Not Fade Away -> | 1986-03-30 | Grateful Dead

193

Playback	Listens	Hours
48h	32	4
7d	38	4
30d	193	23

3:08:48

13 tapes

12/30SBD

232

Playback	Listens	Hours
48h	7	35m
7d	24	3
30d	232	26

2:59:23

19 tapes

12/28SBD

139

Playback	Listens	Hours
48h	28	3
7d	0	0m
30d	139	17

2:19:49

20 tapes

12/27SBD

Oakland-Alameda County Coliseum

253

Playback	Listens	Hours
48h	9	48m
7d	40	4
30d	253	24

2:14:54

18 tapes

12/17SBD

Oakland-Alameda County Coliseum

Playback	Listens	Hours
48h	2	14m
7d	14	2
30d	95	12

2:59:59

25 tapes

12/16SBD

Oakland-Alameda County Coliseum

116

Playback	Listens	Hours
48h	1	8m
7d	4	23m
30d	116	13

2:56:06

19 tapes

12/15SBD

Alpine Valley Music Theatre

428

Playback	Listens	Hours
48h	6	51m
7d	38	4
30d	428	49

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	45m

Playback	Listens	Hours
48h	11	1
7d	9	1
30d	146	18

Playback	Listens	Hours
48h	0	0m
7d	15	2
30d	107	12

Playback	Listens	Hours
48h	4	18m
7d	29	3
30d	241	25

1:53:56

14 tapes

7/02SBD

Rubber Bowl, U. of Akron

Akron, OH, USA

121

Playback	Listens	Hours
48h	0	0m
7d	4	29m
30d	121	13

2:12:05

16 tapes

6/30SBD

River Bend Music Center

Cincinnati, OH, USA

Playback	Listens	Hours
48h	5	31m
7d	2	13m
30d	35	4

2:15:00

13 tapes

6/29SBD

East Troy, WI, USA

153

Playback	Listens	Hours
48h	10	1
7d	22	2
30d	153	16

2:11:07

10 tapes

6/28SBD

Alpine Valley Music Theatre

East Troy, WI, USA

182

Playback	Listens	Hours
48h	14	2
7d	14	2
30d	182	19

2:05:06

13 tapes

6/26SBD

Hubert H. Humphrey Metrodome

Minneapolis, MN, USA

Playback	Listens	Hours
48h	15	2
7d	2	12m
30d	53	6

Playback	Listens	Hours
48h	1	11m
7d	38	4
30d	285	33

Playback	Listens	Hours
48h	4	17m
7d	32	3
30d	115	13

Playback	Listens	Hours
48h	0	0m
7d	35	4
30d	102	12

Playback	Listens	Hours
48h	1	7m
7d	11	1
30d	166	18

Playback	Listens	Hours
48h	8	1
7d	24	4
30d	276	39

Playback	Listens	Hours
48h	14	2
7d	23	3
30d	121	13

Playback	Listens	Hours
48h	39	5
7d	16	2
30d	278	33

2:13:36

8 tapes

4/22SBD

144

Playback	Listens	Hours
48h	12	2
7d	7	56m
30d	144	18

2:27:50

6 tapes

4/21SBD

154

Playback	Listens	Hours
48h	25	3
7d	9	1
30d	154	19

2:25:24

6 tapes

4/19SBD

277

Playback	Listens	Hours
48h	55	6
7d	45	7
30d	277	37

2:06:15

7 tapes

4/18SBD

Cumberland County Civic Center

103

Playback	Listens	Hours
48h	2	16m
7d	34	4
30d	103	12

Playback	Listens	Hours
48h	3	19m
7d	26	3
30d	133	17

Playback	Listens	Hours
48h	0	0m
7d	9	53m
30d	106	12

2:22:35

6 tapes

4/04

Hartford Civic Center

Hartford, CT, USA

153

Playback	Listens	Hours
48h	249	25
7d	45	5
30d	153	16

2:19:57

16 tapes

4/03SBD

Hartford Civic Center

Hartford, CT, USA

263

Playback	Listens	Hours
48h	682	82
7d	81	10
30d	263	32

2:26:13

20 tapes

4/01SBD

Providence Civic Center

Providence, RI, USA

724

Playback	Listens	Hours
48h	34	5
7d	654	85
30d	724	95

2:23:08

18 tapes

3/31SBD

Providence Civic Center

Providence, RI, USA

640

Playback	Listens	Hours
48h	6	38m
7d	544	62
30d	640	74

2:07:33

18 tapes

3/30SBD

Providence Civic Center

Providence, RI, USA

1.4k

Playback	Listens	Hours
48h	39	4
7d	1.2k	138
