Brown Eyed Women | 1974-05-21 | Grateful Dead

Bands

Featured

Playback	Listens	Hours
48h	89.8k	11.2k
7d	147.2k	18.1k
30d	1.1M	142.8k

2,080 shows

18,003 tapes

Phish

253.4k

Playback	Listens	Hours
48h	16.3k	2.6k
7d	29.6k	4.5k
30d	253.4k	38.5k

Bands

Playback	Listens	Hours
48h	78	5
7d	168	10
30d	1.8k	116

Playback	Listens	Hours
48h	24	3
7d	85	11
30d	394	56

Playback	Listens	Hours
48h	27	2
7d	26	1
30d	177	14

Playback	Listens	Hours
48h	20	4
7d	101	11
30d	439	74

80 shows

113 tapes

Akron/Family

Playback	Listens	Hours
48h	4	24m
7d	8	1
30d	41	6

Playback	Listens	Hours
48h	1	1m
7d	11	54m
30d	114	16

Playback	Listens	Hours
48h	53	4
7d	48	4
30d	602	51

Playback	Listens	Hours
48h	20	2
7d	33	3
30d	943	81

Playback	Listens	Hours
48h	11	58m
7d	54	5
30d	561	58

123 shows

134 tapes

Animal Liberation Orchestra

1.7k

Playback	Listens	Hours
48h	184	22
7d	126	15
30d	1.7k	215

Playback	Listens	Hours
48h	16	2
7d	89	16
30d	456	81

Playback	Listens	Hours
48h	121	12
7d	110	10
30d	1.2k	120

Playback	Listens	Hours
48h	12	3
7d	15	4
30d	250	57

161 shows

248 tapes

Assembly of Dust

Playback	Listens	Hours
48h	42	4
7d	143	17
30d	1k	124

Playback	Listens	Hours
48h	14	2
7d	36	4
30d	111	12

102 shows

107 tapes

Bela Fleck and the Flecktones

1.8k

Playback	Listens	Hours
48h	121	16
7d	177	21
30d	1.8k	222

473 shows

590 tapes

Ben Kweller

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	45m

Playback	Listens	Hours
48h	21	3
7d	19	2
30d	482	60

278 shows

382 tapes

Bernie Worrell

Playback	Listens	Hours
48h	5	32m
7d	14	2
30d	37	7

7 shows

7 tapes

Bernie Worrell and the WOO Warriors

215

Playback	Listens	Hours
48h	35	4
7d	20	2
30d	215	25

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	9	2
30d	80	11

Playback	Listens	Hours
48h	22	3
7d	31	5
30d	613	85

346 shows

514 tapes

Billy & the Kids

Playback	Listens	Hours
48h	168	21
7d	214	27
30d	2k	270

Playback	Listens	Hours
48h	9.3k	931
7d	10.5k	1k
30d	89.3k	9k

537 shows

1,050 tapes

Blind Melon

Playback	Listens	Hours
48h	104	7
7d	169	13
30d	2k	146

62 shows

76 tapes

Blueground Undergrass

215

Playback	Listens	Hours
48h	28	3
7d	36	4
30d	215	21

Playback	Listens	Hours
48h	81	7
7d	233	26
30d	1.9k	204

Playback	Listens	Hours
48h	369	48
7d	606	79
30d	6.3k	826

305 shows

505 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	10	2
30d	19	5

20 shows

26 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	7	2
30d	7	2

Playback	Listens	Hours
48h	34	5
7d	90	15
30d	823	135

Playback	Listens	Hours
48h	1	4m
7d	22	2
30d	127	14

Playback	Listens	Hours
48h	60	6
7d	74	7
30d	764	74

Playback	Listens	Hours
48h	84	9
7d	86	9
30d	586	61

Playback	Listens	Hours
48h	37	2
7d	133	7
30d	724	40

Playback	Listens	Hours
48h	62	9
7d	106	15
30d	577	74

Playback	Listens	Hours
48h	67	4
7d	52	4
30d	499	33

241 shows

270 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	1

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	11	56m
7d	0	0m
30d	13	1

79 shows

93 tapes

Circles Around The Sun

1.5k

Playback	Listens	Hours
48h	120	25
7d	184	34
30d	1.5k	292

Playback	Listens	Hours
48h	22	5
7d	35	7
30d	327	61

Playback	Listens	Hours
48h	21	2
7d	34	3
30d	510	44

Playback	Listens	Hours
48h	19	2
7d	33	5
30d	570	80

Playback	Listens	Hours
48h	334	50
7d	767	109
30d	3.8k	560

Playback	Listens	Hours
48h	274	42
7d	372	55
30d	5.9k	789

784 shows

1,034 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	24	5

Playback	Listens	Hours
48h	2	9m
7d	61	7
30d	359	39

Playback	Listens	Hours
