It Must Have Been The Roses | 1974-05-21 | Grateful Dead

Bands

Featured

Playback	Listens	Hours
48h	91.2k	11.2k
7d	120.6k	15.2k
30d	1.2M	147.4k

2,080 shows

18,001 tapes

Phish

265.5k

Playback	Listens	Hours
48h	19.2k	2.9k
7d	36.5k	5.4k
30d	265.5k	40.4k

Bands

Playback	Listens	Hours
48h	41	3
7d	185	12
30d	1.8k	115

Playback	Listens	Hours
48h	61	8
7d	50	6
30d	419	61

Playback	Listens	Hours
48h	1	5m
7d	14	1
30d	182	16

Playback	Listens	Hours
48h	79	8
7d	102	18
30d	400	74

80 shows

113 tapes

Akron/Family

Playback	Listens	Hours
48h	8	1
7d	13	1
30d	45	6

Playback	Listens	Hours
48h	4	17m
7d	19	2
30d	139	19

Playback	Listens	Hours
48h	35	3
7d	58	5
30d	622	52

Playback	Listens	Hours
48h	25	2
7d	133	11
30d	1.1k	95

Playback	Listens	Hours
48h	35	3
7d	81	8
30d	611	65

123 shows

134 tapes

Animal Liberation Orchestra

1.9k

Playback	Listens	Hours
48h	105	12
7d	428	51
30d	1.9k	251

Playback	Listens	Hours
48h	84	15
7d	63	12
30d	487	86

Playback	Listens	Hours
48h	45	4
7d	163	16
30d	1.4k	131

Playback	Listens	Hours
48h	15	4
7d	47	9
30d	255	58

Playback	Listens	Hours
48h	107	12
7d	100	13
30d	1.1k	131

Playback	Listens	Hours
48h	35	4
7d	14	2
30d	113	12

102 shows

107 tapes

Bela Fleck and the Flecktones

1.8k

Playback	Listens	Hours
48h	92	11
7d	356	45
30d	1.8k	220

473 shows

590 tapes

Ben Kweller

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	28	1

Playback	Listens	Hours
48h	16	2
7d	102	12
30d	538	68

278 shows

382 tapes

Bernie Worrell

Playback	Listens	Hours
48h	14	2
7d	6	1
30d	52	10

7 shows

7 tapes

Bernie Worrell and the WOO Warriors

218

Playback	Listens	Hours
48h	14	1
7d	21	2
30d	218	26

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	1	13m
7d	5	28m
30d	96	12

Playback	Listens	Hours
48h	10	2
7d	71	9
30d	625	87

Playback	Listens	Hours
48h	66	9
7d	285	38
30d	2.1k	278

Playback	Listens	Hours
48h	6.2k	621
7d	13.2k	1.3k
30d	96.5k	9.8k

Playback	Listens	Hours
48h	73	5
7d	344	26
30d	2.1k	153

62 shows

76 tapes

Blueground Undergrass

238

Playback	Listens	Hours
48h	23	2
7d	55	5
30d	238	23

Playback	Listens	Hours
48h	155	17
7d	234	24
30d	2.1k	221

Playback	Listens	Hours
48h	316	41
7d	1.1k	137
30d	7.2k	948

305 shows

505 tapes

Bobby Previte

Playback	Listens	Hours
48h	10	2
7d	0	0m
30d	16	5

20 shows

26 tapes

Boyfriends

Playback	Listens	Hours
48h	6	1
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	75	12
7d	188	28
30d	860	143