30d	1.4k	163

2:37:13

15 tapes

3/28SBD

Portland, ME, USA

273

Playback	Listens	Hours
48h	0	0m
7d	64	7
30d	273	29

2:10:15

20 tapes

3/27SBD

Cumberland County Civic Center

Portland, ME, USA

947

Playback	Listens	Hours
48h	6	27m
7d	57	6
30d	947	101

Philadelphia, PA, USA

663

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	663	76

Philadelphia, PA, USA

948

Playback	Listens	Hours
48h	21	2
7d	25	2
30d	948	98

Philadelphia, PA, USA

1.9k

Playback	Listens	Hours
48h	14	2
7d	62	8
30d	1.9k	220

Playback	Listens	Hours
48h	67	9
7d	34	5
30d	1.4k	173

Playback	Listens	Hours
48h	22	3
7d	43	5
30d	2.3k	289

Playback	Listens	Hours
48h	17	2
7d	9	2
30d	2.3k	230

2:30:35

25 tapes

2/14SBD

407

Playback	Listens	Hours
48h	30	4
7d	57	7
30d	407	46

4:31:43

12 tapes

2/12SBD

324

Playback	Listens	Hours
48h	18	3
7d	3	16m
30d	324	42

2:54:33

10 tapes

2/11SBD

336

Playback	Listens	Hours
48h	14	2
7d	35	4
30d	336	40

2:17:07

14 tapes

2/09SBD

158

Playback	Listens	Hours
48h	11	1
7d	51	5
30d	158	16

2:01:34

9 tapes

2/08SBD

gd1986-03-30.142406.sbd.miller.flac1648

293

Playback	Listens	Hours
48h	15	2
7d	65	7
30d	293	31

2:27:10

7 tapes

Songs

Sources

Transferrer: Charlie Miller

SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k)

Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/

Paul Scotton and Joani Walker

View NotesNotes:
-- Thanks to Rob Eaton for the Dats
-- Thanks to the Oade Brothers for the patch source
-- There were a lot of level changes I had to deal with

Taper: Paul Scotton and Joani Walker

Charlie Miller

gd1986-03-30.sbd.walker-scotton.miller.106110.flac16

SBD -> ? -> 2nd Gen Cassette

Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16

Scott Clugston, Charlie Miller

View NotesNotes:
-- Disc change is seamless
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

Taper: Doug Lamarre

gd1986-03-30.176409.senn441.lamarre.miller.clugston.flac2496

Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Doug Lamarre for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:13 patch in "Space", as well as a 0:07 patch in the "Not Fade Away Chant"
- Pitch corrected

Mastered by Scott Clugston
July 2024

Taper: Doug Lamarre

gd1986-03-30.176408.senn441.lamarre.miller.clugston.flac1648

Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496

Charlie Miller and Joe Noel

View NotesNotes:
- Thanks to Doug Lamarre for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:13 patch in "Space", as well as a 0:07 patch in the "Not Fade Away Chant"
- Pitch corrected

Mastered by Scott Clugston
July 2024

Taper: Michael Hessberg

gd1986-03-30.141050.FOB.SennME80.Hessberg.Miller.Noel.t-flac1644

Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2

Robert Bryant (patched out of Oade Brothers) via Rich Gastwirt

View NotesNotes:
- Tape pauses & flips; cross faded.
- There's an apropos Gimme Some Lovin' tease before WDWDIITR.
- It's Easter Sunday so, "Why Don't We Do It In The Road" (seventh & final).
- The fun meter ran in the red all night.
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2