48h	2.1k	330
7d	3k	473
30d	28.5k	4.5k

Playback	Listens	Hours
48h	47	5
7d	92	10
30d	431	47

Playback	Listens	Hours
48h	131	8
7d	176	11
30d	1.1k	66

Playback	Listens	Hours
48h	75	8
7d	140	17
30d	1.5k	182

Playback	Listens	Hours
48h	522	110
7d	1.4k	284
30d	11.6k	2.4k

Playback	Listens	Hours
48h	4	22m
7d	73	7
30d	468	46

Playback	Listens	Hours
48h	186	33
7d	317	51
30d	2.1k	327

Playback	Listens	Hours
48h	1	21m
7d	20	3
30d	152	29

Playback	Listens	Hours
48h	29	3
7d	172	18
30d	1.6k	164

Playback	Listens	Hours
48h	9	2
7d	63	9
30d	547	86

Playback	Listens	Hours
48h	63	6
7d	228	21
30d	2.2k	191

Playback	Listens	Hours
48h	63	12
7d	48	8
30d	644	111

Playback	Listens	Hours
48h	10	54m
7d	21	2
30d	129	15

Playback	Listens	Hours
48h	88	13
7d	241	39
30d	2.8k	459

141 shows

269 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	14	2

Playback	Listens	Hours
48h	205	26
7d	341	48
30d	2.6k	362

Playback	Listens	Hours
48h	10	2
7d	12	4
30d	102	30

Playback	Listens	Hours
48h	39	2
7d	100	6
30d	748	42

Playback	Listens	Hours
48h	18	2
7d	33	5
30d	408	55

Playback	Listens	Hours
48h	3	47m
7d	11	1
30d	151	31

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	0	0m
7d	15	2
30d	77	12

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	4	26m
7d	8	57m
30d	35	5

Playback	Listens	Hours
48h	5	24m
7d	38	4
30d	434	45

Playback	Listens	Hours
48h	4	15m
7d	105	7
30d	383	26

Playback	Listens	Hours
48h	13	53m
7d	68	6
30d	284	22

Playback	Listens	Hours
48h	38	2
7d	26	2
30d	445	27

Playback	Listens	Hours
48h	515	82
7d	1k	163
30d	10.1k	1.5k

246 shows

1,218 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	5	1
30d	17	4

14 shows

15 tapes

G. Love and Special Sauce

811

Playback	Listens	Hours
48h	40	4
7d	133	13
30d	811	74

Playback	Listens	Hours
48h	83	10
7d	80	8
30d	870	95

Playback	Listens	Hours
48h	27	4
7d	23	4
30d	281	41

Playback	Listens	Hours
48h	4	42m
7d	55	9
30d	529	107

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	60	7

Playback	Listens	Hours
48h	37	6
7d	24	4
30d	205	39

Playback	Listens	Hours
48h	28	3
7d	60	7
30d	1.3k	146

369 shows

496 tapes

Godspeed You Black Emperor!

238

Playback	Listens	Hours
48h	1	19m
7d	13	3
30d	238	57

Playback	Listens	Hours
48h	62	8
7d	54	8
30d	266	41

Playback	Listens	Hours
48h	1.5k	275
7d	2.7k	528
30d	20.9k	4k

Playback	Listens	Hours
48h	11	54m
7d	13	1
30d	315	30

362 shows

591 tapes

Grahame Lesh and Friends

5.1k

Playback	Listens	Hours
48h	472	75
7d	616	94
30d	5.1k	797

32 shows

106 tapes

Grampas Grass

Playback	Listens	Hours
48h	18	2
7d	17	2
30d	88	11

Playback	Listens	Hours
48h	283	29
7d	345	40
30d	4.3k	481

Playback	Listens	Hours
48h	113	13
7d	81	8
30d	1.7k	188

220 shows

304 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	2	20m
30d	59	9

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	3	14m
30d	23	2

52 shows

56 tapes

Guitarmageddon

Playback	Listens	Hours
48h	14	2
7d	9	1
30d	67	9

Playback	Listens	Hours
48h	47	3
7d	73	5
30d	522	37

747 shows

1,024 tapes

Hard Working Americans

310

Playback	Listens	Hours
48h	47	5
7d	38	5
30d	310	34

Playback	Listens	Hours
48h	16	3
7d	79	13
30d	776	121

186 shows

225 tapes

Horseshoes and Hand Grenades

268

Playback	Listens	Hours
48h	42	4
7d	72	6
30d	268	21

Playback	Listens	Hours
48h	15	1
7d	72	7
30d	333	32

677 shows

850 tapes

Infamous Stringdusters

1.6k

Playback	Listens	Hours
48h	61	6
7d	152	13
30d	1.6k	147

623 shows

1,001 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	264	17
7d	700	47
30d	3.5k	230

