El Paso | 1974-05-21 | Grateful Dead

Bands

Featured

Playback	Listens	Hours
48h	95.6k	11.9k
7d	208k	26.3k
30d	1.3M	162.5k

2,080 shows

17,993 tapes

Phish

274k

Playback	Listens	Hours
48h	18.3k	2.8k
7d	38.2k	5.8k
30d	274k	41.9k

Bands

Playback	Listens	Hours
48h	98	6
7d	244	15
30d	2.2k	140

Playback	Listens	Hours
48h	13	2
7d	42	7
30d	660	95

Playback	Listens	Hours
48h	3	16m
7d	28	2
30d	279	24

Playback	Listens	Hours
48h	24	4
7d	68	12
30d	591	100

Playback	Listens	Hours
48h	8	1
7d	5	42m
30d	127	17

Playback	Listens	Hours
48h	0	0m
7d	4	30m
30d	192	23

Playback	Listens	Hours
48h	100	9
7d	136	12
30d	612	49

Playback	Listens	Hours
48h	58	4
7d	67	6
30d	1.1k	99

Playback	Listens	Hours
48h	26	2
7d	132	13
30d	720	77

123 shows

134 tapes

Animal Liberation Orchestra

2.3k

Playback	Listens	Hours
48h	139	16
7d	152	23
30d	2.3k	303

Playback	Listens	Hours
48h	33	6
7d	78	13
30d	606	108

Playback	Listens	Hours
48h	175	16
7d	191	21
30d	1.8k	173

Playback	Listens	Hours
48h	19	4
7d	32	9
30d	409	85

Playback	Listens	Hours
48h	85	9
7d	190	25
30d	1.6k	200

Playback	Listens	Hours
48h	1	4m
7d	51	6
30d	258	29

102 shows

107 tapes

Bela Fleck and the Flecktones

1.9k

Playback	Listens	Hours
48h	128	16
7d	224	28
30d	1.9k	234

473 shows

590 tapes

Ben Kweller

Playback	Listens	Hours
48h	0	0m
7d	7	17m
30d	41	2

Playback	Listens	Hours
48h	43	5
7d	60	8
30d	991	123

278 shows

382 tapes

Bernie Worrell

Playback	Listens	Hours
48h	0	0m
7d	1	4m
30d	93	16

7 shows

7 tapes

Bernie Worrell and the WOO Warriors

557

Playback	Listens	Hours
48h	3	29m
7d	40	4
30d	557	64

27 shows

29 tapes

Bernie Worrell Orchestra

112

Playback	Listens	Hours
48h	7	1
7d	20	3
30d	112	15

Playback	Listens	Hours
48h	80	11
7d	56	8
30d	844	115

Playback	Listens	Hours
48h	156	20
7d	390	54
30d	1.9k	255

Playback	Listens	Hours
48h	5.3k	537
7d	14.2k	1.4k
30d	117.3k	12.1k

Playback	Listens	Hours
48h	74	5
7d	366	26
30d	2.4k	177

62 shows

76 tapes

Blueground Undergrass

444

Playback	Listens	Hours
48h	32	3
7d	10	41m
30d	444	45

Playback	Listens	Hours
48h	118	13
7d	363	41
30d	2.8k	304

Playback	Listens	Hours
48h	437	58
7d	897	117
30d	8.2k	1.1k

305 shows

505 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	24	8

20 shows

26 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	3

Playback	Listens	Hours
48h	54	9
7d	92	15
30d	1.2k	189

Playback	Listens	Hours
48h	2	11m
7d	7	39m
30d	265	29

Playback	Listens	Hours
48h	45	4
7d	105	9
30d	1.3k	127

Playback	Listens	Hours
48h	63	6
7d	61	6
30d	1.6k	162

Playback	Listens	Hours
48h	76	4
7d	171	9
30d	1.1k	63

Playback	Listens	Hours
48h	49	6
7d	70	9
30d	936	124

Playback	Listens	Hours
48h	2	11m
7d	52	3
30d	951	66

241 shows

270 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	2	5m
30d	19	3