Playback	Listens	Hours
48h	16	2
7d	8	41m
30d	156	17

Playback	Listens	Hours
48h	85	8
7d	72	8
30d	826	78

Playback	Listens	Hours
48h	73	8
7d	35	3
30d	650	69

Playback	Listens	Hours
48h	42	2
7d	57	3
30d	677	37

Playback	Listens	Hours
48h	105	14
7d	87	12
30d	532	68

Playback	Listens	Hours
48h	34	3
7d	205	13
30d	501	33

241 shows

270 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	4	42m
30d	16	2

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	2	5m
30d	16	2

79 shows

93 tapes

Circles Around The Sun

1.6k

Playback	Listens	Hours
48h	108	20
7d	230	48
30d	1.6k	319

Playback	Listens	Hours
48h	34	7
7d	64	11
30d	356	66

Playback	Listens	Hours
48h	18	2
7d	91	8
30d	614	51

Playback	Listens	Hours
48h	22	3
7d	168	23
30d	632	88

798 shows

855 tapes

Daniel Donato

Playback	Listens	Hours
48h	413	58
7d	599	93
30d	4k	598

Playback	Listens	Hours
48h	236	33
7d	887	115
30d	6.3k	839

784 shows

1,034 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	2	32m
30d	24	5

Playback	Listens	Hours
48h	38	5
7d	31	3
30d	360	37

Playback	Listens	Hours
48h	2k	314
7d	4.1k	644
30d	29.8k	4.7k

Playback	Listens	Hours
48h	47	5
7d	89	9
30d	369	40

Playback	Listens	Hours
48h	145	9
7d	162	9
30d	1.1k	65

Playback	Listens	Hours
48h	91	11
7d	261	32
30d	1.6k	194

Playback	Listens	Hours
48h	918	186
7d	1.7k	348
30d	12.2k	2.5k

Playback	Listens	Hours
48h	26	2
7d	41	4
30d	479	47

Playback	Listens	Hours
48h	189	31
7d	357	55
30d	2.1k	339

Playback	Listens	Hours
48h	18	3
7d	24	4
30d	136	27

Playback	Listens	Hours
48h	129	14
7d	246	24
30d	1.8k	184

Playback	Listens	Hours
48h	33	4
7d	75	13
30d	555	89

Playback	Listens	Hours
48h	86	8
7d	493	43
30d	2.5k	222

Playback	Listens	Hours
48h	22	4
7d	147	26
30d	770	132

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	111	13

Playback	Listens	Hours
48h	192	31
7d	351	61
30d	2.8k	460

141 shows

269 tapes

EGi

Playback	Listens	Hours
48h	1	8m
7d	0	0m
30d	13	2

Playback	Listens	Hours
48h	207	31
7d	494	66
30d	2.7k	366

819 shows

1,036 tapes

Electric Beethoven

Playback	Listens	Hours
48h	4	2
7d	1	1m
30d	96	28

Playback	Listens	Hours
48h	25	1
7d	24	1
30d	859	48

Playback	Listens	Hours
48h	18	2
7d	44	6
30d	382	52

Playback	Listens	Hours
48h	10	1
7d	2	34m
30d	190	39

Playback	Listens	Hours
48h	12	1
7d	11	1
30d	113	16

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	8	57m
7d	1	11m
30d	27	4

Playback	Listens	Hours
48h	17	2
7d	72	7
30d	434	46

Playback	Listens	Hours
48h	104	7
7d	71	5
30d	325	22

Playback	Listens	Hours
48h	20	2
7d	19	1
30d	249	19

Playback	Listens	Hours
48h	12	35m
7d	73	5
30d	479	30

Playback	Listens	Hours
48h	688	106
7d	1.6k	250
30d	11.3k	1.7k

246 shows

1,218 tapes

G-Nome Project

Playback	Listens	Hours
48h	5	1
7d	0	0m
30d	24	5

14 shows

15 tapes

G. Love and Special Sauce

776

Playback	Listens	Hours
48h	92	9
7d	153	13
30d	776	71

Playback	Listens	Hours
48h	51	6
7d	196	21
30d	927	101

Playback	Listens	Hours
48h	14	3
7d	61	8
30d	320	45

Playback	Listens	Hours
48h	41	7
7d	82	16
30d	621	128

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	1	7m
7d	4	55m
30d	62	7

Playback	Listens	Hours
48h	13	3
7d	40	8
30d	221	43

Playback	Listens	Hours
48h	70	9
7d	127	15
30d	1.4k	161

369 shows

496 tapes

Godspeed You Black Emperor!

260

Playback	Listens	Hours
48h	7	2
7d	29	7
30d	260	64

Playback	Listens	Hours
48h	28	4
7d	24	5
30d	253	38

Playback	Listens	Hours
48h	1.8k	340
7d	2.9k	555
30d	22.2k	4.3k

Playback	Listens	Hours
48h	5	32m
7d	18	1
30d	320	30

362 shows

591 tapes

Grahame Lesh and Friends

4.5k

Playback	Listens	Hours
48h	423	65
7d	1.3k	206
30d	4.5k	703

32 shows

103 tapes

Grampas Grass

Playback	Listens	Hours
48h	13	2
7d	1	7m
30d	93	12

Playback	Listens	Hours
48h	297	34
7d	560	63
30d	4.5k	498

870 shows

1,446 tapes

Greyboy Allstars

Playback	Listens	Hours
48h	60	6
7d	212	24
30d	2k	233

220 shows

304 tapes

GrooveSession

Playback	Listens	Hours
48h	2	20m
7d	20	3
30d	66	10

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	3	14m
7d	5	33m
30d	26	2

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	101	15

Playback	Listens	Hours
48h	68	5
7d	64	4
30d	481	35

747 shows

1,024 tapes

Hard Working Americans

310

Playback	Listens	Hours
48h	25	3
7d	18	2
30d	310	34

Playback	Listens	Hours
48h	34	6
7d	108	16
30d	821	127

186 shows

225 tapes

Horseshoes and Hand Grenades

211

Playback	Listens	Hours
48h	26	2
7d	43	4
30d	211	17

Playback	Listens	Hours
48h	59	6
7d	27	3
30d	349	34

677 shows

850 tapes

Infamous Stringdusters

1.8k

Playback	Listens	Hours
48h	127	11
7d	125	11
30d	1.8k	160

623 shows

1,001 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	16	3

Playback	Listens	Hours
48h	296	20
7d	620	41
30d	3.4k	219

Playback	Listens	Hours
48h	65	8
7d	118	12
30d	725	74

364 shows

489 tapes

Jazz Mandolin Project

624

Playback	Listens	Hours
48h	36	5
7d	82	12
30d	624	95

218 shows

275 tapes

Jeff Austin and Chris Castino

151

Playback	Listens	Hours
48h	0	0m
7d	31	3
30d	151	13

12 shows

14 tapes

Jeff Austin And Friends

230

Playback	Listens	Hours
48h	0	0m
7d	54	6
30d	230	22

Playback	Listens	Hours
48h	24	3
7d	154	22
30d	986	134

112 shows

160 tapes

Jerry Joseph and the Jackmormons

2.5k

Playback	Listens	Hours
48h	187	31
7d	412	66
30d	2.5k	416

1,123 shows

1,518 tapes

Jerry's Middle Finger

2.2k

Playback	Listens	Hours
48h	208	30
7d	344	47
30d	2.2k	311

247 shows

297 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	5	56m
7d	2	21m
30d	96	13