Playback	Listens	Hours
48h	65	7
7d	73	9
30d	703	71

364 shows

489 tapes

Jazz Mandolin Project

555

Playback	Listens	Hours
48h	24	3
7d	49	6
30d	555	83

218 shows

275 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	82	7

12 shows

14 tapes

Jeff Austin And Friends

211

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	211	20

Playback	Listens	Hours
48h	46	6
7d	38	4
30d	809	109

112 shows

160 tapes

Jerry Joseph and the Jackmormons

2.4k

Playback	Listens	Hours
48h	134	22
7d	264	44
30d	2.4k	399

1,123 shows

1,518 tapes

Jerry's Middle Finger

2.1k

Playback	Listens	Hours
48h	202	29
7d	256	37
30d	2.1k	293

247 shows

297 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	17	3
30d	97	14

2 shows

5 tapes

Joe Russo's Almost Dead

21.5k

Playback	Listens	Hours
48h	1.4k	249
7d	2.4k	431
30d	21.5k	3.8k

358 shows

1,172 tapes

John Kadlecik

Playback	Listens	Hours
48h	27	4
7d	221	22
30d	1k	111

Playback	Listens	Hours
48h	139	14
7d	302	27
30d	2.4k	212

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	1	7m
7d	30	3
30d	63	7

Playback	Listens	Hours
48h	1	5m
7d	4	20m
30d	121	9

Playback	Listens	Hours
48h	3	35m
7d	0	0m
30d	123	13

71 shows

104 tapes

Karl Denson's Tiny Universe

406

Playback	Listens	Hours
48h	24	4
7d	61	8
30d	406	59

Playback	Listens	Hours
48h	261	26
7d	285	28
30d	3.1k	297

Playback	Listens	Hours
48h	45	6
7d	132	15
30d	326	42

40 shows

51 tapes

King Gizzard & the Lizard Wizard

13k

Playback	Listens	Hours
48h	659	87
7d	1.5k	201
30d	13k	1.7k

Playback	Listens	Hours
48h	112	15
7d	290	34
30d	2.1k	272

308 shows

393 tapes

Kung Fu

Playback	Listens	Hours
48h	2	15m
7d	0	0m
30d	79	11

Playback	Listens	Hours
48h	22	4
7d	81	16
30d	559	105

76 shows

131 tapes

LaMP

Playback	Listens	Hours
48h	43	5
7d	166	20
30d	2k	243

Playback	Listens	Hours
48h	152	14
7d	284	27
30d	2.4k	235

Playback	Listens	Hours
48h	184	25
7d	362	53
30d	2.9k	425

454 shows

703 tapes

Little Feat

Playback	Listens	Hours
48h	228	20
7d	326	30
30d	4k	377

Playback	Listens	Hours
48h	46	3
7d	99	8
30d	1.1k	82

Playback	Listens	Hours
48h	113	22
7d	240	44
30d	1.8k	352

Playback	Listens	Hours
48h	20	3
7d	8	45m
30d	217	23

Playback	Listens	Hours
48h	74	9
7d	128	11
30d	1.4k	141

Playback	Listens	Hours
48h	27	2
7d	52	5
30d	393	40

347 shows

445 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	2	9m
30d	2	9m

Playback	Listens	Hours
48h	185	29
7d	358	53
30d	3.7k	563

Playback	Listens	Hours
48h	20	2
7d	44	2
30d	443	25

Playback	Listens	Hours
48h	4	24m
7d	46	6
30d	238	27

Playback	Listens	Hours
48h	17	21m
7d	12	26m
30d	173	5

Playback	Listens	Hours
48h	14	1
7d	82	6
30d	515	42

Playback	Listens	Hours
48h	495	77
7d	1.2k	176
30d	10.1k	1.8k

Playback	Listens	Hours
48h	0	0m
7d	4	15m
30d	174	19

Playback	Listens	Hours
48h	32	3
7d	17	1
30d	217	17

Playback	Listens	Hours
48h	324	34
7d	399	42
30d	4.4k	447

411 shows

597 tapes

Nathan Moore

Playback	Listens	Hours
48h	5	17m
7d	0	0m
30d	19	1

46 shows

50 tapes

Neal Francis

Playback	Listens	Hours
48h	5	17m
7d	7	54m
30d	41	4

Playback	Listens	Hours
48h	71	10
7d	113	16
30d	559	82

Playback	Listens	Hours
48h	1	36m
7d	4	34m
30d	163	25

61 shows

71 tapes

New Riders of the Purple Sage

1.1k

Playback	Listens	Hours
48h	102	10
7d	93	7
30d	1.1k	91

403 shows

589 tapes

North Mississippi Allstars

1.1k

Playback	Listens	Hours
48h	70	7
7d	168	17
30d	1.1k	110

Playback	Listens	Hours
48h	56	7
7d	118	13
30d	687	76

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	1	4m
30d	1	4m

Playback	Listens	Hours
48h	26	4
7d	7	2
30d	190	37

Playback	Listens	Hours
48h	4	32m
7d	26	4
30d	225	33

Playback	Listens	Hours
48h	128	21
7d	125	21
30d	1.4k	240

687 shows

915 tapes

Phil Lesh and Friends

14k

Playback	Listens	Hours
48h	1k	184
7d	1.4k	260
30d	14k	2.4k

788 shows

2,852 tapes

Pigeons Playing Ping Pong

1.5k

Playback	Listens	Hours
48h	83	13
7d	117	18
30d	1.5k	232

Playback	Listens	Hours
48h	113	14
7d	353	45
30d	3.4k	421

290 shows

430 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	53	4

Playback	Listens	Hours
48h	180	24
7d	374	47
30d	2.7k	357

1,231 shows

2,193 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	8	3

Playback	Listens	Hours
48h	42	6
7d	82	11
30d	764	104

Playback	Listens	Hours
48h	376	52
7d	1.1k	138
30d	8.7k	1.2k

Playback	Listens	Hours
48h	110	9
7d	149	12
30d	1.3k	100

250 shows

371 tapes

Rumpke Mountain Boys

Playback	Listens	Hours
48h	9	42m
7d	134	10
30d	1k	87

Playback	Listens	Hours
48h	159	15
7d	201	18
30d	1.6k	134

580 shows

728 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	1	26m
30d	1	26m

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	2	24m
7d	1	1m
30d	42	5

Playback	Listens	Hours
48h	263	26
7d	245	24
30d	2.6k	252

Playback	Listens	Hours
48h	11	3
7d	8	53m
30d	256	31

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	1	9m
7d	0	0m
30d	41	6

Playback	Listens	Hours
48h	10	1
7d	19	2
30d	160	17

Playback	Listens	Hours
48h	45	4
7d	118	10
30d	964	80

Playback	Listens	Hours
48h	105	18
7d	454	72
30d	3.1k	487

Playback	Listens	Hours
48h	50	11
7d	114	26
30d	1.9k	438

Playback	Listens	Hours
48h	66	4
7d	12	50m
30d	237	15

Playback	Listens	Hours
48h	1	10m
7d	32	5
30d	153	29

Playback	Listens	Hours
48h	105	15
7d	72	10
30d	971	150

Playback	Listens	Hours
48h	126	30
7d	218	47
30d	1.1k	256

Playback	Listens	Hours
48h	43	6
7d	96	11
30d	953	121

664 shows

1,137 tapes

String Cheese Incident

11.2k

Playback	Listens	Hours
48h	764	112
7d	1.4k	223
30d	11.2k	1.8k

1,275 shows

2,059 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	17	2
7d	1	12m
30d	63	6