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	77	8

79 shows

93 tapes

Circles Around The Sun

1.6k

Playback	Listens	Hours
48h	85	17
7d	233	46
30d	1.6k	335

Playback	Listens	Hours
48h	43	8
7d	48	9
30d	809	152

Playback	Listens	Hours
48h	68	6
7d	41	3
30d	1.7k	138

543 shows

692 tapes

Cubensis

Playback	Listens	Hours
48h	24	4
7d	129	19
30d	2k	288

798 shows

855 tapes

Daniel Donato

Playback	Listens	Hours
48h	198	27
7d	458	67
30d	5k	743

Playback	Listens	Hours
48h	326	47
7d	800	111
30d	6.9k	941

783 shows

1,033 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	3	49m
30d	44	10

Playback	Listens	Hours
48h	11	1
7d	65	7
30d	410	41

Playback	Listens	Hours
48h	1.8k	287
7d	5.6k	861
30d	32.3k	5.1k

Playback	Listens	Hours
48h	28	3
7d	65	8
30d	648	73

Playback	Listens	Hours
48h	109	7
7d	149	9
30d	2.2k	138

Playback	Listens	Hours
48h	68	8
7d	190	23
30d	2.4k	292

Playback	Listens	Hours
48h	796	170
7d	1.5k	304
30d	13.1k	2.7k

Playback	Listens	Hours
48h	48	5
7d	57	7
30d	546	54

Playback	Listens	Hours
48h	122	21
7d	229	38
30d	2.2k	342

Playback	Listens	Hours
48h	6	1
7d	24	5
30d	148	28

Playback	Listens	Hours
48h	104	9
7d	189	20
30d	3.1k	322

Playback	Listens	Hours
48h	50	8
7d	80	13
30d	840	133

Playback	Listens	Hours
48h	171	16
7d	257	22
30d	3.2k	283

Playback	Listens	Hours
48h	49	8
7d	74	12
30d	989	169

Playback	Listens	Hours
48h	4	40m
7d	10	1
30d	179	22

Playback	Listens	Hours
48h	198	35
7d	553	89
30d	2.7k	439

141 shows

269 tapes

EGi

Playback	Listens	Hours
48h	8	1
7d	0	0m
30d	27	4

Playback	Listens	Hours
48h	138	20
7d	313	41
30d	3.2k	444

819 shows

1,036 tapes

Electric Beethoven

Playback	Listens	Hours
48h	8	2
7d	19	5
30d	95	27

Playback	Listens	Hours
48h	27	2
7d	113	7
30d	1.2k	65

Playback	Listens	Hours
48h	24	3
7d	61	8
30d	402	57

Playback	Listens	Hours
48h	14	3
7d	54	11
30d	304	59

Playback	Listens	Hours
48h	1	4m
7d	0	0m
30d	261	33

Playback	Listens	Hours
48h	0	0m
7d	2	25m
30d	191	30

Playback	Listens	Hours
48h	3	23m
7d	80	8
30d	606	65

Playback	Listens	Hours
48h	32	2
7d	43	3
30d	408	27

Playback	Listens	Hours
48h	35	3
7d	68	5
30d	1.5k	125

Playback	Listens	Hours
48h	3	13m
7d	94	6
30d	496	31

Playback	Listens	Hours
48h	502	76
7d	1.8k	275
30d	12.8k	2k

246 shows

1,218 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	2	26m
30d	27	5

14 shows

15 tapes

G. Love and Special Sauce

Playback	Listens	Hours
48h	11	1
7d	152	15
30d	1k	94

Playback	Listens	Hours
48h	100	11
7d	123	12
30d	1.7k	192

Playback	Listens	Hours
48h	3	28m
7d	57	8
30d	510	71

Playback	Listens	Hours
48h	23	5
7d	61	13
30d	755	157

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	13	1
7d	15	2
30d	94	11

Playback	Listens	Hours
48h	12	2
7d	44	9
30d	358	67

Playback	Listens	Hours
48h	49	5
7d	309	36
30d	1.7k	199

369 shows

496 tapes

Godspeed You Black Emperor!