2 shows

5 tapes

Joe Russo's Almost Dead

23.4k

Playback	Listens	Hours
48h	1.5k	278
7d	2.9k	517
30d	23.4k	4.2k

Playback	Listens	Hours
48h	143	13
7d	197	24
30d	970	106

Playback	Listens	Hours
48h	150	14
7d	325	27
30d	2.6k	227

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	25	3
7d	0	0m
30d	58	7

Playback	Listens	Hours
48h	11	49m
7d	1	6m
30d	166	13

Playback	Listens	Hours
48h	0	0m
7d	2	19m
30d	154	16

71 shows

104 tapes

Karl Denson's Tiny Universe

398

Playback	Listens	Hours
48h	41	6
7d	27	4
30d	398	58

Playback	Listens	Hours
48h	181	18
7d	322	32
30d	3.2k	307

Playback	Listens	Hours
48h	117	14
7d	33	4
30d	212	29

40 shows

51 tapes

King Gizzard & the Lizard Wizard

13.6k

Playback	Listens	Hours
48h	960	124
7d	1.8k	234
30d	13.6k	1.8k

Playback	Listens	Hours
48h	165	20
7d	215	29
30d	2.2k	283

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	115	17

Playback	Listens	Hours
48h	28	5
7d	77	14
30d	671	124

Playback	Listens	Hours
48h	139	17
7d	276	32
30d	2.2k	265

Playback	Listens	Hours
48h	144	14
7d	430	41
30d	2.5k	245

956 shows

1,274 tapes

Lettuce

Playback	Listens	Hours
48h	143	21
7d	489	71
30d	3k	439

Playback	Listens	Hours
48h	240	22
7d	562	49
30d	4.4k	411

Playback	Listens	Hours
48h	50	4
7d	95	8
30d	1.1k	83

Playback	Listens	Hours
48h	170	32
7d	407	79
30d	1.8k	361

Playback	Listens	Hours
48h	7	42m
7d	31	3
30d	227	24

Playback	Listens	Hours
48h	75	6
7d	167	16
30d	1.5k	158

Playback	Listens	Hours
48h	40	4
7d	116	12
30d	427	43

347 shows

445 tapes

Matt Pond PA

Playback	Listens	Hours
48h	1	4m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	284	43
7d	612	90
30d	3.8k	577

Playback	Listens	Hours
48h	38	2
7d	112	6
30d	490	28

Playback	Listens	Hours
48h	14	2
7d	50	5
30d	200	22

Playback	Listens	Hours
48h	3	7m
7d	34	49m
30d	180	5

Playback	Listens	Hours
48h	66	5
7d	124	9
30d	524	43

Playback	Listens	Hours
48h	862	125
7d	1.3k	217
30d	11k	1.9k

Playback	Listens	Hours
48h	8	42m
7d	21	2
30d	186	21

Playback	Listens	Hours
48h	15	1
7d	46	4
30d	223	17

Playback	Listens	Hours
48h	311	33
7d	651	65
30d	4.5k	459

411 shows

597 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	19	1

46 shows

50 tapes

Neal Francis

Playback	Listens	Hours
48h	3	15m
7d	0	0m
30d	55	5

Playback	Listens	Hours
48h	96	13
7d	83	13
30d	520	76

Playback	Listens	Hours
48h	0	0m
7d	22	4
30d	168	25

59 shows

69 tapes

New Riders of the Purple Sage

1.3k

Playback	Listens	Hours
48h	52	4
7d	121	10
30d	1.3k	116

403 shows

589 tapes

North Mississippi Allstars

1.1k

Playback	Listens	Hours
48h	107	11
7d	128	14
30d	1.1k	114

Playback	Listens	Hours
48h	54	6
7d	95	12
30d	679	75

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	1	4m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	6	2
7d	0	0m
30d	247	46

Playback	Listens	Hours
48h	30	4
7d	64	9
30d	228	33

Playback	Listens	Hours
48h	97	16
7d	236	39
30d	1.4k	257

686 shows

913 tapes

Phil Lesh and Friends

14.7k

Playback	Listens	Hours
48h	936	171
7d	2.1k	384
30d	14.7k	2.6k

788 shows

2,852 tapes

Pigeons Playing Ping Pong

1.8k

Playback	Listens	Hours
48h	78	12
7d	200	28
30d	1.8k	268

Playback	Listens	Hours
48h	144	17
7d	420	55
30d	3.7k	450

290 shows

430 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	58	5

Playback	Listens	Hours
48h	287	36
7d	250	32
30d	2.7k	354

1,231 shows

2,193 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	8	3

Playback	Listens	Hours
48h	60	8
7d	50	9
30d	837	113

Playback	Listens	Hours
48h	820	105
7d	1.3k	163
30d	9.1k	1.2k

Playback	Listens	Hours
48h	99	8
7d	315	25
30d	1.2k	93

Playback	Listens	Hours
48h	124	10
7d	204	19
30d	1.1k	93

Playback	Listens	Hours
48h	85	7
7d	193	18
30d	1.6k	140

580 shows

728 tapes

Ryan Jewell

Playback	Listens	Hours
48h	1	26m
7d	0	0m
30d	0	0m

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	3	16m
7d	0	0m
30d	72	9

Playback	Listens	Hours
48h	116	11
7d	428	43
30d	2.8k	271

Playback	Listens	Hours
48h	8	53m
7d	10	1
30d	307	38

135 shows

253 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	50	7

Playback	Listens	Hours
48h	0	0m
7d	42	4
30d	151	16

Playback	Listens	Hours
48h	81	7
7d	191	14
30d	878	72

Playback	Listens	Hours
48h	363	59
7d	378	61
30d	3.4k	545

Playback	Listens	Hours
48h	93	20
7d	199	42
30d	2.2k	509

Playback	Listens	Hours
48h	10	43m
7d	32	2
30d	236	15

Playback	Listens	Hours
48h	22	3
7d	5	1
30d	132	26

199 shows

240 tapes

Steve Kimock

Playback	Listens	Hours
48h	37	4
7d	142	22
30d	1k	158

Playback	Listens	Hours
48h	152	33
7d	167	38
30d	1.1k	245

Playback	Listens	Hours
48h	49	7
7d	155	20
30d	1.1k	136

664 shows

1,137 tapes

String Cheese Incident

11.5k

Playback	Listens	Hours
48h	1.1k	167
7d	1.6k	258
30d	11.5k	1.9k

1,275 shows

2,059 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	1	12m
7d	3	17m
30d	76	7