Playback	Listens	Hours
48h	36	7
7d	74	14
30d	463	87

Playback	Listens	Hours
48h	6	53m
7d	45	6
30d	289	36

Playback	Listens	Hours
48h	77	9
7d	127	13
30d	950	105

727 shows

1,112 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	22	1

Playback	Listens	Hours
48h	1.3k	147
7d	3k	344
30d	30.7k	3.5k

Playback	Listens	Hours
48h	6	10m
7d	32	2
30d	363	19

Playback	Listens	Hours
48h	33	5
7d	107	14
30d	748	99

Playback	Listens	Hours
48h	19	3
7d	20	3
30d	228	32

473 shows

629 tapes

The California Honeydrops

807

Playback	Listens	Hours
48h	91	12
7d	149	19
30d	807	101

76 shows

83 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	25	4

Playback	Listens	Hours
48h	169	26
7d	307	46
30d	2.6k	376

Playback	Listens	Hours
48h	8	53m
7d	37	4
30d	394	34

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	93	13

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	48	9

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	16	2

Playback	Listens	Hours
48h	36	6
7d	27	4
30d	109	16

Playback	Listens	Hours
48h	4	29m
7d	16	2
30d	291	39

Playback	Listens	Hours
48h	137	7
7d	108	6
30d	899	49

Playback	Listens	Hours
48h	11	50m
7d	38	3
30d	521	38

Playback	Listens	Hours
48h	4	1
7d	19	4
30d	177	44

246 shows

327 tapes

The New Mastersounds

Playback	Listens	Hours
48h	120	12
7d	167	18
30d	1k	102

Playback	Listens	Hours
48h	65	10
7d	78	11
30d	1.4k	183

Playback	Listens	Hours
48h	280	27
7d	542	53
30d	5.1k	502

1,447 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	29	2
7d	1	4m
30d	89	6

Playback	Listens	Hours
48h	147	15
7d	99	11
30d	870	92

Playback	Listens	Hours
48h	0	0m
7d	6	57m
30d	235	46

Playback	Listens	Hours
48h	52	7
7d	164	16
30d	979	86

Playback	Listens	Hours
48h	22	1
7d	35	2
30d	987	72

175 shows

208 tapes

Trevor Garrod

Playback	Listens	Hours
48h	1	7m
7d	1	4m
30d	41	3

Playback	Listens	Hours
48h	270	40
7d	501	67
30d	4.8k	691

Playback	Listens	Hours
48h	19	2
7d	6	35m
30d	106	10

Playback	Listens	Hours
48h	55	10
7d	184	26
30d	1.5k	244

Playback	Listens	Hours
48h	266	37
7d	538	82
30d	5.9k	865

Playback	Listens	Hours
48h	18	2
7d	62	6
30d	434	37

36 shows

49 tapes

Warren Zevon

Playback	Listens	Hours
48h	80	6
7d	5	24m
30d	1k	75

Playback	Listens	Hours
48h	835	64
7d	1.3k	105
30d	10.5k	822

618 shows

1,125 tapes

White Denim

Playback	Listens	Hours
48h	15	59m
7d	45	3
30d	96	7

Playback	Listens	Hours
48h	8k	959
7d	14.4k	1.7k
30d	128.3k	15.4k

Playback	Listens	Hours
48h	36	6
7d	146	18
30d	730	99

1,417 shows

2,244 tapes

Yonder Mountain String Band

8.8k

Playback	Listens	Hours
48h	506	47
7d	1.2k	111
30d	8.8k	826

Playback	Listens	Hours
48h	33	5
7d	125	18
30d	1.6k	244

12 shows

16 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	32m

Playback	Listens	Hours
48h	91	17
7d	97	17
30d	1.1k	201

461 shows

663 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	14	2
30d	45	6

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.7k	240
7d	2.3k	319
30d	18.3k	2.5k