549

Playback	Listens	Hours
48h	10	2
7d	46	12
30d	549	138

Playback	Listens	Hours
48h	7	59m
7d	22	3
30d	332	50

Playback	Listens	Hours
48h	1.5k	285
7d	3.2k	612
30d	24.3k	4.7k

Playback	Listens	Hours
48h	10	1
7d	66	6
30d	807	73

362 shows

591 tapes

Grahame Lesh and Friends

1.2k

Playback	Listens	Hours
48h	849	136
7d	1.2k	196
30d	1.2k	201

Playback	Listens	Hours
48h	4	27m
7d	6	40m
30d	125	16

Playback	Listens	Hours
48h	275	30
7d	755	86
30d	5.8k	644

Playback	Listens	Hours
48h	69	9
7d	221	25
30d	2.5k	278

Playback	Listens	Hours
48h	10	1
7d	14	2
30d	213	32

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	1	2m
30d	45	3

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	144	20

Playback	Listens	Hours
48h	59	5
7d	29	2
30d	789	58

747 shows

1,024 tapes

Hard Working Americans

362

Playback	Listens	Hours
48h	22	2
7d	19	2
30d	362	41

74 shows

135 tapes

Holly Bowling

Playback	Listens	Hours
48h	66	8
7d	91	15
30d	1k	160

186 shows

225 tapes

Horseshoes and Hand Grenades

422

Playback	Listens	Hours
48h	27	2
7d	36	3
30d	422	32

Playback	Listens	Hours
48h	21	2
7d	28	3
30d	1.2k	120

677 shows

850 tapes

Infamous Stringdusters

3.1k

Playback	Listens	Hours
48h	108	9
7d	263	23
30d	3.1k	289

621 shows

998 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	4	58m
30d	31	6

Playback	Listens	Hours
48h	149	10
7d	464	31
30d	4.1k	259

146 shows

172 tapes

Jackie Greene

Playback	Listens	Hours
48h	14	1
7d	87	8
30d	1k	106

364 shows

489 tapes

Jazz Mandolin Project

1.1k

Playback	Listens	Hours
48h	13	2
7d	123	20
30d	1.1k	183

218 shows

275 tapes

Jeff Austin and Chris Castino

143

Playback	Listens	Hours
48h	4	15m
7d	8	50m
30d	143	12

12 shows

14 tapes

Jeff Austin And Friends

316

Playback	Listens	Hours
48h	14	1
7d	2	18m
30d	316	24

Playback	Listens	Hours
48h	131	14
7d	66	9
30d	1.1k	158

112 shows

160 tapes

Jerry Joseph and the Jackmormons

2.9k

Playback	Listens	Hours
48h	159	27
7d	385	67
30d	2.9k	464

1,123 shows

1,518 tapes

Jerry's Middle Finger

2.4k

Playback	Listens	Hours
48h	171	24
7d	393	58
30d	2.4k	340

247 shows

297 tapes

Joe Russo Presents: Hooteroll? + Plus

127

Playback	Listens	Hours
48h	27	4
7d	2	2m
30d	127	19

2 shows

5 tapes

Joe Russo's Almost Dead

27.1k

Playback	Listens	Hours
48h	1.5k	270
7d	3.4k	605
30d	27.1k	4.9k

Playback	Listens	Hours
48h	78	7
7d	63	8
30d	2.1k	246

Playback	Listens	Hours
48h	173	14
7d	348	34
30d	3.4k	309

Playback	Listens	Hours
48h	3	12m
7d	0	0m
30d	141	18

Playback	Listens	Hours
48h	3	18m
7d	19	2
30d	479	35

Playback	Listens	Hours
48h	6	32m
7d	36	4
30d	195	21

71 shows

104 tapes

Karl Denson's Tiny Universe

1.2k

Playback	Listens	Hours
48h	7	45m
7d	53	8
30d	1.2k	176

Playback	Listens	Hours
48h	215	22
7d	436	40
30d	4.5k	418

Playback	Listens	Hours
48h	4	33m
7d	27	3
30d	268	38

40 shows

51 tapes

King Gizzard & the Lizard Wizard

15k

Playback	Listens	Hours
48h	816	113
7d	2.4k	319
30d	15k	2k

208 shows

437 tapes

Kitchen Dwellers

Playback	Listens	Hours
48h	250	30
7d	323	40
30d	3k	382

Playback	Listens	Hours
48h	2	15m
7d	14	2
30d	359	52

Playback	Listens	Hours
48h	44	9
7d	76	13
30d	895	161

Playback	Listens	Hours
48h	82	10
7d	386	46
30d	3.2k	389

Playback	Listens	Hours
48h	278	26
7d	360	34
30d	3.8k	368

Playback	Listens	Hours
48h	165	27
7d	488	69
30d	3.3k	482

454 shows

703 tapes

Little Feat

Playback	Listens	Hours
48h	325	30
7d	702	67
30d	5k	473

Playback	Listens	Hours
48h	92	7
7d	198	15
30d	1.7k	127

Playback	Listens	Hours
48h	77	16
7d	287	56
30d	1.7k	328

Playback	Listens	Hours
48h	2	19m
7d	17	2
30d	595	60

Playback	Listens	Hours
48h	87	8
7d	257	33
30d	1.8k	194

Playback	Listens	Hours
48h	22	2
7d	55	5
30d	671	71

347 shows

445 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	52m

Playback	Listens	Hours
48h	305	48
7d	581	85
30d	6.4k	961

Playback	Listens	Hours
48h	17	50m
7d	51	3
30d	574	35

Playback	Listens	Hours
48h	1	7m
7d	4	33m
30d	267	29

Playback	Listens	Hours
48h	9	14m
7d	28	55m
30d	484	12

Playback	Listens	Hours
48h	10	47m
7d	50	4
30d	613	51

Playback	Listens	Hours
48h	695	120
7d	1.4k	264
30d	13.4k	2.4k

Playback	Listens	Hours
48h	0	0m
7d	9	55m
30d	466	51

Playback	Listens	Hours
48h	15	1
7d	53	4
30d	255	19

Playback	Listens	Hours
48h	244	25
7d	818	84
30d	5.4k	553

411 shows

597 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	12	46m
30d	75	6

Playback	Listens	Hours
48h	1	5m
7d	9	53m
30d	151	14

Playback	Listens	Hours
48h	49	7
7d	59	9
30d	609	85

Playback	Listens	Hours
48h	0	0m
7d	47	9
30d	194	28

59 shows

69 tapes

New Riders of the Purple Sage

1.9k

Playback	Listens	Hours
48h	101	9
7d	156	12
30d	1.9k	172

401 shows

586 tapes

North Mississippi Allstars

1.9k

Playback	Listens	Hours
48h	120	12
7d	222	21
30d	1.9k	180

Playback	Listens	Hours
48h	39	4
7d	92	10
30d	1.5k	167

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	13	51m

Playback	Listens	Hours
48h	1	11m
7d	62	13
30d	505	93

