Brown Eyed Women | 1986-03-24 | Grateful Dead

133

Playback	Listens	Hours
48h	6	29m
7d	31	3
30d	133	15

3:08:48

13 tapes

12/30SBD

184

Playback	Listens	Hours
48h	0	0m
7d	23	2
30d	184	20

2:59:23

19 tapes

12/28SBD

Playback	Listens	Hours
48h	6	31m
7d	21	2
30d	86	10

2:19:49

20 tapes

12/27SBD

Oakland-Alameda County Coliseum

206

Playback	Listens	Hours
48h	14	1
7d	36	3
30d	206	20

2:14:54

18 tapes

12/17SBD

Oakland-Alameda County Coliseum

Playback	Listens	Hours
48h	33	4
7d	32	4
30d	68	8

2:59:59

25 tapes

12/16SBD

Oakland-Alameda County Coliseum

101

Playback	Listens	Hours
48h	1	11m
7d	11	1
30d	101	11

2:56:06

19 tapes

12/15SBD

Alpine Valley Music Theatre

376

Playback	Listens	Hours
48h	17	2
7d	23	3
30d	376	43

Playback	Listens	Hours
48h	0	0m
7d	3	14m
30d	7	35m

Playback	Listens	Hours
48h	30	4
7d	22	2
30d	155	19

Playback	Listens	Hours
48h	3	17m
7d	10	1
30d	84	10

Playback	Listens	Hours
48h	8	51m
7d	28	3
30d	226	23

1:53:56

14 tapes

7/02SBD

Rubber Bowl, U. of Akron

Akron, OH, USA

131

Playback	Listens	Hours
48h	4	27m
7d	38	4
30d	131	14

2:12:05

16 tapes

6/30SBD

River Bend Music Center

Cincinnati, OH, USA

Playback	Listens	Hours
48h	2	11m
7d	7	47m
30d	26	3

2:15:00

13 tapes

6/29SBD

East Troy, WI, USA

139

Playback	Listens	Hours
48h	23	2
7d	7	43m
30d	139	14

2:11:07

10 tapes

6/28SBD

Alpine Valley Music Theatre

East Troy, WI, USA

117

Playback	Listens	Hours
48h	24	3
7d	18	2
30d	117	13

2:05:06

13 tapes

6/26SBD

Hubert H. Humphrey Metrodome

Minneapolis, MN, USA

Playback	Listens	Hours
48h	22	2
7d	35	4
30d	59	6

Playback	Listens	Hours
48h	25	3
7d	58	7
30d	252	28

Playback	Listens	Hours
48h	6	49m
7d	59	7
30d	150	17

Playback	Listens	Hours
48h	0	0m
7d	56	7
30d	125	15

Playback	Listens	Hours
48h	0	0m
7d	25	3
30d	138	15

Playback	Listens	Hours
48h	0	0m
7d	63	8
30d	258	36

Playback	Listens	Hours
48h	7	44m
7d	0	0m
30d	104	12

Playback	Listens	Hours
48h	1	8m
7d	75	9
30d	331	39

2:13:36

8 tapes

4/22SBD

139

Playback	Listens	Hours
48h	21	3
7d	5	40m
30d	139	18

2:27:50

6 tapes

4/21SBD

188

Playback	Listens	Hours
48h	16	2
7d	38	5
30d	188	23

2:25:24

6 tapes

4/19SBD

358

Playback	Listens	Hours
48h	31	3
7d	53	7
30d	358	47

2:06:15

7 tapes

4/18SBD

Cumberland County Civic Center

Playback	Listens	Hours
48h	10	56m
7d	21	3
30d	98	12

Playback	Listens	Hours
48h	1	6m
7d	27	3
30d	142	18

Playback	Listens	Hours
48h	19	2
7d	31	4
30d	85	10

2:22:35

6 tapes

4/04

Hartford Civic Center

Hartford, CT, USA

923

Playback	Listens	Hours
48h	40	4
7d	780	79
30d	923	94

2:19:57

16 tapes

4/03SBD

Hartford Civic Center

Hartford, CT, USA

Playback	Listens	Hours
48h	61	7
7d	241	30
30d	1k	126

2:26:13

20 tapes

4/01SBD

Providence Civic Center

Providence, RI, USA

775

Playback	Listens	Hours
48h	21	3
7d	71	9
30d	775	101

2:23:08

18 tapes

3/31SBD

Providence Civic Center

Providence, RI, USA

700

Playback	Listens	Hours
48h	0	0m
7d	92	11
30d	700	81

2:07:33

18 tapes

3/30SBD

Providence Civic Center

Providence, RI, USA

1.5k

Playback	Listens	Hours
48h	7	48m
7d	65	7
30d	1.5k	169

2:37:13

15 tapes

3/28SBD

Portland, ME, USA

270

Playback	Listens	Hours
48h	8	57m
7d	16	2
30d	270	29

2:10:15

20 tapes

3/27SBD

Cumberland County Civic Center

Portland, ME, USA

Playback	Listens	Hours
48h	23	3
7d	79	8
30d	1k	107

Philadelphia, PA, USA

622

Playback	Listens	Hours
48h	18	2