Playback	Listens	Hours
48h	1.2k	160
7d	1.8k	260
30d	17.9k	2.4k

Playback	Listens	Hours
48h	2.7k	341
7d	3.5k	454
30d	40.9k	5.2k

Playback	Listens	Hours
48h	480	61
7d	1k	137
30d	32.8k	4.2k

Playback	Listens	Hours
48h	4.6k	647
7d	6.6k	928
30d	34.1k	4.8k

Playback	Listens	Hours
48h	4.6k	593
7d	15.1k	1.9k
30d	110k	14k

Playback	Listens	Hours
48h	6.1k	768
7d	8.1k	957
30d	36.9k	4.6k

Playback	Listens	Hours
48h	5.7k	616
7d	9.1k	1k
30d	42.3k	4.9k

Playback	Listens	Hours
48h	5.4k	606
7d	7.4k	857
30d	48.6k	5.6k

Playback	Listens	Hours
48h	1.7k	184
7d	3.2k	378
30d	20.3k	2.3k

Playback	Listens	Hours
48h	5.4k	601
7d	6.7k	806
30d	41.2k	5k

Playback	Listens	Hours
48h	1.5k	194
7d	4.7k	581
30d	20.9k	2.6k

Playback	Listens	Hours
48h	1.3k	163
7d	3.3k	385
30d	25.1k	3.1k

Playback	Listens	Hours
48h	3.1k	393
7d	4.7k	631
30d	28.1k	3.6k

Playback	Listens	Hours
48h	2k	251
7d	3.2k	407
30d	79.7k	10.3k

Playback	Listens	Hours
48h	2.5k	283
7d	9.5k	1.1k
30d	34.4k	4k

Playback	Listens	Hours
48h	1.8k	244
7d	2.6k	358
30d	24.6k	3.4k

Playback	Listens	Hours
48h	3.3k	444
7d	3.7k	502
30d	33.5k	4.5k

Playback	Listens	Hours
48h	7.5k	1.1k
7d	10.7k	1.5k
30d	109.1k	15.4k

Playback	Listens	Hours
48h	1.8k	245
7d	2.8k	371
30d	24.6k	3.3k

Playback	Listens	Hours
48h	374	38
7d	605	61
30d	7.3k	781

Playback	Listens	Hours
48h	3.9k	493
7d	5.8k	723
30d	52.7k	6.6k

Playback	Listens	Hours
48h	4.3k	523
7d	15.3k	1.8k
30d	98.3k	12k

Playback	Listens	Hours
48h	3.2k	384
7d	4.6k	554
30d	55k	6.6k

Playback	Listens	Hours
48h	7.6k	870
7d	2.5k	263
30d	30.3k	3.4k

Playback	Listens	Hours
48h	2.2k	228
7d	5.4k	537
30d	30.3k	3.2k

Playback	Listens	Hours
48h	3.2k	454
7d	1.3k	190
30d	16.7k	2.4k

Playback	Listens	Hours
48h	346	43
7d	873	104
30d	7.4k	900

Playback	Listens	Hours
48h	84	13
7d	610	44
30d	3.9k	433

Playback	Listens	Hours
48h	418	25
7d	210	16
30d	5.9k	434

Playback	Listens	Hours
48h	27	2
7d	61	4
30d	474	28

1974

Playback	Listens	Hours
48h	1	4m
7d	0	0m
30d	18	2

San Francisco, CA, USA

650

Playback	Listens	Hours
48h	22	3
7d	63	8
30d	650	82

San Francisco, CA, USA

1.5k

Playback	Listens	Hours
48h	29	3
7d	207	23
30d	1.5k	167

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	106	14
7d	244	34
30d	1.4k	193