Playback	Listens	Hours
48h	19	2
7d	19	3
30d	320	46

Playback	Listens	Hours
48h	152	27
7d	158	27
30d	1.8k	323

686 shows

913 tapes

Phil Lesh and Friends

15.3k

Playback	Listens	Hours
48h	779	138
7d	2.1k	369
30d	15.3k	2.6k

788 shows

2,852 tapes

Pigeons Playing Ping Pong

2.2k

Playback	Listens	Hours
48h	104	16
7d	283	42
30d	2.2k	349

Playback	Listens	Hours
48h	255	34
7d	677	79
30d	4.7k	555

289 shows

429 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	21	1
7d	0	0m
30d	47	4

Playback	Listens	Hours
48h	229	30
7d	558	74
30d	4.2k	560

1,230 shows

2,191 tapes

RANA

Playback	Listens	Hours
48h	1	2
7d	7	35m
30d	63	5

Playback	Listens	Hours
48h	105	14
7d	132	16
30d	1.4k	185

Playback	Listens	Hours
48h	557	73
7d	1.4k	194
30d	10.7k	1.5k

Playback	Listens	Hours
48h	79	5
7d	135	10
30d	1.5k	117

248 shows

366 tapes

Rumpke Mountain Boys

Playback	Listens	Hours
48h	83	7
7d	95	8
30d	2k	165

Playback	Listens	Hours
48h	257	20
7d	249	21
30d	2.4k	207

580 shows

728 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	15m

Playback	Listens	Hours
48h	9	59m
7d	1	15m
30d	131	15

Playback	Listens	Hours
48h	184	18
7d	253	25
30d	3.6k	341

Playback	Listens	Hours
48h	0	0m
7d	83	11
30d	742	86

135 shows

253 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	23	3
30d	79	11

Playback	Listens	Hours
48h	5	43m
7d	4	28m
30d	326	36

Playback	Listens	Hours
48h	60	5
7d	161	16
30d	1.5k	132

Playback	Listens	Hours
48h	206	30
7d	499	77
30d	4.1k	666

Playback	Listens	Hours
48h	115	27
7d	294	66
30d	2.8k	624

Playback	Listens	Hours
48h	23	1
7d	49	3
30d	406	25

Playback	Listens	Hours
48h	7	2
7d	25	5
30d	334	55

Playback	Listens	Hours
48h	65	11
7d	190	28
30d	1.9k	283

Playback	Listens	Hours
48h	66	17
7d	206	48
30d	1.9k	406

Playback	Listens	Hours
48h	72	10
7d	131	16
30d	2.5k	338

664 shows

1,137 tapes

String Cheese Incident

14k

Playback	Listens	Hours
48h	700	114
7d	1.9k	294
30d	14k	2.2k

1,275 shows

2,059 tapes

Surprise Me Mr. Davis

198

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	198	19

Playback	Listens	Hours
48h	17	4
7d	73	13
30d	523	95

Playback	Listens	Hours
48h	0	0m
7d	31	4
30d	501	64

Playback	Listens	Hours
48h	56	6
7d	105	12
30d	2.4k	261

727 shows

1,112 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	2	8m
30d	93	6

Playback	Listens	Hours
48h	2k	243
7d	5.1k	596
30d	24.2k	2.8k

Playback	Listens	Hours
48h	43	2
7d	20	60m
30d	415	23

Playback	Listens	Hours
48h	102	14
7d	89	12
30d	1.3k	161

Playback	Listens	Hours
48h	29	5
7d	18	3
30d	577	78

473 shows

629 tapes

The California Honeydrops

547

Playback	Listens	Hours
48h	78	8
7d	124	17
30d	547	71

76 shows

83 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	56	10

Playback	Listens	Hours
48h	108	14
7d	365	52
30d	3.8k	554

Playback	Listens	Hours
48h	56	4
7d	140	12
30d	638	55

Playback	Listens	Hours
48h	0	0m
7d	28	4
30d	247	34

Playback	Listens	Hours
48h	0	0m
7d	21	4
30d	195	31

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	32	4

Playback	Listens	Hours
48h	8	1
7d	31	5
30d	582	88

Playback	Listens	Hours
48h	13	2
7d	26	4
30d	776	106

Playback	Listens	Hours
48h	26	2
7d	75	4
30d	1.8k	93

Playback	Listens	Hours
48h	16	1
7d	61	4
30d	830	61

Playback	Listens	Hours
48h	15	4
7d	32	9
30d	342	76

Playback	Listens	Hours
48h	67	6
7d	149	15
30d	1.3k	132

Playback	Listens	Hours
48h	43	6
7d	168	24
30d	2.2k	293

77 shows

249 tapes

The Radiators

Playback	Listens	Hours
48h	321	32
7d	976	93
30d	7k	678

1,447 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	9	17m
7d	1	3m
30d	94	7

Playback	Listens	Hours
48h	47	5
7d	174	19
30d	1.1k	113

Playback	Listens	Hours
48h	15	3
7d	71	15
30d	246	48

Playback	Listens	Hours
48h	30	3
7d	132	11
30d	1.4k	122

Playback	Listens	Hours
48h	78	5
7d	164	11
30d	1.6k	113

174 shows

207 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	52	4

Playback	Listens	Hours
48h	348	58
7d	712	107
30d	6.2k	872

Playback	Listens	Hours
48h	0	0m
7d	3	19m
30d	231	23

Playback	Listens	Hours
48h	51	8
7d	275	45
30d	2.5k	411

Playback	Listens	Hours
48h	407	61
7d	809	116
30d	9.9k	1.4k

Playback	Listens	Hours
48h	54	5
7d	75	6
30d	385	31

Playback	Listens	Hours
48h	76	6
7d	246	18
30d	1.9k	140

Playback	Listens	Hours
48h	521	41
7d	1.8k	141
30d	12.6k	986

Playback	Listens	Hours
48h	8	32m
7d	0	0m
30d	104	7

Playback	Listens	Hours
48h	11.7k	1.5k
7d	22.1k	2.7k
30d	121.7k	14.3k

Playback	Listens	Hours
48h	18	2
7d	90	14
30d	2.5k	342

1,417 shows

2,244 tapes

Yonder Mountain String Band

12.9k

Playback	Listens	Hours
48h	508	45
7d	1.1k	103
30d	12.9k	1.2k

Playback	Listens	Hours
48h	210	30
7d	191	32
30d	1.9k	302

10 shows

14 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	1	2m
30d	51	2

Playback	Listens	Hours
48h	70	12
7d	237	42
30d	2.1k	360

460 shows

662 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	3	28m
30d	53	6

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.7k	243
7d	3.8k	492
30d	17k	2.3k

