30d	822	119

3:26:33

7 tapes

6/30SBD

Springfield Civic Center

Springfield, MA, USA

690

Playback	Listens	Hours
48h	66	10
7d	73	10
30d	690	100

Playback	Listens	Hours
48h	97	12
7d	327	48
30d	2.3k	315

3:52:49

7 tapes

6/26SBD

Providence Civic Center

Providence, RI, USA

1.6k

Playback	Listens	Hours
48h	83	10
7d	187	26
30d	1.6k	214

Playback	Listens	Hours
48h	133	14
7d	116	13
30d	1.2k	138

Playback	Listens	Hours
48h	71	7
7d	122	13
30d	924	101

Playback	Listens	Hours
48h	52	6
7d	118	13
30d	469	55

Playback	Listens	Hours
48h	227	33
7d	357	51
30d	1.8k	271

2:56:36

4 tapes

6/16SBD

Des Moines State Fair Grandstand

Des Moines, IA, USA

1.1k

Playback	Listens	Hours
48h	47	7
7d	185	26
30d	1.1k	159

3:53:11

10 tapes

6/08SBD

Oakland-Alameda County Coliseum

Oakland, CA, USA

999

Playback	Listens	Hours
48h	93	12
7d	117	17
30d	999	140

3:04:18

8 tapes

5/25SBD

Campus Stadium, UC Santa Barbara

Goleta, CA, USA

1.2k

Playback	Listens	Hours
48h	101	10
7d	152	15
30d	1.2k	125

5:16:21

5 tapes

5/21SBD

Edmundson Pavilion, U. of Washington

Seattle, WA, USA

Playback	Listens	Hours
48h	121	22
7d	174	23
30d	1k	152

6:06:27

13 tapes

5/19SBD

Portland Memorial Coliseum

Portland, OR, USA

4.3k

Playback	Listens	Hours
48h	524	56
7d	842	93
30d	4.3k	482

Vancouver, British Columbia, Canada

1.4k

Playback	Listens	Hours
48h	62	7
7d	241	27
30d	1.4k	156

2:53:50

3 tapes

5/14SBD

Adams Field House, U. of Montana

Missoula, MT, USA

1.6k

Playback	Listens	Hours
48h	133	18
7d	212	29
30d	1.6k	227

Playback	Listens	Hours
48h	38	4
7d	85	10
30d	873	104

Playback	Listens	Hours
48h	315	37
7d	581	70
30d	10.9k	1.2k

Playback	Listens	Hours
48h	25	2
7d	22	2
30d	170	14

San Francisco, CA, USA

3.1k

Playback	Listens	Hours
48h	199	27
7d	432	62
30d	3.1k	439

San Francisco, CA, USA

1.6k

Playback	Listens	Hours
48h	61	7
7d	289	35
30d	1.6k	199

San Francisco, CA, USA

1.2k

Playback	Listens	Hours
48h	171	18
7d	177	20
30d	1.2k	131

6/23/74

Ramble On Rose (AUD at start)

Technical Difficulties/Bermuda Triangle (AUD+SBD)

5:13

Tico Tico Tuning

0:47

Mississippi Half Step Uptown Toodleloo

8:19

Beat It On Down The Line

Let It Rock (First and Only Time Played)

Seastones (First Time Played) (AUD)

One More Saturday Night

4:43

Crowd / Tune Up (AUD)

FIN

Sources

Transferrer: Kevin Tobin

gd1974-06-23.122271.dts.tobin.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shn id 116312) sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD2 (shnid = 105755) aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - dts mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

-----------------------------------------------------------
Front  
Left Channel -1db SBD
Right Channel -1db SBD

Center
Mixed to mono -1db Matrix

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -1db Matrix
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122270.mtx.tobin.flac16

Source:

Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122269.mtx.tobin.flac24

Source:

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 04-OCT-2012 - Trader Little Helper
-Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Matt Smith and Kevin Tobin