San Francisco, CA, USA

1.6k

Playback	Listens	Hours
48h	87	9
7d	161	16
30d	1.6k	173

San Francisco, CA, USA

664

Playback	Listens	Hours
48h	13	3
7d	25	4
30d	664	110

Playback	Listens	Hours
48h	9	59m
7d	28	4
30d	101	13

Playback	Listens	Hours
48h	20	3
7d	4	23m
30d	264	36

Playback	Listens	Hours
48h	13	2
7d	53	7
30d	742	100

Playback	Listens	Hours
48h	10	1
7d	0	0m
30d	108	17

Playback	Listens	Hours
48h	175	32
7d	241	38
30d	1.4k	232

Playback	Listens	Hours
48h	30	4
7d	85	15
30d	351	58

Playback	Listens	Hours
48h	0	0m
7d	1	6m
30d	118	15

Playback	Listens	Hours
48h	85	11
7d	307	41
30d	1.5k	196

4:05:41

9 tapes

8/05SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

723

Playback	Listens	Hours
48h	73	8
7d	95	13
30d	723	90

3:48:28

6 tapes

8/04SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

408

Playback	Listens	Hours
48h	89	13
7d	70	9
30d	408	56

Playback	Listens	Hours
48h	112	13
7d	143	16
30d	976	117

Playback	Listens	Hours
48h	46	6
7d	49	6
30d	581	74

Playback	Listens	Hours
48h	28	3
7d	30	4
30d	478	62

2:46:46

6 tapes

7/25SBD

International Amphitheatre

Chicago, IL, USA

871

Playback	Listens	Hours
48h	93	11
7d	132	15
30d	871	101

Playback	Listens	Hours
48h	1	7m
7d	17	2
30d	367	46

Playback	Listens	Hours
48h	57	8
7d	123	16
30d	793	115

3:26:33

7 tapes

6/30SBD

Springfield Civic Center

Springfield, MA, USA

687

Playback	Listens	Hours
48h	114	17
7d	68	10
30d	687	100

Playback	Listens	Hours
48h	130	16
7d	216	26
30d	2.1k	289

3:52:49

7 tapes

6/26SBD

Providence Civic Center

Providence, RI, USA

1.6k

Playback	Listens	Hours
48h	56	8
7d	165	22
30d	1.6k	210

Playback	Listens	Hours
48h	288	34
7d	96	11
30d	1.1k	128

Playback	Listens	Hours
48h	79	7
7d	72	7
30d	894	97

Playback	Listens	Hours
48h	59	7
7d	105	12
30d	451	54

Playback	Listens	Hours
48h	182	27
7d	295	41
30d	1.8k	261

2:56:36

4 tapes

6/16SBD

Des Moines State Fair Grandstand

Des Moines, IA, USA

1.1k

Playback	Listens	Hours
48h	72	10
7d	127	18
30d	1.1k	154

3:53:11

10 tapes

6/08SBD

Oakland-Alameda County Coliseum

Oakland, CA, USA

932

Playback	Listens	Hours
48h	122	16
7d	80	12
30d	932	132

3:04:18

8 tapes

5/25SBD

Campus Stadium, UC Santa Barbara

Goleta, CA, USA

1.1k

Playback	Listens	Hours
48h	89	9
7d	137	13
30d	1.1k	119

5:16:21

5 tapes

5/21SBD

Edmundson Pavilion, U. of Washington

Seattle, WA, USA

Playback	Listens	Hours
48h	142	26
7d	133	18
30d	1k	148

6:06:27

13 tapes

5/19SBD

Portland Memorial Coliseum

Portland, OR, USA

4.1k

Playback	Listens	Hours
48h	446	50
7d	659	72
30d	4.1k	450

Vancouver, British Columbia, Canada

1.3k

Playback	Listens	Hours
48h	59	6
7d	205	23
30d	1.3k	149

2:53:50

3 tapes

5/14SBD

Adams Field House, U. of Montana

Missoula, MT, USA

1.6k

Playback	Listens	Hours
48h	110	14
7d	159	21
30d	1.6k	219

Playback	Listens	Hours
48h	30	4
7d	74	9
30d	843	101

Playback	Listens	Hours
48h	282	32
7d	418	50
30d	10.7k	1.2k

Playback	Listens	Hours
48h	19	2
7d	22	2
30d	151	13

San Francisco, CA, USA

Playback	Listens	Hours
48h	227	31
7d	325	45
30d	3k	420

San Francisco, CA, USA

1.6k

Playback	Listens	Hours
48h	106	12
7d	191	24
30d	1.6k	192

San Francisco, CA, USA

1.1k

Playback	Listens	Hours
48h	151	16
7d	139	15
30d	1.1k	126

4:11:15

10 tapes

Sources

Transferrer: Matrix by Kevin Tobin

Matrix by Kevin Tobin

SHNID:

gd1974-05-21.sbd.matrix.tobin.87114.sbeok.flac16

Source:

SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD)

Taper Notes:

View NotesAudio Source Information
SBD (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.

AUD(shnid=10150)
from Audience Devotional Tree
Round 10 - June, 2002
AudMC > WAV > SHN

Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony

note: most songs have the first few notes cut on the master tape.
A>D conversion by David Minches (dminches@comcast.net) playback
on Nakamichi Dragon through ART DI/O sound card.  Final track
breaks and editing by Noah Weiner (noahbw@attbi.com) May, 2002
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave.  Audition 2.0 was used to align &
synch the SBD & AUD sources.  Audition 2.0 used to adjust the
volume for both AUDs, matrix/CTR and LFE channels.  Surcode
CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 07-AUG-2007  
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -0
AUD -2

SET TWO

Stereo Matrix
SBD -0
AUD -2
---------------------------------------------------------
Audio Patching:
1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience.
 
2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience.

3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience.

4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience.

6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience.

7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience.

9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience.

10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience.

11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better.

12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

13) At the start of Ship Of Fools, 14.631 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of Ship Of Fools were missing on both sources.

14) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1.

15) At the start of WRS Prelude, 13.685 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of WRS Prelude were missing on both sources.

16) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience.

17) Between Big River and Eyes of the World, 13 minutes and 32.455 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. This includes all of Stella Blue and Around and Around.

18) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

18) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

19) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources.
----------------------------------------------------------------
The Audience recording was used as the timing reference and for the most part the soundboard recording ran slightly fast (.5 seconds per minute). However, Playin In The Band which "has no Cassette gen" more closely matched the audience recording and is unfortunate that more of it doesn't circulate. A patched version of the sbd already circulates (shnid=22801) but as there were multiple fixes to the audience recording, a fixed version of it will be available soon along with a dts and dvd-va.

Brokedown House Production

Transferrer: Charles Wier

gd74-05-21.sbd-patched.wier.22801.sbeok.shnf

Source:

Soundboard

Taper Notes:

View Notes<a href="/shninfo_detail.php?shnid=2597" rel="ugc nofollow">Previous</a> remastered SBD patched with <a href="/shninfo_detail.php?shnid=10150" rel="ugc nofollow">AudMC</a>  via Charles Wier

Source 3 of 13

gd74-05-21.sbd.belkin.2597.sbefail.shnf

Source:

Soundboard

Lineage:

MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN

Taper Notes:

View NotesMSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN; Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip; remastered version of <a href="http://db.etree.org/shninfo_detail.php?shnid=1347" rel="ugc nofollow">previous</a> shn set, courtesy Josh Belkin

Transferrer: Seth Kaplan

gd1974-05-21.sbd.kaplan.1347.shnf

Source:

S:MR > cassette > DAT > CD > EAC > SHN, except Playing In The Band, which is S:MR > DAT > CD > EAC > SHN, with 26 seconds of aud patched in.

Taper Notes:

View NotesD1t01 (Me And My Uncle): Sound system problems in beginning
D1t12 (Ship Of Fools): Fades in
D2t05 (Playing): 1-2 seconds are clipped from the beginning. 
      Master Reel splice due to a reel flip is covered by an 
      excellent quality AUD patch.
D3t06 (Johnny B. Goode): beginning cut.

  
Stella Blue and Around And Around are missing.