Playback	Listens	Hours
48h	1.3k	174
7d	4.1k	553
30d	29.5k	3.8k

Playback	Listens	Hours
48h	3.6k	459
7d	5.9k	755
30d	37.5k	4.8k

Playback	Listens	Hours
48h	1.9k	241
7d	4.7k	629
30d	50.7k	6.6k

Playback	Listens	Hours
48h	3.4k	459
7d	6.6k	968
30d	29.7k	4.2k

Playback	Listens	Hours
48h	12.7k	1.6k
7d	21.1k	2.7k
30d	92.3k	12k

Playback	Listens	Hours
48h	1.9k	242
7d	5.4k	684
30d	37.2k	4.7k

Playback	Listens	Hours
48h	2.4k	283
7d	3.9k	456
30d	31k	3.6k

Playback	Listens	Hours
48h	5.3k	604
7d	7.1k	824
30d	46.5k	5.4k

Playback	Listens	Hours
48h	3k	336
7d	6.4k	734
30d	16.4k	1.9k

Playback	Listens	Hours
48h	2.9k	354
7d	5.3k	611
30d	36.5k	4.4k

Playback	Listens	Hours
48h	1.4k	177
7d	3.5k	445
30d	21.1k	2.7k

Playback	Listens	Hours
48h	1.7k	212
7d	2.8k	366
30d	22.8k	2.9k

Playback	Listens	Hours
48h	1.3k	160
7d	3.5k	436
30d	32.4k	4.1k

Playback	Listens	Hours
48h	4k	522
7d	12.9k	1.5k
30d	129.5k	16.7k

Playback	Listens	Hours
48h	2.2k	259
7d	4.4k	508
30d	31.4k	3.6k

Playback	Listens	Hours
48h	2k	287
7d	4.4k	595
30d	30k	4.1k

Playback	Listens	Hours
48h	2.2k	302
7d	5.5k	732
30d	43k	5.8k

Playback	Listens	Hours
48h	6.1k	872
7d	33.3k	4.7k
30d	139k	19.4k

Playback	Listens	Hours
48h	1.8k	244
7d	4.1k	554
30d	28.8k	3.8k

Playback	Listens	Hours
48h	747	78
7d	931	98
30d	8.8k	985

Playback	Listens	Hours
48h	7.9k	960
7d	7.7k	981
30d	75k	9.7k

Playback	Listens	Hours
48h	9.9k	1.2k
7d	21.6k	2.6k
30d	93.4k	11.6k

Playback	Listens	Hours
48h	6k	736
7d	11.9k	1.4k
30d	55.1k	6.5k

Playback	Listens	Hours
48h	3k	319
7d	6.3k	703
30d	44.6k	5.1k

Playback	Listens	Hours
48h	2.4k	272
7d	5.4k	579
30d	38.3k	4.2k

Playback	Listens	Hours
48h	1.1k	161
7d	2.6k	359
30d	34.8k	5.1k

112 shows

324 tapes

1968

Playback	Listens	Hours
48h	452	61
7d	997	121
30d	9k	1.1k

41 shows

125 tapes

1967

Playback	Listens	Hours
48h	137	15
7d	651	75
30d	4k	480

23 shows

55 tapes

1966

Playback	Listens	Hours
48h	586	42
7d	1.3k	90
30d	9k	671

Playback	Listens	Hours
48h	66	4
7d	101	6
30d	549	34

1974

Playback	Listens	Hours
48h	2	13m
7d	5	26m
30d	14	1

San Francisco, CA, USA

862

Playback	Listens	Hours
48h	52	7
7d	186	22
30d	862	107

San Francisco, CA, USA

1.3k

Playback	Listens	Hours
48h	187	20
7d	312	36
30d	1.3k	154

San Francisco, CA, USA

1.6k

Playback	Listens	Hours
48h	107	17
7d	237	32
30d	1.6k	240

San Francisco, CA, USA

1.9k

Playback	Listens	Hours
48h	78	9
7d	297	31
30d	1.9k	204

San Francisco, CA, USA

898

Playback	Listens	Hours
48h	49	7
7d	128	23
30d	898	149

Playback	Listens	Hours
48h	3	21m
7d	7	49m
30d	200	27

Playback	Listens	Hours
48h	11	1
7d	18	3
30d	491	66

Playback	Listens	Hours
48h	97	15
7d	109	14
30d	864	115

Playback	Listens	Hours
48h	14	2
7d	17	2
30d	245	35

Playback	Listens	Hours
48h	175	31
7d	297	53
30d	1.9k	303

Playback	Listens	Hours
48h	29	4
7d	12	2
30d	248	45

Playback	Listens	Hours
48h	9	1
7d	9	1
30d	193	24

Playback	Listens	Hours
48h	151	18
7d	99	13
30d	1.8k	225

4:05:41

9 tapes

8/05SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

815

Playback	Listens	Hours
48h	34	4
7d	74	10
30d	815	97

3:48:28

6 tapes

8/04SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

454

Playback	Listens	Hours
48h	19	2
7d	85	11
30d	454	62

Playback	Listens	Hours
48h	112	13
7d	165	20
30d	1.7k	200

Playback	Listens	Hours
48h	50	7
7d	33	4
30d	700	89

Playback	Listens	Hours
48h	21	2
7d	110	14
30d	546	71

2:46:46

6 tapes

7/25SBD

International Amphitheatre

Chicago, IL, USA

1.1k

Playback	Listens	Hours
48h	51	6
7d	120	13
30d	1.1k	123

Playback	Listens	Hours
48h	32	4
7d	100	13
30d	479	61

Playback	Listens	Hours
48h	35	6
7d	131	20
30d	738	107

3:26:33

7 tapes

6/30SBD

Springfield Civic Center

Springfield, MA, USA

811

Playback	Listens	Hours
48h	65	9
7d	98	14
30d	811	117

Playback	Listens	Hours
48h	141	19
7d	316	42
30d	2.8k	397

3:52:49

7 tapes

6/26SBD

Providence Civic Center

Providence, RI, USA

1.8k

Playback	Listens	Hours
48h	91	12
7d	403	53
30d	1.8k	247

Playback	Listens	Hours
48h	118	14
7d	208	24
30d	1.6k	181

Playback	Listens	Hours
48h	45	6
7d	104	11
30d	1.2k	125

Playback	Listens	Hours
48h	11	1
7d	85	10
30d	457	54

Playback	Listens	Hours
48h	120	18
7d	391	59
30d	2.2k	318

2:56:36

4 tapes

6/16SBD

Des Moines State Fair Grandstand

Des Moines, IA, USA

1.3k

Playback	Listens	Hours
48h	45	8
7d	105	15
30d	1.3k	182

3:53:11

10 tapes

6/08SBD

Oakland-Alameda County Coliseum

Oakland, CA, USA

Playback	Listens	Hours
48h	71	9
7d	138	21
30d	1k	139

3:04:18

8 tapes

5/25SBD

Campus Stadium, UC Santa Barbara

Goleta, CA, USA

1.4k

Playback	Listens	Hours
48h	184	19
7d	249	25
30d	1.4k	147

5:16:21

5 tapes

5/21SBD

Edmundson Pavilion, U. of Washington

Seattle, WA, USA

799

Playback	Listens	Hours
48h	90	14
7d	231	35
30d	799	120

6:06:27

13 tapes

5/19SBD

Portland Memorial Coliseum

Portland, OR, USA

4.8k

Playback	Listens	Hours
48h	336	38
7d	636	70
30d	4.8k	529

Vancouver, British Columbia, Canada

1.4k

Playback	Listens	Hours
48h	87	10
7d	165	19
30d	1.4k	157

2:53:50

3 tapes

5/14SBD

Adams Field House, U. of Montana

Missoula, MT, USA

2.2k

Playback	Listens	Hours
48h	109	15
7d	332	45
30d	2.2k	296

Playback	Listens	Hours
48h	105	12
7d	107	13