3:31:24

SBD

Transferrer:

Matt Smith and Kevin Tobin

SHNID:

gd1974-06-23.122255.upg-sbd.smith-tobin.flac16

Source:

sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith - Patched and speed corrected version of shnid 116312 by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Taper: Unknown

gd1974-06-23.sdb.smith.116312.flac16

Source:

sbd>?>cd</br>Mastered via the Apogee mini me>Mini DAC>FLAC</br>Transfer and Mastering by: Matt Smith

Transferrer: Chris Chappell

gd1974-06-23.sbd.matrix-sb21b.chappell.83489.flac16

Source:

Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265)

Taper Notes:

View NotesSource: Matrix (SBD/AUD mix):

SBD: (shnid=213) - mastered by Josh Belkin

     Lineage: SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > 
     Samplitude 2496 > Plextor 820 burner  
     SBD Patch: "Phil's Tape" > ? > DAT(n) >Prodif Plus > Samp2496

AUD: (shnid=14265) - via Noah Weiner(encoding) via Mark Cohen(A/D xfer)
     AudMC > DAT > WAV > SHN

     Recorded by Jerry Moore about 15 rows from the stage on center axis
     with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
     cassettes, with Dolby B ON.

Transfer/Editing:
Both sources were converted to WAV > 
Sony Vegas 5 > WAV > CD Wave > FLAC 16 (level 8)

Matrixed by Chris Chappell
ScarFire@liquidcity.com
2-15-07
_____________________________
End disc 1 after To Lay Me Down and end disc 2 after Around & Around.  Seastones
is named s1t19 so as to keep in the order played, although there was a set break
before and after this track. Tracks are named by set as opposed to disc as there 
are many media options now for output.

____________________________________________________________
General Notes:

This show was probably one of those events for those who attended where the 
response afterwards was like "what the hell was that?" - in other words, not
your normal Dead show, festooned with wierd sound effects, in between song 
banter, a Tico Tico tuning, the only Let It Rock, and the first Seastones; all
of this before even the second set which starts with a Jam.  The Dark Star,
which is just a Dark Star jam (last one until 1991), lasts almost 18 minutes,
and is one of only 6 played in '74, and the only one in '74 without vocals.
Spanish Jam makes its first of 7 appearances in '74 after a 15 month hiatus.
The jam into US Blues is classic, and the Casey Jones encore is 1 of 10 in '74.
Two repeats from the night before, Jack Straw and Ship Of Fools, had different
feels, yet I still prefer the 22nd versions.

Sonically, the weird part is the beginning of the show which is a matrix from
the SBD source which finally goes to straight SBD in the middle of Ramble On Rose.
This first portion, which is quite phasey, was left alone and not matrixed with
the AUD source due to the fact it had already been matrixed (by Healy?, real time
at the show? - could this be the first matrix experiment at a Deadshow?).  Also,
Seastones is AUD only.

Thanks to Jerry Moore for recording the AUD at such a perfect FOB location
which picked up alot of Garcia's amp, thus making the matrix work well.  Thanks
to Noah Weiner and Mark Cohen for their conversion of Jerry Moore's masters.
Thanks to Josh Belkin for mastering the SBD source, and thanks to Phil for his
SBD source used as a patch in Belkin's source.

Thanks to Bill Zormeir (AKA Zman) for the excellent artwork.

-Enjoy!
Chappy

____________________________________________________________
Editing Notes:

- Pitch/Synch
Both sources were very close in pitch, the SBD being the closest to A=440.
I synched the AUD to the SBD and the AUD had to be pitched up only 2 to 6 cents. 
The alt. SBD "Phil's tape" which provides the patch in US Blues did not need
to be pitch adjusted, although some EQ was applied to match the regular SBD in
tone/timbre (high shelf starting at 1.5kHz +6dB).