Taper: Pat Lee

Matt Smith, Charlie Miller, Scott Clugston

SHNID:

gd1974-05-21.150951.sony.ecm18n.lee.smith.miller.clugston.flac2496

Source:

Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD

Lineage:

Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Pat Lee for the master cassettes
- Thanks to Matt Smith for the transfer
- Thanks to Charlie Miller for coordinating this effort
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Patt Lee

Matt Smith, Charlie Miller, Scott Clugston

SHNID:

gd1974-05-21.150950.sony.ecm18n.lee.smith.miller.clugston.flac1648

Source:

Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD

Lineage:

Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Pat Lee for the master cassettes
- Thanks to Matt Smith for the transfer
- Thanks to Charlie Miller for coordinating this effort
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Pat Lee

gd1974-05-21.sonyecm18n.lee.miller.98901.flac24

Source:

Sony ECM18N -> Cassette Master (Sony 152SD)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/24

Taper Notes:

View NotesNotes:
-- Thanks to Pat Lee for lending me his masters

Taper: Pat Lee

gd1974-05-21.sonyecm18n.lee.miller.98822.sbeok.flac16

Source:

Sony ECM18N -> Cassette Master (Sony 152SD)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Thanks to Pat Lee for lending me his masters

Taper: Donn Amick

George M. Prescott Jr.

SHNID:

gd1974-05-21.amick.prescott.sbeok.114321.flac16

Taper Notes:

View Notes*Can be overburned with EAC on a 700MB/80-min. CD-R following capacity test.

Technical Notes:

The dub was recorded on Nakamichi MR-2’s by the person who provided the source cassettes.  Unfortunately, the recording levels are less than optimal:  the left channel averages at -5 dB, while the right channel averages at 0 dB.  This imbalance could not be compensatorily corrected, as the Edirol’s input-level control is unitary across both channels for unbalanced analog inputs, precluding individuated left-channel and right-channel gain adjustments.  Still, the amplitude differential is slight, and creates no phase problems.  The underrecording yielded prominent tape hiss; this was greatly reduced by using an analog EQ with a sharp roll-off at 9kHz and no output at 16kHz.  Careful comparative listening revealed no phase-shift or artifacts due to EQ.
  
The binaural source has real presence; both the Wall and the hall ring true.  This recording features fuller vocals, deeper bass response, and less reverb than does the circulating stereo audience recording made by Pat Lee (which is excellent).  This recording is free from the constant crowd chatter that mars that recording; those songs on that master that are missing their opening notes are intact here.  (The occasional handclapping is mildly distracting; the lusty screams from the crowd are welcome.)  Tonal range and timbral accuracy are quite good; Keith’s piano, Billy’s cymbals, and Jerry’s leads cut through nicely.  Still, at times, the sound here verges on distortion.  

Occasionally, there are instances when it sounds like the taper inadvertently depressed the pause button, causing momentary pitch-slippage.  There are also intermittent crackles and static, several recording-equipment glitches and tape dropouts, and some hotspots.  None of these anomalies lasts very long.  

Two songs, “Playin’ in the Band” and “Sugar Magnolia,” are each missing three seconds of music due to possible tape-flip gaps.  These gaps were removed (and the remaining ends were spliced); they have not been patched.  

Two songs were pretermitted:  “Playin’ in the Band” and “Johnny B. Goode.”  (This was not due to tape run-out on the dubs; there is blank tape after these songs.)  The final fourteen seconds of “Playin’” have been inartfully tacked on from Charlie Miller’s masterly transcription of Pat Lee’s masters, ShnID-98822.  The encore cuts during the final note and was not patched. 

No digital pitch-correction, noise-reduction, or sound-adjustment algorithms were used in this transcription.

Known Flaws (flawless tracks not listed):

Disc One

01	“Me and My Uncle”:  		01:19 minor glitch; 01:39 volume drops, tone darkens

03	“Beat It On Down the Line”:  	00:37 minor glitch

04	“Deal”:  			00:42 minor glitch; 02:58-02:59 vocal hotspot

05	“Mexicali Blues”:  		Jerry flubs chord 00:51; 01:50 static

06	“It Must Have Been the Roses”:  01:30, 01:43, 04:22 vocal hotspots

07	“The Race Is On”:  		Jerry flubs chord 00:13

08	“Scarlet Begonias”:  		01:45, 03:29 minor glitches; 03:43 vocal hotspot

09	“El Paso”:  			01:30 minor glitch; 03:17-03:18 pause w/pitch-slippage; 03:44 static

10	“Row Jimmy”:  			Jerry flubs chord 06:34; 03:38 dropout; 
		      			05:30 vocal hotspot; 07:10 pause w/pitch-slippage;
		      			07:39 minor glitch ; 08:05-08:06 pause w/music missing;
		      			08:25-08:44 channel-chop at run-out

11	“Money Money”:  		00:20 volume drops; 01:12, 01:28 minor glitches;
                        		02:12, 03:07 hotspots; 03:13, 03:44 minor glitches

12	“Ship of Fools”:  		Jerry flubs chord 00:45; 00:32, 02:15 vocal hotspots; 
					04:42, 05:40 minor glitches

13	“Weather Report Suite”:  	07:10 minor glitch; 12:11 dropout; 12:55 tone darkens

14	“China Doll”:  			02:28 minor glitch

Disc Two

01	“Playin’ in the Band”:  	02:49 tone darkens 
					(possible pre-dubbing engagement of Dolby B or change in bias or EQ);
             				02:52 minor glitch; 10:09, 16:04 static;
	     				16:55 minor glitch; 19:53-19:55 pitch-slippage;
             				21:01 possible tape-flip gap w/music missing;
       	     				28:34-28:37 dropouts; 
       	     				30:54, 30:58 pauses w/pitch-slippage;
       	     				31:12, 31:16 pauses w/pitch-slippage;
       	     				34:26 equipment glitch;
       	    				37:26 pause w/pitch-slippage;
       	     				37:31-37:33 pause w/music missing;
       	     				42:38, 42:57 minor glitches;
       	     				46:11, 46:30 minor glitches;
       	     				46:47-47:01 patched w/ShnID-98822 (Lee/Miller)