Playback	Listens	Hours
48h	46	8
7d	50	10
30d	440	82

Playback	Listens	Hours
48h	16	2
7d	40	5
30d	295	38

Playback	Listens	Hours
48h	51	5
7d	88	9
30d	952	104

727 shows

1,112 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	7	23m
30d	23	2

Playback	Listens	Hours
48h	2k	234
7d	5.2k	603
30d	29.5k	3.4k

Playback	Listens	Hours
48h	17	52m
7d	31	2
30d	385	20

Playback	Listens	Hours
48h	61	8
7d	38	6
30d	691	91

Playback	Listens	Hours
48h	8	1
7d	52	7
30d	242	34

473 shows

629 tapes

The California Honeydrops

751

Playback	Listens	Hours
48h	118	15
7d	184	23
30d	751	94

76 shows

83 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	34	6

Playback	Listens	Hours
48h	231	34
7d	434	66
30d	2.9k	424

Playback	Listens	Hours
48h	22	2
7d	32	2
30d	403	33

Playback	Listens	Hours
48h	0	0m
7d	3	14m
30d	103	15

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	1	14m
30d	49	9

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	16	2

25 shows

25 tapes

The Jauntee

Playback	Listens	Hours
48h	20	3
7d	20	3
30d	88	13

Playback	Listens	Hours
48h	12	1
7d	27	5
30d	374	51

Playback	Listens	Hours
48h	71	4
7d	233	13
30d	859	46

Playback	Listens	Hours
48h	21	2
7d	64	4
30d	507	37

Playback	Listens	Hours
48h	8	1
7d	25	9
30d	193	47

Playback	Listens	Hours
48h	91	11
7d	168	16
30d	957	94

Playback	Listens	Hours
48h	66	10
7d	190	25
30d	1.5k	196

Playback	Listens	Hours
48h	258	25
7d	713	70
30d	5.5k	538

1,447 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	0	0m
7d	3	12m
30d	88	6

Playback	Listens	Hours
48h	64	7
7d	86	9
30d	904	96

Playback	Listens	Hours
48h	5	42m
7d	13	3
30d	229	45

Playback	Listens	Hours
48h	100	9
7d	190	17
30d	928	80

Playback	Listens	Hours
48h	35	2
7d	96	7
30d	1.1k	81

174 shows

207 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	2	9m
30d	40	3

Playback	Listens	Hours
48h	404	53
7d	740	107
30d	5.2k	741

Playback	Listens	Hours
48h	0	0m
7d	14	1
30d	115	11

Playback	Listens	Hours
48h	176	23
7d	213	32
30d	1.7k	279

Playback	Listens	Hours
48h	331	53
7d	666	103
30d	6.6k	969

Playback	Listens	Hours
48h	42	4
7d	95	9
30d	388	33

Playback	Listens	Hours
48h	5	22m
7d	133	9
30d	1.4k	100

Playback	Listens	Hours
48h	858	70
7d	1.7k	131
30d	10.7k	831

618 shows

1,125 tapes

White Denim

Playback	Listens	Hours
48h	0	0m
7d	17	1
30d	51	4

Playback	Listens	Hours
48h	9.1k	1.1k
7d	21k	2.6k
30d	131k	15.6k

Playback	Listens	Hours
48h	99	12
7d	62	10
30d	673	93

1,417 shows

2,244 tapes

Yonder Mountain String Band

9.2k

Playback	Listens	Hours
48h	776	72
7d	1.4k	128
30d	9.2k	860

Playback	Listens	Hours
48h	114	17
7d	237	35
30d	1.6k	259

11 shows

15 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	32m

Playback	Listens	Hours
48h	52	10
7d	171	31
30d	1.3k	235

460 shows

662 tapes

Zoofunkyou

Playback	Listens	Hours
48h	14	1
7d	16	2
30d	33	5

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.6k	214
7d	3k	435
30d	17.3k	2.4k