- Sonic Quality/Matrix ratio
No EQ was applied to either of the two main sources. I applied very sparingly
Waves L2 (limiter) to the master 2 buss to keep things contained, the 
levels rarely hitting zero, thus the limiting is quite scarce. All I was 
trying to do here is to add some dimension to the SBD by using the 
ambience of the AUD. The result is a lively but clear recording, hopefully 
close to how it sounded at the show. If I had to guess the SBD/AUD ratio 
would be somewhere between 3:1 and 2:1.  Note that Jerry's presence in the
matrix mix is enhanced greatly from the AUD due to his loud stage volume.

- Edits
The following are places where the SBD and AUD had splices, holes or
incomplete coverage in reference to the final matrix timeline. 

SBD:

s1t01 (0:00 - 3:14) - missing (tuning)
s1t02 (6:18 - 6:51) - missing (tuning)
s1t04 (0:13 - 0:47) - missing (tuning)
s1t04 (1:11 - 1:43) - missing (tuning)
s1t04 (3:19 - 4:34) - missing (tuning)
s1t06>7 (7:43 - 0:02) - missing (tuning)
s1t07 (3:31 - 4:20) - missing (tuning)
s1t08 (7:55 - 9:12) - missing (tuning)
s1t09 (4:08 - 4:09) - missing
s1t09 (5:18 - 5:50) - missing (tuning)
s1t10 (3:26 - 4:09) - missing (tuning)
s1t11 (9:08 - 7:50) - missing (tuning)
s1t12 (4:22 - 5:45) - missing (tuning)
s1t13>14 (7:58 - 0:56) - missing (tuning)
s1t17 (5:21) - removed subsecond glitch
s1t18 (5:32 - 5:44) - missing (tuning)
s2t01 (0:00 - 2:21) - missing (tuning)
s2t03 (6:04 - 6:19) - missing (tuning)
s2t04 (4:44 - 5:39) - missing (tuning)
s2t05 (4:40 - 4:41) - missing (splice)
s2t05 (9:24 - 10:47) - missing (tuning)
s2t06 (5:17 - 6:03) - missing (tuning)
s2t07 (9:07 - 9:16) - missing (flip)
s2t09 (5:08 - 5:30) - supplied by alt. SBD "Phil's Tape"
s2t09 (8:14 - 10:25) - missing (tuning)
s2t11 (4:54 - 8:54) - missing (tuning)
s2t12 (6:40 - 6:50) - missing (tuning)

AUD:
s1t16 (4:17) - fixed sbe
s2t05 (10:50) - removed mic bump


Full coverage is achieved, and almost all the missing elements from the SBD
are tuning/crowd.

Source 7 of 18

gd1974-06-23.sbd.OBV.30846.shnf

Source:

Soundboard

Lineage:

Remaster of sbd w/ aud patches by Owens Brothers

Taper Notes:

View NotesRemaster of sbd w/ aud patches by Owens Brothers

Source 8 of 18

gd74-06-23.sbd.cribbs.16780.sbeok.shnf

Source:

Soundboard

Lineage:

MSR> DAT> CD w/ MAC> DAT patches

Taper Notes:

View NotesMSR>DAT>CD w/ MAC>DAT patches

Transferrer: Josh Belkin

gd1974-06-23.sbd.sacks.213.shnf

Source:

SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner

Lineage:

See info file

Taper Notes:

View NotesSource Lineage:
SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner
 * AUD >?>FM>cassette>A/D: Panasonic 3700>Prodif Plus>Samp2496
      (Broadcast by WHRB-FM during Grateful Dead Orgy, early 1980's.)
** "Phil's Tape" SBD? >?>DAT(n) >Prodif Plus > Samp2496

Sound processing: 
 AUD source:         
Dehum, Denoise, Timestretched to match SBD speed
 "Phil's Tape" SBD:  Timestretched to match SBD speed