02	“U.S. Blues”:  			00:54 minor glitch; 00:57 static; 05:24 minor glitch

04	“Stella Blue”:  		01:12 minor glitch; 02:13 pause w/pitch-slippage

Disc Three

01	“Eyes of the World”:  		Jerry flubs chord 01:16; 07:47 minor glitch;
			      		12:33-12:34 pitch-slippage; 13:52, 13:57 static

02	“Wharf Rat”:  			03:35 minor glitch; 03:57 equipment glitch;
                      			04:30 vocal hotspot; 05:15, 07:55-07:58 minor glitches;
                      			09:40 pitch-slippage

03	“Sugar Magnolia”:  		01:53 possible tape-flip gap w/music missing;
                           		02:25 minor glitch; 03:05-03:10 pitch-slippage;
                           		03:32, 05:42, 07:44-07:45 minor glitches;
                           		08:10 distortion (not from dubbing or transcription)

04	“Johnny B. Goode”:  		00:45-00:50 vocal hotspots; 01:00 static;
                            		01:20-01:33 vocal hotspots; 02:31 minor glitch;
                            		03:27, 03:32, 03:36 minor glitches;
			    		03:50 final note cuts out 

Post-Transcription Tools:

Rounded track timings courtesy of Exact Audio Copy CD Layout Editor V0.99.

Sector boundary errors were detected in "Playin’ in the Band,” and were repaired by post-padding with Trader's Little Helper v.2.6.0.168.

SBE-free .wav verification and .st5 .wav checksums courtesy of TLH.

Lossless FLAC encoding with tags and verification by FLAC frontend v.1.7.1.

FLAC .ffp and .md5 post-encoding checksums courtesy of TLH.

File-integrity check and problem-free verification courtesy of shntool 3.0.4.
  
Enjoy!

Transferrer: Hunter Seamons

gd1974-05-21.mtx.seamons.109887.flac16

Source:

Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)

Transferrer: Kevin Tobin

gd1974-05-21.aud-fixed.tobin.87143.sbeok.flac16

Source:

Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony (patched version of shn id 10150 see info file for details)

Taper Notes:

View NotesAudio Source Information
AUD(shnid=10150)
from Audience Devotional Tree
Round 10 - June, 2002
AudMC > WAV > SHN

Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony

note: most songs have the first few notes cut on the master tape.
A>D conversion by David Minches (dminches@comcast.net) playback
on Nakamichi Dragon through ART DI/O sound card.  Final track
breaks and editing by Noah Weiner (noahbw@attbi.com) May, 2002

Patch with:
SBD (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave.  Audition 2.0 was used to align &
synch the SBD & AUD sources.  Audition 2.0 used to adjust the
volume for both AUDs, matrix/CTR and LFE channels.  Surcode
CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 07-AUG-2007  
---------------------------------------------------------
Audio Patching:
1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience.

2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience.

3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience.

4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience.

6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience.

7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience.

9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience.

10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience.

11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better.

12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

13) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1.

15) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience.

16) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

17) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

18) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources.

Brokedown House Production

Taper: See info file

gd1974-05-21.dts.tobin.87124.sbeok.flac16

Source:

DTS-Audio-CD 5.1 Mix Soundboard/Aud Matrix

Lineage:

See info file

Taper Notes:

View NotesAudio Source Information
SBD (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.

AUD(shnid=10150)
from Audience Devotional Tree
Round 10 - June, 2002
AudMC > WAV > SHN

Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony

note: most songs have the first few notes cut on the master tape.
A>D conversion by David Minches (dminches@comcast.net) playback
on Nakamichi Dragon through ART DI/O sound card.  Final track
breaks and editing by Noah Weiner (noahbw@attbi.com) May, 2002
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave.  Audition 2.0 was used to align &
synch the SBD & AUD sources.  Audition 2.0 used to adjust the
volume for both AUDs, matrix/CTR and LFE channels.  Surcode
CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 07-AUG-2007  
---------------------------------------------------------
Audio Patching:
1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience.

2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience.

3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience.

4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience.

6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience.

7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience.

9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience.

10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience.

11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better.

12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

13) At the start of Ship Of Fools, 14.631 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of Ship Of Fools were missing on both sources.

14) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1.

15) At the start of WRS Prelude, 13.685 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of WRS Prelude were missing on both sources.

16) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience.

17) Between Big River and Eyes of the World, 13 minutes and 32.455 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. This includes all of Stella Blue and Around and Around.

18) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

18) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

19) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources.
----------------------------------------------------------------
The Audience recording was used as the timing reference and for the most part the soundboard recording ran slightly fast (.5 seconds per minute). However, Playin In The Band which "has no Cassette gen" more closely matched the audience recording and is unfortunate that more of it doesn't circulate. A patched version of the sbd already circulates (shnid=22801) but as there were multiple fixes to the audience recording, a fixed version of it will be available soon along with a dts and dvd-va.
---------------------------------------------------------------------------
DTS-Audio-CD Info

Front  
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -2db SBD

Surround
Left Channel -2db AUD
Right Channel -2db AUD

Sub/LFE
Mixed to mono -2db SBD Reel
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Productions

Taper: Pat Lee

gd74-05-21.lee.weiner.gdADT.10150.sbeok.shnf

Source:

Audience Recording: Sony ECM18N

Lineage:

AudMC > WAV > SHN; Sony ECM18N mics > Sony 152SD deck, hand held mics in right balcony

Taper Notes:

View NotesAudMC > WAV > SHN
Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony; via David Minches; Seeded to etree by Noah Weiner