7d	35	4
30d	622	71

Philadelphia, PA, USA

915

Playback	Listens	Hours
48h	4	16m
7d	36	4
30d	915	94

Philadelphia, PA, USA

1.9k

Playback	Listens	Hours
48h	44	5
7d	102	12
30d	1.9k	225

Playback	Listens	Hours
48h	22	3
7d	84	11
30d	1.4k	181

Playback	Listens	Hours
48h	14	2
7d	53	7
30d	2.3k	284

Playback	Listens	Hours
48h	21	2
7d	38	5
30d	2.3k	226

2:30:35

25 tapes

2/14SBD

413

Playback	Listens	Hours
48h	40	5
7d	129	14
30d	413	47

4:31:43

12 tapes

2/12SBD

370

Playback	Listens	Hours
48h	42	5
7d	111	13
30d	370	48

2:54:33

10 tapes

2/11SBD

368

Playback	Listens	Hours
48h	19	2
7d	110	12
30d	368	43

2:17:07

14 tapes

2/09SBD

Playback	Listens	Hours
48h	12	1
7d	16	2
30d	93	10

2:01:34

9 tapes

2/08SBD

gd86-03-24.sbd.miller.22783.sbeok.shnf

174

Playback	Listens	Hours
48h	12	1
7d	20	2
30d	174	19

2:27:10

7 tapes

Songs

Sources

Source 1 of 21

Source Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHNPatch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHNPatched and Edited By Charlie Miller

View NotesSource Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN
Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN
Patched and Edited By Charlie Miller

Transferrer: SBD + AUD Matrix 3 Source Mix (44/16) by Kevin Tobin

2:04:02

SBD

SBD + AUD Matrix 3 Source Mix (44/16) by Kevin Tobin

gd1986-03-24.148732.mtx.tobin.flac16

SBD + AUD Matrix 3 Source Mix (44/16)

gd1986-03-24.sbd.goetz.21920.sbeok.shnf

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 13-JAN-2020 - Trader Little Helper
- Tagged 13-JAM-2020 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Taper: MC>CDR>EAC>CDWAV>CD

SBD>??>MC

Recorded by Chris Hecht and Ross Lipton

View NotesThe El Paso fades out at the 4:19 point ("I see the smoke...") 
The final three songs of this performance are missing on this soundboard source.

Soundboard > ?? > MC > CDR performed by Joey Browning
CDR > EAC > CDWAV > CDR performed by Jim O?Brien
CDR > mkw > shn performed by Robert Goetz

Taper: Recorded by Chris Hecht and Ross Lipton

All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net December 20, 2020

gd1986-03-24.151214.km84i.hecht-lipton-fleck-scheuner.miller.flac1644

(FOB) Neumann KM84i > PCM Master (Sony PCM F1/SL2000) > PCM Clone

PCM Clone (Sony SL-HF860D) > Sony PCM-601ESD > Behringer Ultramatch Pro (16-bit/44.1k) > Tascam SS-CDR200 > Samplitude Pro X5 Suite > FLAC/16

Robert Bryant patched out of Oade Brothers - from the Gastwirt collection

View NotesTape supplied by Randy Fleck and Jason Scheuner

Taper: Robert Bryant patched out of Oade Brothers - from the Gastwirt collection

1:13:55

Taper:

Charlie Miller and Joe Noel

gd1986-03-24.139772.set2.FOB.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac1644

Set 2 Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK41's + MK2 > Sony PCM F1 > DAT/44 (FOB); Charlie Miller

DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT

Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel

View Notes- DAT clone of Bryant's master.
- Adjust the volume knob accordingly, close the eyes & presto, this recording puts you there.
- Lost Sailor's final performance (my first)
- My first Morning Dew
- Philly, where they boo Santa Clause & the Grateful Dead, was a bit unruly.
- This chick has Bobby in her sights, drops trou & 1/2 Stepped her way to the stage.