Playback	Listens	Hours
48h	1.3k	184
7d	2.1k	294
30d	25.7k	3.4k

Playback	Listens	Hours
48h	2.6k	334
7d	2.9k	359
30d	39.7k	5.1k

Playback	Listens	Hours
48h	675	88
7d	1k	130
30d	40.7k	5.3k

Playback	Listens	Hours
48h	4.6k	676
7d	3.2k	453
30d	31k	4.3k

Playback	Listens	Hours
48h	8.7k	1.1k
7d	15.9k	2.1k
30d	100.5k	12.9k

Playback	Listens	Hours
48h	4.1k	504
7d	6.1k	755
30d	34.6k	4.4k

Playback	Listens	Hours
48h	6.6k	762
7d	6.6k	746
30d	36.8k	4.3k

Playback	Listens	Hours
48h	3.6k	420
7d	10k	1.2k
30d	47.7k	5.5k

Playback	Listens	Hours
48h	2k	245
7d	2.7k	305
30d	18.8k	2.1k

Playback	Listens	Hours
48h	4.4k	516
7d	3.3k	396
30d	37.6k	4.6k

Playback	Listens	Hours
48h	4.3k	522
7d	2k	250
30d	19.5k	2.5k

Playback	Listens	Hours
48h	2.4k	273
7d	3.5k	427
30d	25.2k	3.2k

Playback	Listens	Hours
48h	1.2k	150
7d	2k	244
30d	27.5k	3.5k

Playback	Listens	Hours
48h	1.9k	251
7d	2.8k	360
30d	104.9k	13.5k

Playback	Listens	Hours
48h	8.2k	939
7d	4.3k	518
30d	30k	3.5k

Playback	Listens	Hours
48h	1.8k	246
7d	2.2k	297
30d	26.7k	3.7k

Playback	Listens	Hours
48h	2.1k	291
7d	3.1k	409
30d	37k	5k

Playback	Listens	Hours
48h	6.1k	845
7d	9.3k	1.3k
30d	114.2k	16.1k

Playback	Listens	Hours
48h	1.7k	222
7d	2.5k	330
30d	26.7k	3.5k

Playback	Listens	Hours
48h	351	38
7d	497	50
30d	7.7k	824

Playback	Listens	Hours
48h	3.4k	429
7d	4.8k	616
30d	56.5k	7.2k

Playback	Listens	Hours
48h	10.2k	1.2k
7d	10.2k	1.3k
30d	92.6k	11.5k

Playback	Listens	Hours
48h	2.5k	300
7d	9.3k	1.1k
30d	62.3k	7.4k

Playback	Listens	Hours
48h	1.6k	166
7d	2.2k	234
30d	33.9k	3.8k

Playback	Listens	Hours
48h	1.3k	136
7d	1.7k	199
30d	31.5k	3.4k

Playback	Listens	Hours
48h	779	114
7d	1.7k	256
30d	19.3k	2.8k

Playback	Listens	Hours
48h	480	59
7d	1.1k	118
30d	7.8k	955

Playback	Listens	Hours
48h	706	43
7d	239	33
30d	3.8k	456

Playback	Listens	Hours
48h	179	13
7d	468	30
30d	6.4k	469

Playback	Listens	Hours
48h	37	2
7d	57	3
30d	496	29

1974

Playback	Listens	Hours
48h	0	0m
7d	3	21m
30d	23	2

San Francisco, CA, USA

753

Playback	Listens	Hours
48h	20	2
7d	11	2
30d	753	95

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	146	16
7d	119	13
30d	1.4k	161

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	118	17
7d	84	12
30d	1.4k	201