30d	878	104

Playback	Listens	Hours
48h	5.1k	593
7d	658	75
30d	4.2k	482

Playback	Listens	Hours
48h	29	2
7d	11	57m
30d	460	40

San Francisco, CA, USA

17.6k

Playback	Listens	Hours
48h	133	18
7d	371	51
30d	17.6k	2.5k

San Francisco, CA, USA

6.1k

Playback	Listens	Hours
48h	109	13
7d	282	33
30d	6.1k	740

San Francisco, CA, USA

Playback	Listens	Hours
48h	61	7
7d	216	23
30d	3k	330

5/21/74

Beat It On Down The Line

4:30

Beat It On Down The Line

It Must Have Been The Roses

6:59

It Must Have Been The Roses

Weather Report Suite Prelude >

1:08

Weather Report Suite Prelude >

1:08

Weather Report Suite Part 1 >

5:02

Weather Report Suite Part 1 >

FIN

Sources

Transferrer: Matrix by Kevin Tobin

Matrix by Kevin Tobin

SHNID:

gd1974-05-21.sbd.matrix.tobin.87114.sbeok.flac16

Source:

SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD)

Taper Notes:

View NotesAudio Source Information
SBD (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.

AUD(shnid=10150)
from Audience Devotional Tree
Round 10 - June, 2002
AudMC > WAV > SHN

Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony

note: most songs have the first few notes cut on the master tape.
A>D conversion by David Minches (dminches@comcast.net) playback
on Nakamichi Dragon through ART DI/O sound card.  Final track
breaks and editing by Noah Weiner (noahbw@attbi.com) May, 2002
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave.  Audition 2.0 was used to align &
synch the SBD & AUD sources.  Audition 2.0 used to adjust the
volume for both AUDs, matrix/CTR and LFE channels.  Surcode
CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 07-AUG-2007  
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -0
AUD -2

SET TWO

Stereo Matrix
SBD -0
AUD -2
---------------------------------------------------------
Audio Patching:
1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience.
 
2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience.

3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience.

4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience.

6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience.

7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience.

9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience.

10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience.

11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better.

12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

13) At the start of Ship Of Fools, 14.631 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of Ship Of Fools were missing on both sources.

14) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1.

15) At the start of WRS Prelude, 13.685 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of WRS Prelude were missing on both sources.

16) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience.

17) Between Big River and Eyes of the World, 13 minutes and 32.455 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. This includes all of Stella Blue and Around and Around.

18) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

18) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

19) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources.
----------------------------------------------------------------
The Audience recording was used as the timing reference and for the most part the soundboard recording ran slightly fast (.5 seconds per minute). However, Playin In The Band which "has no Cassette gen" more closely matched the audience recording and is unfortunate that more of it doesn't circulate. A patched version of the sbd already circulates (shnid=22801) but as there were multiple fixes to the audience recording, a fixed version of it will be available soon along with a dts and dvd-va.

Brokedown House Production

Transferrer: Charles Wier

gd74-05-21.sbd-patched.wier.22801.sbeok.shnf

Source:

Soundboard

Taper Notes:

View Notes<a href="/shninfo_detail.php?shnid=2597" rel="ugc nofollow">Previous</a> remastered SBD patched with <a href="/shninfo_detail.php?shnid=10150" rel="ugc nofollow">AudMC</a>  via Charles Wier

Source 3 of 13

gd74-05-21.sbd.belkin.2597.sbefail.shnf

Source:

Soundboard

Lineage:

MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN

Taper Notes:

View NotesMSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN; Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip; remastered version of <a href="http://db.etree.org/shninfo_detail.php?shnid=1347" rel="nofollow">previous</a> shn set, courtesy Josh Belkin

Transferrer: Seth Kaplan

gd1974-05-21.sbd.kaplan.1347.shnf

Source:

S:MR > cassette > DAT > CD > EAC > SHN, except Playing In The Band, which is S:MR > DAT > CD > EAC > SHN, with 26 seconds of aud patched in.

Taper Notes:

View NotesD1t01 (Me And My Uncle): Sound system problems in beginning
D1t12 (Ship Of Fools): Fades in
D2t05 (Playing): 1-2 seconds are clipped from the beginning. 
      Master Reel splice due to a reel flip is covered by an 
      excellent quality AUD patch.
D3t06 (Johnny B. Goode): beginning cut.

  
Stella Blue and Around And Around are missing.

