1973-06-22 | Grateful Dead

4:03:37
Rating:
8.97 / 29 ratings
Taper:
See Notes
Transferrer:
Hunter Seamons
SHNID:
gd1973-06-22.mtx.seamons.92375.sbeok.flac16
Source:
See Notes
Lineage:
See Notes
Taper Notes:
View Notes***35TH ANNIVERSARY MATRIX***

----------------------------------------------------
SBD:

Master Reel -> PCM -> Dat (44.1k)

Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC
(5 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
November 15, 2007

Patch Info:
(FOB) Sony ECM Mics->Cassette Master->Reel->Reel->CD (shnid=16889) supplies:
Bertha (0:00 - 1:23)
Big Railroad Blues (0:00 - 0:17)
The Other One (5:44 - 12:54)
Casey Jones (6:07 - end of show)

SBD -> Master Cassette -> Reel -> Cassette -> HD (shnid=85957) supplies:
Bird Song (Numerous patches to fix tracking problems)
The Race Is On (0:00 - 0:23)
I Know You Rider (2:01 - 3:12)

SBD -> Master Reel -> Cassette -> Dat -> CD supplies
Truckin' (7:51 - end of Casey Jones)

Notes:
-- Each set is seamless
-- Patch SBD (shnid=85957) pitch adjusted to match Master Reel SBD
-- The Encore will fit on end of 1st Set

----------------------------------------------------
AUD:

MC > Reel > Reel > CD > DAT > WAV > SHN

Recorded by Donn Amick, FOB, Sony EMC mics spread out across the
row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips >
Matt Williams' Reel at 3-3/4ips w/ Dolby(Teac AN-60)

A > D by Matt Williams and Noah Weiner, January - April, 2003

Reel playback on Teac X-1000R(no Dolby) > untracked CDs on Teac
RW-CD22 > CDs playback on Toshiba SD-5700 > Teac AN-180 Dolby
decoder > Fostex D5 DAT (A>D only) > Turtle Beach Montego II
Digital I/O > Sound Forge (wav edits and track IDs) > SHNTOOL
(SBE fix) > MKW (shn)

-----------------------------------------------------

Thank you to Charlie Miller, for the super revamped SBD transfer;
to Donn Amick, for recording this beautiful, stellar show;
to Noah Weiner and Matt Williams, for the great AUD transfer.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 
June 21, 2008

Notes:

1) There is occasional static, particularly during the earlier portion of set 1. 

2) AUD cuts during songs are as follows:
	1. Bertha (Not used for matrixing due to a poor mono sound)
	2. Bird Song (8 patches throughout; see note #4)
	3. The Race is On (0:01-0:23; see note #4)
	4. China Cat Sunflower (entire song)
	5. I Know You Rider (2:01 - 3:12; see note #4)
	6. Playing in the Band (14:38-15:01)
	7. El Paso (entire song)
	8. Nobody's Fault But Mine Jam (1:56-2:34)   
	9. Sugar Magnolia (3:23-4:58)

3) Because the shnid=85957 SBD patches sounded "not so good" with the AUD, and fluctuated in speed from the PCM source, no matrixing was done with the 85957 SBD patches. (Be very patient with the 16 warbly transitions in Bird Song. Such a shame for one of the best Bird Songs ever - surely the best of '73.)

4) Seemingly, the AUD opens up more for Mexicali Blues onward - more field range? - wherein the matrix becomes optimal, yet it seems to get even more optimal as the show progresses. (Dead shows can have that tendency.)

5) There is a noticeable shift in tone in the Nobody's Fault But Mine Jam (0:31), and a brief warble, when the SBD track shifts to the second major SBD source used. I fade out the AUD for a moment to regain momentum.   

6) I preferred leaving some extended SBD segments between songs (without AUD available) in for timing and/or break purposes.

7) There is some belief, as indicated in several reviews below, that the AUD is a matrix. I do not believe so, but maybe this just happens to be a double matrix source!

8) These were pretty cutty sources for a matrix, but it's 1973, so...At least you can compare the sources some in your four hours of listening pleasure. 

9) There's a "Long live the Grateful Dead!" cheer in the SBD right before the matrix kicks in for Black Peter.