Patch Info:
- source #25526 (Schoeps) supplies
- s1t07; 7:26 - 7:44
- s2t07; 4:55 - 5:22
- s2t12; 0:49 - 1:30
- s2t13; 0:00 - 0:20

Taper: Robert Bryant (patched out of Oade Brothers) via Rich Gastwirt

2:37:13

Taper:

Charlie Miller and SIRMick

gd1986-03-30.139523.FOB.Schoeps-cmc4-mk41.oade.bryant.miller.sirmick.flac16

Source: FOB recording > Schoeps cmc4 mk41 > pcm > dat (44.1k) - recorded by Robert Bryant (patched out of the Oades) and provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 - transfer by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick 10/07/2017

Charlie Miller and Joe Noel

View Notes- There were a number of small dropouts, most of which occured in Set I. These were probably caused by water damage. They have been been patched with (FOB) Schoeps > PCM > Dat shnid 25526.

Taper: Michael Hessberg

gd1986-03-30.139470.FOB.SennME80.Hessberg.Miller.Noel.t-flac24

Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT

gd86-03-30.fob-schoeps.miller.25526.sbeok.shnf

View NotesNotes:
- Tape pauses & flips; cross faded.
- There's an apropos Gimme Some Lovin' tease before WDWDIITR.
- It's Easter Sunday so, "Why Don't We Do It In The Road" (seventh & final).
- The fun meter ran in the red all night.

Source 8 of 15

Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller

Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

View NotesRecording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> SEK'D Prodif Plus -> 
Samplitude v7.02 Professional -> SHN via Charlie Miller

Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

2:27:18

Taper:

Kyle Holbrook

gd1986-03-30.156187.akgc422.davis-murtha-holbrook.flac2448

Source: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 200 feet from stage; 30 feet LOC

Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

View NotesComments
Final Grateful Dead version of "Why Don't We Do It In The Road"
++ Major microphone pre-amp/battery distortion most of song
** missed start due to poor tape flip
// tape flips
There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks.
I listened to several FOB audience sources from this tour and they all have this "noise".

This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP

Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

2:27:18

Taper:

Kyle Holbrook

gd1986-03-30.156186.akgc422.davis-murtha-holbrook.flac1644

Source: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 200 feet from stage; 30 feet LOC

gd1986-03-30.127545.chasingwilma.flac24

View NotesComments
Final Grateful Dead version of "Why Don't We Do It In The Road"
++ Major microphone pre-amp/battery distortion most of song
** missed start due to poor tape flip
// tape flips
There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks.
I listened to several FOB audience sources from this tour and they all have this "noise".

This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP

Taper: chasingwilma

source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Bob Morris

gd1986-03-30.nak300.morris.crazyfingers.106566.flac16

Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90)

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper: Jon Pasternak

Jon Pasternak and Dave Mallick

gd1986-03-30.nak300.pasternak.mallick.103229.flac16

Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m),

Master Cassette > Nak DR-2>Tascam CDRW2000>CD >xACT 1.69 (cdparanoia)>WAV>FLAC

gd1986-03-30.nak300.damico.87741.flac16

View NotesNotes:
- Encore placed at the end of disc 1.

Taper: Joe D'Amico

nak 300 mics w/ cp4 shotguns > sony d-5

nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend

gd86-03-30.nak300.braverman.10076.sbeok.shnf

View Notes2nd set was running long so i switched back to 1st set tape . there is a slight cut in the crowd clapping and singing not fade away . the band was off the stage and it was just the crowd having at it . so no music is cut at all .if you know this show the band went off for the encore and the crowd keep on going with the not fade away then when the band came back on they started the encore with the ending of not fade away and then right into mighty quinn . i started the 3rd disc where i flipped the tape ....so that all for the info on this one lol.

Source 15 of 15

Nak 300/Sony D5> Nakamichi BX-300> CD