Taper: Pat Lee

Matt Smith, Charlie Miller, Scott Clugston

SHNID:

gd1974-05-21.150951.sony.ecm18n.lee.smith.miller.clugston.flac2496

Source:

Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD

Lineage:

Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Pat Lee for the master cassettes
- Thanks to Matt Smith for the transfer
- Thanks to Charlie Miller for coordinating this effort
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Patt Lee

Matt Smith, Charlie Miller, Scott Clugston

SHNID:

gd1974-05-21.150950.sony.ecm18n.lee.smith.miller.clugston.flac1648

Source:

Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD

Lineage:

Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Pat Lee for the master cassettes
- Thanks to Matt Smith for the transfer
- Thanks to Charlie Miller for coordinating this effort
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Pat Lee

gd1974-05-21.sonyecm18n.lee.miller.98901.flac24

Source:

Sony ECM18N -> Cassette Master (Sony 152SD)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/24

Taper Notes:

View NotesNotes:
-- Thanks to Pat Lee for lending me his masters

Taper: Pat Lee

gd1974-05-21.sonyecm18n.lee.miller.98822.sbeok.flac16

Source:

Sony ECM18N -> Cassette Master (Sony 152SD)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Thanks to Pat Lee for lending me his masters

Taper: Donn Amick

George M. Prescott Jr.

SHNID:

gd1974-05-21.amick.prescott.sbeok.114321.flac16

Taper Notes:

View Notes*Can be overburned with EAC on a 700MB/80-min. CD-R following capacity test.

Technical Notes:

The dub was recorded on Nakamichi MR-2’s by the person who provided the source cassettes.  Unfortunately, the recording levels are less than optimal:  the left channel averages at -5 dB, while the right channel averages at 0 dB.  This imbalance could not be compensatorily corrected, as the Edirol’s input-level control is unitary across both channels for unbalanced analog inputs, precluding individuated left-channel and right-channel gain adjustments.  Still, the amplitude differential is slight, and creates no phase problems.  The underrecording yielded prominent tape hiss; this was greatly reduced by using an analog EQ with a sharp roll-off at 9kHz and no output at 16kHz.  Careful comparative listening revealed no phase-shift or artifacts due to EQ.
  
The binaural source has real presence; both the Wall and the hall ring true.  This recording features fuller vocals, deeper bass response, and less reverb than does the circulating stereo audience recording made by Pat Lee (which is excellent).  This recording is free from the constant crowd chatter that mars that recording; those songs on that master that are missing their opening notes are intact here.  (The occasional handclapping is mildly distracting; the lusty screams from the crowd are welcome.)  Tonal range and timbral accuracy are quite good; Keith’s piano, Billy’s cymbals, and Jerry’s leads cut through nicely.  Still, at times, the sound here verges on distortion.  

Occasionally, there are instances when it sounds like the taper inadvertently depressed the pause button, causing momentary pitch-slippage.  There are also intermittent crackles and static, several recording-equipment glitches and tape dropouts, and some hotspots.  None of these anomalies lasts very long.  

Two songs, “Playin’ in the Band” and “Sugar Magnolia,” are each missing three seconds of music due to possible tape-flip gaps.  These gaps were removed (and the remaining ends were spliced); they have not been patched.  

Two songs were pretermitted:  “Playin’ in the Band” and “Johnny B. Goode.”  (This was not due to tape run-out on the dubs; there is blank tape after these songs.)  The final fourteen seconds of “Playin’” have been inartfully tacked on from Charlie Miller’s masterly transcription of Pat Lee’s masters, ShnID-98822.  The encore cuts during the final note and was not patched. 

No digital pitch-correction, noise-reduction, or sound-adjustment algorithms were used in this transcription.

Known Flaws (flawless tracks not listed):

Disc One

01	“Me and My Uncle”:  		01:19 minor glitch; 01:39 volume drops, tone darkens

03	“Beat It On Down the Line”:  	00:37 minor glitch

04	“Deal”:  			00:42 minor glitch; 02:58-02:59 vocal hotspot

05	“Mexicali Blues”:  		Jerry flubs chord 00:51; 01:50 static

06	“It Must Have Been the Roses”:  01:30, 01:43, 04:22 vocal hotspots

07	“The Race Is On”:  		Jerry flubs chord 00:13

08	“Scarlet Begonias”:  		01:45, 03:29 minor glitches; 03:43 vocal hotspot

09	“El Paso”:  			01:30 minor glitch; 03:17-03:18 pause w/pitch-slippage; 03:44 static

10	“Row Jimmy”:  			Jerry flubs chord 06:34; 03:38 dropout; 
		      			05:30 vocal hotspot; 07:10 pause w/pitch-slippage;
		      			07:39 minor glitch ; 08:05-08:06 pause w/music missing;
		      			08:25-08:44 channel-chop at run-out

11	“Money Money”:  		00:20 volume drops; 01:12, 01:28 minor glitches;
                        		02:12, 03:07 hotspots; 03:13, 03:44 minor glitches

12	“Ship of Fools”:  		Jerry flubs chord 00:45; 00:32, 02:15 vocal hotspots; 
					04:42, 05:40 minor glitches

13	“Weather Report Suite”:  	07:10 minor glitch; 12:11 dropout; 12:55 tone darkens

14	“China Doll”:  			02:28 minor glitch

Disc Two

01	“Playin’ in the Band”:  	02:49 tone darkens 
					(possible pre-dubbing engagement of Dolby B or change in bias or EQ);
             				02:52 minor glitch; 10:09, 16:04 static;
	     				16:55 minor glitch; 19:53-19:55 pitch-slippage;
             				21:01 possible tape-flip gap w/music missing;
       	     				28:34-28:37 dropouts; 
       	     				30:54, 30:58 pauses w/pitch-slippage;
       	     				31:12, 31:16 pauses w/pitch-slippage;
       	     				34:26 equipment glitch;
       	    				37:26 pause w/pitch-slippage;
       	     				37:31-37:33 pause w/music missing;
       	     				42:38, 42:57 minor glitches;
       	     				46:11, 46:30 minor glitches;
       	     				46:47-47:01 patched w/ShnID-98822 (Lee/Miller)