San Francisco, CA, USA

1.8k

Playback	Listens	Hours
48h	89	9
7d	274	30
30d	1.8k	192

San Francisco, CA, USA

807

Playback	Listens	Hours
48h	29	4
7d	60	11
30d	807	134

Playback	Listens	Hours
48h	0	0m
7d	4	21m
30d	140	18

Playback	Listens	Hours
48h	2	9m
7d	3	21m
30d	302	40

Playback	Listens	Hours
48h	21	3
7d	103	13
30d	859	115

Playback	Listens	Hours
48h	0	0m
7d	24	3
30d	109	17

Playback	Listens	Hours
48h	182	30
7d	99	17
30d	1.6k	264

Playback	Listens	Hours
48h	58	11
7d	128	18
30d	314	52

Playback	Listens	Hours
48h	0	0m
7d	25	3
30d	119	15

Playback	Listens	Hours
48h	136	19
7d	176	22
30d	1.6k	202

4:05:41

9 tapes

8/05SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

787

Playback	Listens	Hours
48h	34	5
7d	135	18
30d	787	96

3:48:28

6 tapes

8/04SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

389

Playback	Listens	Hours
48h	8	48m
7d	49	6
30d	389	54

Playback	Listens	Hours
48h	89	10
7d	98	13
30d	1.1k	133

Playback	Listens	Hours
48h	49	6
7d	52	6
30d	669	85

Playback	Listens	Hours
48h	0	0m
7d	33	4
30d	488	63

2:46:46

6 tapes

7/25SBD

International Amphitheatre

Chicago, IL, USA

857

Playback	Listens	Hours
48h	82	10
7d	75	9
30d	857	100

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	401	51

Playback	Listens	Hours
48h	62	8
7d	77	11
30d	743	110

3:26:33

7 tapes

6/30SBD

Springfield Civic Center

Springfield, MA, USA

696

Playback	Listens	Hours
48h	61	9
7d	29	5
30d	696	102

Playback	Listens	Hours
48h	116	14
7d	192	31
30d	2.6k	372

3:52:49

7 tapes

6/26SBD

Providence Civic Center

Providence, RI, USA

1.5k

Playback	Listens	Hours
48h	109	14
7d	88	11
30d	1.5k	212

Playback	Listens	Hours
48h	51	6
7d	57	6
30d	1.2k	146

Playback	Listens	Hours
48h	56	5
7d	69	8
30d	1.1k	114

Playback	Listens	Hours
48h	94	10
7d	56	6
30d	407	49

Playback	Listens	Hours
48h	155	22
7d	149	23
30d	1.8k	272

2:56:36

4 tapes

6/16SBD

Des Moines State Fair Grandstand

Des Moines, IA, USA

1.1k

Playback	Listens	Hours
48h	51	7
7d	184	27
30d	1.1k	159

3:53:11

10 tapes

6/08SBD

Oakland-Alameda County Coliseum

Oakland, CA, USA

Playback	Listens	Hours
48h	59	9
7d	204	27
30d	1k	145

3:04:18

8 tapes

5/25SBD

Campus Stadium, UC Santa Barbara

Goleta, CA, USA

1.3k

Playback	Listens	Hours
48h	88	8
7d	49	5
30d	1.3k	139

5:16:21

5 tapes

5/21SBD

Edmundson Pavilion, U. of Washington

Seattle, WA, USA

973

Playback	Listens	Hours
48h	99	13
7d	144	18
30d	973	145

6:06:27

13 tapes

5/19SBD

Portland Memorial Coliseum

Portland, OR, USA

4.4k

Playback	Listens	Hours
48h	357	40
7d	377	43
30d	4.4k	488

Vancouver, British Columbia, Canada

1.3k

Playback	Listens	Hours
48h	140	16
7d	52	6
30d	1.3k	149

2:53:50

3 tapes

5/14SBD

Adams Field House, U. of Montana

Missoula, MT, USA

1.7k

Playback	Listens	Hours
48h	116	14
7d	183	25
30d	1.7k	238

Playback	Listens	Hours
48h	42	5
7d	160	20
30d	874	104

Playback	Listens	Hours
48h	248	30
7d	510	60
30d	11k	1.2k

Playback	Listens	Hours
48h	15	1
7d	0	0m
30d	194	17

San Francisco, CA, USA

3.5k

Playback	Listens	Hours
48h	242	33
7d	389	56
30d	3.5k	494

San Francisco, CA, USA

1.7k

Playback	Listens	Hours
48h	115	15
7d	164	19
30d	1.7k	206

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	78	9
7d	72	8
30d	1.4k	157

4:11:15

10 tapes

Sources

Transferrer: Matrix by Kevin Tobin

Matrix by Kevin Tobin

SHNID:

gd1974-05-21.sbd.matrix.tobin.87114.sbeok.flac16

Source:

SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD)

Taper Notes:

View NotesAudio Source Information
SBD (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.

AUD(shnid=10150)
from Audience Devotional Tree
Round 10 - June, 2002
AudMC > WAV > SHN

Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony

note: most songs have the first few notes cut on the master tape.
A>D conversion by David Minches (dminches@comcast.net) playback
on Nakamichi Dragon through ART DI/O sound card.  Final track
breaks and editing by Noah Weiner (noahbw@attbi.com) May, 2002
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave.  Audition 2.0 was used to align &
synch the SBD & AUD sources.  Audition 2.0 used to adjust the
volume for both AUDs, matrix/CTR and LFE channels.  Surcode
CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 07-AUG-2007  
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -0
AUD -2

SET TWO

Stereo Matrix
SBD -0
AUD -2
---------------------------------------------------------
Audio Patching:
1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience.
 
2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience.

3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience.

4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience.

6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience.

7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience.

9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience.

10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience.

11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better.

12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

13) At the start of Ship Of Fools, 14.631 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of Ship Of Fools were missing on both sources.

14) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1.

15) At the start of WRS Prelude, 13.685 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of WRS Prelude were missing on both sources.

16) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience.

17) Between Big River and Eyes of the World, 13 minutes and 32.455 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. This includes all of Stella Blue and Around and Around.

18) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

18) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

19) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources.
----------------------------------------------------------------
The Audience recording was used as the timing reference and for the most part the soundboard recording ran slightly fast (.5 seconds per minute). However, Playin In The Band which "has no Cassette gen" more closely matched the audience recording and is unfortunate that more of it doesn't circulate. A patched version of the sbd already circulates (shnid=22801) but as there were multiple fixes to the audience recording, a fixed version of it will be available soon along with a dts and dvd-va.

Brokedown House Production

Transferrer: Charles Wier

gd74-05-21.sbd-patched.wier.22801.sbeok.shnf

Source:

Soundboard

Taper Notes:

View Notes<a href="/shninfo_detail.php?shnid=2597" rel="ugc nofollow">Previous</a> remastered SBD patched with <a href="/shninfo_detail.php?shnid=10150" rel="ugc nofollow">AudMC</a>  via Charles Wier

Source 3 of 13

gd74-05-21.sbd.belkin.2597.sbefail.shnf

Source:

Soundboard

Lineage:

MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN

Taper Notes:

View NotesMSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN; Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip; remastered version of <a href="http://db.etree.org/shninfo_detail.php?shnid=1347" rel="ugc nofollow">previous</a> shn set, courtesy Josh Belkin

Transferrer: Seth Kaplan

gd1974-05-21.sbd.kaplan.1347.shnf

Source:

S:MR > cassette > DAT > CD > EAC > SHN, except Playing In The Band, which is S:MR > DAT > CD > EAC > SHN, with 26 seconds of aud patched in.

Taper Notes:

View NotesD1t01 (Me And My Uncle): Sound system problems in beginning
D1t12 (Ship Of Fools): Fades in
D2t05 (Playing): 1-2 seconds are clipped from the beginning. 
      Master Reel splice due to a reel flip is covered by an 
      excellent quality AUD patch.
D3t06 (Johnny B. Goode): beginning cut.

  
Stella Blue and Around And Around are missing.