The "Phil's Tape" source is probably the one mentioned in www.deadlists.com,
   "made by Phil with mikes onstage", since the tape has no cuts.
The AUD source is probably the one mentioned in Taper's Compendium  Vol. 1: 
   Jerry Moore & Les Kippel ,  AKG D-200 mikes > Sony 152 deck

Mastered Dec '99/Jan '00 by Josh Belkin   josh-b@mediaone.net


[Additional note on disc assembly from Josh (more details below)]:
 
"Two tracks,  D1T3 and D3T1, don't have song titles. In the case of D1T3,
it's there so that the previous AUD/SBD mixed Ramble On Rose track is the
same length  (well, nearly so, I goofed slightly I guess) as the
straight-SBD RoR at the end of Disk three, so that purists can take out
the mixed RoR and swap in the straight-SBD one if they want to rearrange
the tracks on Disk1.  It was that or else make the straight-SBD RoR about
:58 longer. D3T1 mini-track is there so that I can have a proper track
marker at the start of Dark Star."

--
additional comments from Darrin Sacks:
Date: Fri, 4 Feb 2000 09:29:19 -0700
From: "Darrin N. Sacks"
To: etree@etree.org
Subject: [etree] Grateful Dead 6.23.74 - Patched has NO noise reduction

Hi,

A newly circulating show has an erroneous info file attached to it --

Contrary to the statement in the info file accompanying the 6.23.74 patched
soundboard that is circulating, the primary soundboard source used for this
show (the SBD>ReelM>DAT>CassetteM>DAT(3)>) that was used for all but a few
short segments was NOT subject to noise reduction.  Although Josh, the guy
who performed the tremendous job of splicing in the cuts on the primary
soundboard from previously circulating audience and alternate soundboard
sources, did digitally process the alternate sources (he time aligned them
and denoised/dehummed them), he did not perform noise reduction on the
primary soundboard source that is circulating on the etree.

This misunderstanding occurred because Josh did perform noise reduction on
the primary soundboard source that he traded to a few of his friends.
However, we collectively decided that the version circulated on the etree &
on alt.binaries.gdead should not contain noise reduction -- and it does not.
Josh accidentally sent out cd covers to the etree and alt.binaries.gdead
seed sources for this show indicating that the primary soundboard source was
processed with noise reduction -- which it was not.

So, please disregard this annotation and don't pass up this gem of a show on
the mistaken understanding that it contains noise reduction.

While I'm on the topic, I should also point out that disk 3 of the show was
redone and re-seeded after its initial seeding to the etree.  The show
should not have been distributed prior to the updated disk 3's seeding, but
its easy to tell if you have the "correct" disk 3 -- it has ten tracks.
Disk 3 was reseeded because, after Josh initially distributed the show, we
discovered that there was a reel flip in the middle of US Blues.  On So Many
Roads, this reel flip was edited out by removing a chunk of the song (see
the liner notes).  On the re-seeded version, this 20 second gap (pretty
impressive timing for re-threading a reel-to-reel deck, imho), was spliced
in from what is believed to be a stage miced version recorded by Phil (the
prior version had a cut at this point).  This is the only difference.

That ought to do it -- given the recent thread regarding the "evils" of
noise reduction, I didn't want this amazing show & work of restoration to be
passed by.  My advice -- download and uncompress a track or 2 (Josh's
blending of the aud source with the sbd source on Ramble On Rose -- d1t1 --
is amazing, and the Dark Star -- d3t1 -- sounds fabulous and allows people
with SMR to compare this source's sound quality to the very same song on
SMR) and decide what to do from there.

Siteops hosting this show -- it would be nice if you modified the info file
to remove the erroneous noise reduction info.

Darrin

Taper: Jerry Moore

gd1974-06-23.148679.Moore.acetboy.flac1644

Source:

Remaster by acetboy

Taper Notes:

View NotesThis is a new master created from the original files from shn #105755.
Like the first night at this venue it seems like the drums could have been louder.
Maybe they do come through a bit better this night.