02	“U.S. Blues”:  			00:54 minor glitch; 00:57 static; 05:24 minor glitch

04	“Stella Blue”:  		01:12 minor glitch; 02:13 pause w/pitch-slippage

Disc Three

01	“Eyes of the World”:  		Jerry flubs chord 01:16; 07:47 minor glitch;
			      		12:33-12:34 pitch-slippage; 13:52, 13:57 static

02	“Wharf Rat”:  			03:35 minor glitch; 03:57 equipment glitch;
                      			04:30 vocal hotspot; 05:15, 07:55-07:58 minor glitches;
                      			09:40 pitch-slippage

03	“Sugar Magnolia”:  		01:53 possible tape-flip gap w/music missing;
                           		02:25 minor glitch; 03:05-03:10 pitch-slippage;
                           		03:32, 05:42, 07:44-07:45 minor glitches;
                           		08:10 distortion (not from dubbing or transcription)

04	“Johnny B. Goode”:  		00:45-00:50 vocal hotspots; 01:00 static;
                            		01:20-01:33 vocal hotspots; 02:31 minor glitch;
                            		03:27, 03:32, 03:36 minor glitches;
			    		03:50 final note cuts out 

Post-Transcription Tools:

Rounded track timings courtesy of Exact Audio Copy CD Layout Editor V0.99.

Sector boundary errors were detected in "Playin’ in the Band,” and were repaired by post-padding with Trader's Little Helper v.2.6.0.168.

SBE-free .wav verification and .st5 .wav checksums courtesy of TLH.

Lossless FLAC encoding with tags and verification by FLAC frontend v.1.7.1.

FLAC .ffp and .md5 post-encoding checksums courtesy of TLH.

File-integrity check and problem-free verification courtesy of shntool 3.0.4.
  
Enjoy!

Transferrer: Hunter Seamons

gd1974-05-21.mtx.seamons.109887.flac16

Source:

Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)

Transferrer: Kevin Tobin

gd1974-05-21.aud-fixed.tobin.87143.sbeok.flac16

Source:

Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony (patched version of shn id 10150 see info file for details)

Taper Notes:

View NotesAudio Source Information
AUD(shnid=10150)
from Audience Devotional Tree
Round 10 - June, 2002
AudMC > WAV > SHN

Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony

note: most songs have the first few notes cut on the master tape.
A>D conversion by David Minches (dminches@comcast.net) playback
on Nakamichi Dragon through ART DI/O sound card.  Final track
breaks and editing by Noah Weiner (noahbw@attbi.com) May, 2002

Patch with:
SBD (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave.  Audition 2.0 was used to align &
synch the SBD & AUD sources.  Audition 2.0 used to adjust the
volume for both AUDs, matrix/CTR and LFE channels.  Surcode
CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 07-AUG-2007  
---------------------------------------------------------
Audio Patching:
1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience.

2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience.

3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience.

4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience.

6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience.

7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience.

9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience.

10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience.

11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better.

12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

13) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1.

15) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience.

16) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

17) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

18) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources.

Brokedown House Production

Taper: See info file

gd1974-05-21.dts.tobin.87124.sbeok.flac16

Source:

DTS-Audio-CD 5.1 Mix Soundboard/Aud Matrix

Lineage:

See info file

Taper Notes:

View NotesAudio Source Information
SBD (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.

AUD(shnid=10150)
from Audience Devotional Tree
Round 10 - June, 2002
AudMC > WAV > SHN

Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony

note: most songs have the first few notes cut on the master tape.
A>D conversion by David Minches (dminches@comcast.net) playback
on Nakamichi Dragon through ART DI/O sound card.  Final track
breaks and editing by Noah Weiner (noahbw@attbi.com) May, 2002
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave.  Audition 2.0 was used to align &
synch the SBD & AUD sources.  Audition 2.0 used to adjust the
volume for both AUDs, matrix/CTR and LFE channels.  Surcode
CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 07-AUG-2007  
---------------------------------------------------------
Audio Patching:
1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience.

2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience.

3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience.

4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience.

6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience.

7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience.

9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience.

10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience.

11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better.

12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

13) At the start of Ship Of Fools, 14.631 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of Ship Of Fools were missing on both sources.

14) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1.

15) At the start of WRS Prelude, 13.685 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of WRS Prelude were missing on both sources.

16) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience.

17) Between Big River and Eyes of the World, 13 minutes and 32.455 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. This includes all of Stella Blue and Around and Around.

18) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

18) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

19) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources.
----------------------------------------------------------------
The Audience recording was used as the timing reference and for the most part the soundboard recording ran slightly fast (.5 seconds per minute). However, Playin In The Band which "has no Cassette gen" more closely matched the audience recording and is unfortunate that more of it doesn't circulate. A patched version of the sbd already circulates (shnid=22801) but as there were multiple fixes to the audience recording, a fixed version of it will be available soon along with a dts and dvd-va.
---------------------------------------------------------------------------
DTS-Audio-CD Info

Front  
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -2db SBD

Surround
Left Channel -2db AUD
Right Channel -2db AUD

Sub/LFE
Mixed to mono -2db SBD Reel
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Productions

Taper: Pat Lee

gd74-05-21.lee.weiner.gdADT.10150.sbeok.shnf

Source:

Audience Recording: Sony ECM18N

Lineage:

AudMC > WAV > SHN; Sony ECM18N mics > Sony 152SD deck, hand held mics in right balcony

Taper Notes:

View NotesAudMC > WAV > SHN
Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony; via David Minches; Seeded to etree by Noah Weiner