Taper: Pat Lee

Matt Smith, Charlie Miller, Scott Clugston

SHNID:

gd1974-05-21.150951.sony.ecm18n.lee.smith.miller.clugston.flac2496

Source:

Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD

Lineage:

Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Pat Lee for the master cassettes
- Thanks to Matt Smith for the transfer
- Thanks to Charlie Miller for coordinating this effort
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Patt Lee

Matt Smith, Charlie Miller, Scott Clugston

SHNID:

gd1974-05-21.150950.sony.ecm18n.lee.smith.miller.clugston.flac1648

Source:

Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD

Lineage:

Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Pat Lee for the master cassettes
- Thanks to Matt Smith for the transfer
- Thanks to Charlie Miller for coordinating this effort
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Pat Lee

gd1974-05-21.sonyecm18n.lee.miller.98901.flac24

Source:

Sony ECM18N -> Cassette Master (Sony 152SD)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/24

Taper Notes:

View NotesNotes:
-- Thanks to Pat Lee for lending me his masters

Taper: Pat Lee

gd1974-05-21.sonyecm18n.lee.miller.98822.sbeok.flac16

Source:

Sony ECM18N -> Cassette Master (Sony 152SD)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Thanks to Pat Lee for lending me his masters

Taper: Donn Amick

George M. Prescott Jr.

SHNID:

gd1974-05-21.amick.prescott.sbeok.114321.flac16

Taper Notes:

View Notes*Can be overburned with EAC on a 700MB/80-min. CD-R following capacity test.

Technical Notes:

The dub was recorded on Nakamichi MR-2’s by the person who provided the source cassettes.  Unfortunately, the recording levels are less than optimal:  the left channel averages at -5 dB, while the right channel averages at 0 dB.  This imbalance could not be compensatorily corrected, as the Edirol’s input-level control is unitary across both channels for unbalanced analog inputs, precluding individuated left-channel and right-channel gain adjustments.  Still, the amplitude differential is slight, and creates no phase problems.  The underrecording yielded prominent tape hiss; this was greatly reduced by using an analog EQ with a sharp roll-off at 9kHz and no output at 16kHz.  Careful comparative listening revealed no phase-shift or artifacts due to EQ.
  
The binaural source has real presence; both the Wall and the hall ring true.  This recording features fuller vocals, deeper bass response, and less reverb than does the circulating stereo audience recording made by Pat Lee (which is excellent).  This recording is free from the constant crowd chatter that mars that recording; those songs on that master that are missing their opening notes are intact here.  (The occasional handclapping is mildly distracting; the lusty screams from the crowd are welcome.)  Tonal range and timbral accuracy are quite good; Keith’s piano, Billy’s cymbals, and Jerry’s leads cut through nicely.  Still, at times, the sound here verges on distortion.  

Occasionally, there are instances when it sounds like the taper inadvertently depressed the pause button, causing momentary pitch-slippage.  There are also intermittent crackles and static, several recording-equipment glitches and tape dropouts, and some hotspots.  None of these anomalies lasts very long.  

Two songs, “Playin’ in the Band” and “Sugar Magnolia,” are each missing three seconds of music due to possible tape-flip gaps.  These gaps were removed (and the remaining ends were spliced); they have not been patched.  

Two songs were pretermitted:  “Playin’ in the Band” and “Johnny B. Goode.”  (This was not due to tape run-out on the dubs; there is blank tape after these songs.)  The final fourteen seconds of “Playin’” have been inartfully tacked on from Charlie Miller’s masterly transcription of Pat Lee’s masters, ShnID-98822.  The encore cuts during the final note and was not patched. 

No digital pitch-correction, noise-reduction, or sound-adjustment algorithms were used in this transcription.

Known Flaws (flawless tracks not listed):

Disc One

01	“Me and My Uncle”:  		01:19 minor glitch; 01:39 volume drops, tone darkens

03	“Beat It On Down the Line”:  	00:37 minor glitch

04	“Deal”:  			00:42 minor glitch; 02:58-02:59 vocal hotspot

05	“Mexicali Blues”:  		Jerry flubs chord 00:51; 01:50 static

06	“It Must Have Been the Roses”:  01:30, 01:43, 04:22 vocal hotspots

07	“The Race Is On”:  		Jerry flubs chord 00:13

08	“Scarlet Begonias”:  		01:45, 03:29 minor glitches; 03:43 vocal hotspot

09	“El Paso”:  			01:30 minor glitch; 03:17-03:18 pause w/pitch-slippage; 03:44 static

10	“Row Jimmy”:  			Jerry flubs chord 06:34; 03:38 dropout; 
		      			05:30 vocal hotspot; 07:10 pause w/pitch-slippage;
		      			07:39 minor glitch ; 08:05-08:06 pause w/music missing;
		      			08:25-08:44 channel-chop at run-out

11	“Money Money”:  		00:20 volume drops; 01:12, 01:28 minor glitches;
                        		02:12, 03:07 hotspots; 03:13, 03:44 minor glitches

12	“Ship of Fools”:  		Jerry flubs chord 00:45; 00:32, 02:15 vocal hotspots; 
					04:42, 05:40 minor glitches

13	“Weather Report Suite”:  	07:10 minor glitch; 12:11 dropout; 12:55 tone darkens

14	“China Doll”:  			02:28 minor glitch

Disc Two

01	“Playin’ in the Band”:  	02:49 tone darkens 
					(possible pre-dubbing engagement of Dolby B or change in bias or EQ);
             				02:52 minor glitch; 10:09, 16:04 static;
	     				16:55 minor glitch; 19:53-19:55 pitch-slippage;
             				21:01 possible tape-flip gap w/music missing;
       	     				28:34-28:37 dropouts; 
       	     				30:54, 30:58 pauses w/pitch-slippage;
       	     				31:12, 31:16 pauses w/pitch-slippage;
       	     				34:26 equipment glitch;
       	    				37:26 pause w/pitch-slippage;
       	     				37:31-37:33 pause w/music missing;
       	     				42:38, 42:57 minor glitches;
       	     				46:11, 46:30 minor glitches;
       	     				46:47-47:01 patched w/ShnID-98822 (Lee/Miller)