For this I worked on the hi-res files but only saved as cd ready.  44.1 16 bit

Work done in ProTools LE with final eq tweaks in ocenaudio.

The original files have the mids around 400 to 500 Hz louder than everything else.
Here I've brought out the low and high end more.

The flac files are tagged.

Much thanks to Jerry Moore and those who have worked to make this music available.

acetboy 2019-12-10

Taper: Jerry Moore

gd1974-06-23.145674.aud.akg-d1000e.moore.berger.flac16

Source:

source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled

Lineage:

nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 1/30/10

Taper Notes:

View Notesnotes: show promoted by Howard Stein

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105983.flac16

Source:

Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16)

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105867.flac24

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & SHN>AIFF>Final Cut>WAV>FLAC24)

Taper: Jerry Moore

gd1974-06-23.akgd1000e.moore.berger.105755.flac24

Source:

akg d1000e's>sony tc-152

Lineage:

cassette master > cassettes re-shelled > nak dragon>hd-p2 24/96>cd wave>flac

Taper: Jerry Moore

Owen Brothers remaster of Jerry Moore recording

SHNID:

gd1974-06-23.aud.obv.96890.sbeok.shnf

Source:

AudMC > DAT>CD>DC6>CD

Taper Notes:

View NotesEditing and Mastering by The Wizard - Owenbrothersvault@hotmail.com
Both the Audience and the Soundboard are available from The Owen Brothers Vault.

This was a nice AUD recording with only minor issues. A light Continuous Noise filter
was used to minimize tape hiss. Equalization was used to
adjust the sound a bit. Cuts were cleaned up.
Misc. loud handclaps, pops and other anomalies were corrected.
All editing done with Diamond Cut DC6 software.

Note: To burn to longer media (DVD-A), leave out "a" and "b" fade tracks.
Please trade freely, never sell. Please don't convert to MP3 and trade... Thanks, Wiz

Taper: Jerry Moore

Rob Berger and John Tallmadge

SHNID:

gd1974-06-23.aud.moore.berger.84615.flac16

Source:

akg d1000e's>Sony TC-152

Lineage:

aud c.m.>dat>cdr>eac>cd wave>flac

Taper: Jerry Moore

gd74-06-23.moore.weiner.gdADT.14265.sbeok.shnf

Source:

Audience Recording: AKG D-1000E

Lineage:

AudMC > DAT > WAV > SHN; about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120cassettes, with Dolby B ON.

Taper Notes:

View NotesAudMC > DAT > WAV > SHN

Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
cassettes, with Dolby B ON.

Taper: Neil Merin

gd1974-06-23.aud-merin.weiner.7894.shnf

Lineage:

AUDMR>R>DAT/1>HD>SHN>CD

Taper Notes:

View NotesFrom comment posted by Noah at etree:
Hey all,

This currently circulating copy of this show attributed to the taper Neil Merin is a myth. That reel that I transferred was indeed made by Merin in the 70s for the person I got the reel from. The assumption was made that Merin had taped the show. At the time of the transfer, Merin (and his taping buddy, Jeff Siniawsky) was still missing in action from our community, thus I could only go on the information I was given. Last December, when Siniawsky contacted me for the first time (he and Merin are still quite close), the subject of 06/23/74 produced fuzzy memories that, at the time, couldn't really prove or disprove Merin's recording of the show. He very well could have been in Florida (it is where he and Jeff live now), and certainly could have taped the show, as he and Jeff taped everything else they could that summer. But, time had fogged the facts from being set one way or the other. Well, no longer. have finished the final CDs of Moore's 06/23/74 master, and sure enough, it's the very same recording (though the Merin reel is missing tons of in between song banter, etc...).

I'm sorry for my part in propagating myth. But, at least I wasn't claiming that the thing was taped by Phil with mics on stage. ;-)