Patch Info:
- source #103442 (Schoeps CMC-441)
- s2t07; 4:04 - 4:16
- s2t08; 0:35 - 0:47, 1:59 - 2:12 & 2:39 - 2:50

Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel

2:02:48

Taper:

Kyle Holbrook

gd1986-03-24.156079.beyerm201-murtha.holbrook.flac2448

Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby, third deck in line Location: 45 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH]

Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel

View Notes*(deadbase lists this as final "Lost Sailor" as the GD)

Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel

2:02:48

Taper:

Kyle Holbrook

gd1986-03-24.156078.beyerm201-murtha.holbrook.flac1644

Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby, third deck in line Location: 45 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH]

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

View Notes*(deadbase lists this as final "Lost Sailor" as the GD)

Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

gd1986-03-24.148734.5-1.tobin.flac1648

5.1 LPCM Surround Sound Mix (48k)

gd1986-03-24.127535.chasingwilma.flac24

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 13-JAN-2020 - Trader Little Helper
- Tagged 13-JAM-2020 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Taper: chasingwilma

source: schoeps CMC 44> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: D5scott

gd1986-03-24.fob.beyerm160.d5scott.107413.flac16

source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's.

Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files

Taper: Tony Lochner

Jamie Waddell and Mike Grace

gd1986-03-24.fob.schoeps.lochner.gems.103442.flac16

Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 at 24/44.1 Editing-Mastering:on GEMS Edit Station. Weiss=Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither FLACLevel8

Jon Pasternak and Dave Mallick

View Notes- slight dropouts in first seconds of pcm tape in tuning, left as is
- tiny patch in Alabama
- Promised Land tease before GSET
- *Last version of Lost Sailor
- "just like a swiss watch " Saint
- only one song after space show in the 80's
- crowd Boos! for more music after the Encore..oh the Beast Coast!
- de-emphasized in Cambridge EQ in UAD1 via Wavelab 6.0

Taper: Jon Pasternak

gd1986-03-24.nak300.pasternak.102654.flac16

Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m),

Nak DR-2>Tascam CDRW2000>CD; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors

Taper: Greg Holtz

gd1986-03-24.nak100.holtz.jaz.102168.flac16

2 Nakamichi CM-100 CP-4 mics mixed with 2 Nakamichi CM-300 CP-4 mics -> Niles Audio Mixer -> Sony TC-D5

Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8

Taper: Danny Thompson

Adam Egert and Derek McCabe

gd1986-03-24.fob.thompson.motb-0073.92276.flac24

2 x AKG C460 CK61uls > Uher CR240 > MAC (FOB)

MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]

Adam Egert and Derek McCabe

View NotesMastering Notes:
Edits done in Bias Peak w/ Nomad Factory AMT Multi MAx

Taper: Danny Thompson

gd1986-03-24.fob.thompson.motb-0073.92275.flac16

2 x AKG C460 CK61uls > Uher CR240 > Master Audience Cassette (FOB)

MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]

Joe D'Amico ''aka'' Joebeacon

View NotesMastering Notes:
Edits done in Bias Peak w/ Nomad Factory AMT Multi MAx

Taper: Joe D'Amico ''aka'' Joebeacon

Joe D'Amico ''aka'' Joebeacon

gd1986-03-24.nak300.damico.87655.flac16

nak 300 mics w/ cp4 shotguns > sony d-5

nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend

Taper: Brian Mandel

gd1986-03-24.nak300.mandel.79610.shnf

Nakamichi 300 Shotguns CP4's & Sony TCD5M

Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn

Source 18 of 21

gd86-03-24.schoeps.nawrocki.17890.sbeok.shnf

gd86-03-24.naks.braverman.16746.sbeok.shnf

View NotesSource:
Schoeps CMC 4's/MK 4's > Sony D5 > DA-P1 > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT
The between track crowd noise in the first set was edited out on the source discs. I used crossfades to make this as fluid as possible.
Thanks to Mark McCue for the source discs. EAC'd/Seeded by Doug Nawrocki

Source 19 of 21

Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHNThis is a new seed, with sector boundary errors fixed but otherwise no changes, April 2003. (Peter Braverman)

gd1986-03-24.nak300.porter.braverman.7480.shnf

View NotesAudience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN
This is a new seed, with sector boundary errors fixed but otherwise no changes, April 2003. (Peter Braverman)

Taper: Stephen Porter

Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN

View Notesmuch of the dead air between songs in the first set is cut
tape flip during space

Thanks to Stephen B. Porter, wherever he is these days, for the terrific recording.
Seeded by Peter Braverman, February 2002.

Taper: Tony Cirella

Paul B. and Greg Kerbel

gd1986-03-24.aud.cirella.kerbel.5570.shnf

AUD>Sony microphones>Nakamichi BX-300 deck>Maxell metal cassette

MAC>Nakamichi DR?10>Monster analog cables>Tascam CD-RW700 CD burner>CD>EAC>SHN