02	“U.S. Blues”:  			00:54 minor glitch; 00:57 static; 05:24 minor glitch

04	“Stella Blue”:  		01:12 minor glitch; 02:13 pause w/pitch-slippage

Disc Three

01	“Eyes of the World”:  		Jerry flubs chord 01:16; 07:47 minor glitch;
			      		12:33-12:34 pitch-slippage; 13:52, 13:57 static

02	“Wharf Rat”:  			03:35 minor glitch; 03:57 equipment glitch;
                      			04:30 vocal hotspot; 05:15, 07:55-07:58 minor glitches;
                      			09:40 pitch-slippage

03	“Sugar Magnolia”:  		01:53 possible tape-flip gap w/music missing;
                           		02:25 minor glitch; 03:05-03:10 pitch-slippage;
                           		03:32, 05:42, 07:44-07:45 minor glitches;
                           		08:10 distortion (not from dubbing or transcription)

04	“Johnny B. Goode”:  		00:45-00:50 vocal hotspots; 01:00 static;
                            		01:20-01:33 vocal hotspots; 02:31 minor glitch;
                            		03:27, 03:32, 03:36 minor glitches;
			    		03:50 final note cuts out 

Post-Transcription Tools:

Rounded track timings courtesy of Exact Audio Copy CD Layout Editor V0.99.

Sector boundary errors were detected in "Playin’ in the Band,” and were repaired by post-padding with Trader's Little Helper v.2.6.0.168.

SBE-free .wav verification and .st5 .wav checksums courtesy of TLH.

Lossless FLAC encoding with tags and verification by FLAC frontend v.1.7.1.

FLAC .ffp and .md5 post-encoding checksums courtesy of TLH.

File-integrity check and problem-free verification courtesy of shntool 3.0.4.
  
Enjoy!

Transferrer: Hunter Seamons

gd1974-05-21.mtx.seamons.109887.flac16

Source:

Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)

Transferrer: Kevin Tobin

gd1974-05-21.aud-fixed.tobin.87143.sbeok.flac16

Source:

Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony (patched version of shn id 10150 see info file for details)

Taper Notes:

View NotesAudio Source Information
AUD(shnid=10150)
from Audience Devotional Tree
Round 10 - June, 2002
AudMC > WAV > SHN

Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony

note: most songs have the first few notes cut on the master tape.
A>D conversion by David Minches (dminches@comcast.net) playback
on Nakamichi Dragon through ART DI/O sound card.  Final track
breaks and editing by Noah Weiner (noahbw@attbi.com) May, 2002

Patch with:
SBD (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave.  Audition 2.0 was used to align &
synch the SBD & AUD sources.  Audition 2.0 used to adjust the
volume for both AUDs, matrix/CTR and LFE channels.  Surcode
CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 07-AUG-2007  
---------------------------------------------------------
Audio Patching:
1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience.

2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience.

3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience.

4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience.

6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience.

7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience.

9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience.

10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience.

11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better.

12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

13) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1.

15) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience.

16) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

17) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

18) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources.

Brokedown House Production

Taper: See info file

gd1974-05-21.dts.tobin.87124.sbeok.flac16

Source:

DTS-Audio-CD 5.1 Mix Soundboard/Aud Matrix

Lineage:

See info file

Taper Notes:

View NotesAudio Source Information
SBD (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.

AUD(shnid=10150)
from Audience Devotional Tree
Round 10 - June, 2002
AudMC > WAV > SHN

Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony

note: most songs have the first few notes cut on the master tape.
A>D conversion by David Minches (dminches@comcast.net) playback
on Nakamichi Dragon through ART DI/O sound card.  Final track
breaks and editing by Noah Weiner (noahbw@attbi.com) May, 2002
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave.  Audition 2.0 was used to align &
synch the SBD & AUD sources.  Audition 2.0 used to adjust the
volume for both AUDs, matrix/CTR and LFE channels.  Surcode
CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 07-AUG-2007  
---------------------------------------------------------
Audio Patching:
1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience.

2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience.

3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience.

4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience.

6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience.

7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience.

9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience.

10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience.

11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better.

12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

13) At the start of Ship Of Fools, 14.631 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of Ship Of Fools were missing on both sources.

14) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1.

15) At the start of WRS Prelude, 13.685 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of WRS Prelude were missing on both sources.

16) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience.

17) Between Big River and Eyes of the World, 13 minutes and 32.455 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. This includes all of Stella Blue and Around and Around.

18) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

18) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

19) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources.
----------------------------------------------------------------
The Audience recording was used as the timing reference and for the most part the soundboard recording ran slightly fast (.5 seconds per minute). However, Playin In The Band which "has no Cassette gen" more closely matched the audience recording and is unfortunate that more of it doesn't circulate. A patched version of the sbd already circulates (shnid=22801) but as there were multiple fixes to the audience recording, a fixed version of it will be available soon along with a dts and dvd-va.
---------------------------------------------------------------------------
DTS-Audio-CD Info

Front  
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -2db SBD

Surround
Left Channel -2db AUD
Right Channel -2db AUD

Sub/LFE
Mixed to mono -2db SBD Reel
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Productions

Taper: Pat Lee

gd74-05-21.lee.weiner.gdADT.10150.sbeok.shnf

Source:

Audience Recording: Sony ECM18N

Lineage:

AudMC > WAV > SHN; Sony ECM18N mics > Sony 152SD deck, hand held mics in right balcony

Taper Notes:

View NotesAudMC > WAV > SHN
Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony; via David Minches; Seeded to etree by Noah Weiner