Dancing In The Street > | 1985-04-27 | Grateful Dead

Bernie Worrell and the WOO Warriors

234

Playback	Listens	Hours
48h	35	4
7d	20	2
30d	234	27

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	9	2
30d	81	11

Playback	Listens	Hours
48h	22	3
7d	49	7
30d	624	87

Playback	Listens	Hours
48h	161	20
7d	279	35
30d	2.1k	275

Playback	Listens	Hours
48h	9.2k	915
7d	13.7k	1.4k
30d	93.8k	9.5k

537 shows

1,050 tapes

Blind Melon

Playback	Listens	Hours
48h	104	7
7d	221	16
30d	2k	148

62 shows

76 tapes

Blueground Undergrass

241

Playback	Listens	Hours
48h	28	3
7d	54	6
30d	241	24

182 shows

204 tapes

Blues Traveler

Playback	Listens	Hours
48h	82	8
7d	288	32
30d	2k	213

Playback	Listens	Hours
48h	368	48
7d	894	116
30d	6.6k	870

305 shows

505 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	10	2
30d	19	5

20 shows

26 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	7	2
30d	7	2

Playback	Listens	Hours
48h	34	5
7d	109	18
30d	836	137

Playback	Listens	Hours
48h	1	4m
7d	22	2
30d	140	15

Playback	Listens	Hours
48h	60	6
7d	93	9
30d	802	77

Playback	Listens	Hours
48h	84	9
7d	94	9
30d	589	61

Playback	Listens	Hours
48h	37	2
7d	148	8
30d	727	40

Playback	Listens	Hours
48h	61	9
7d	135	19
30d	580	75

Playback	Listens	Hours
48h	67	4
7d	76	5
30d	509	34

241 shows

270 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	1

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	11	56m
7d	0	0m
30d	16	2

79 shows

93 tapes

Circles Around The Sun

1.5k

Playback	Listens	Hours
48h	119	25
7d	230	45
30d	1.5k	306

Playback	Listens	Hours
48h	28	6
7d	39	7
30d	328	61

Playback	Listens	Hours
48h	25	2
7d	60	6
30d	529	46

Playback	Listens	Hours
48h	19	2
7d	49	7
30d	621	87

Playback	Listens	Hours
48h	331	50
7d	917	129
30d	4.1k	605

Playback	Listens	Hours
48h	270	42
7d	573	80
30d	6.1k	814

784 shows

1,034 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	2	32m
30d	24	5

Playback	Listens	Hours
48h	2	9m
7d	61	7
30d	363	39

Playback	Listens	Hours
48h	2.1k	328
7d	3.9k	610
30d	29.8k	4.7k

Playback	Listens	Hours
48h	45	5
7d	106	12
30d	438	48

Playback	Listens	Hours
48h	122	7
7d	223	14
30d	1.1k	67

Playback	Listens	Hours
48h	73	8
7d	174	20
30d	1.6k	190

Playback	Listens	Hours
48h	525	109
7d	1.8k	368
30d	12k	2.5k

Playback	Listens	Hours
48h	4	22m
7d	73	7
30d	492	48

Playback	Listens	Hours
48h	189	33
7d	426	67
30d	2.2k	349

Playback	Listens	Hours
48h	1	21m
7d	30	5
30d	152	29

Playback	Listens	Hours
48h	29	3
7d	282	30
30d	1.8k	183

Playback	Listens	Hours
48h	10	2
7d	89	14
30d	556	88

Playback	Listens	Hours
48h	80	7
7d	307	28
30d	2.3k	200

Playback	Listens	Hours
48h	60	11
7d	78	13
30d	696	119

Playback	Listens	Hours
48h	11	59m
7d	23	2
30d	129	15

Playback	Listens	Hours
48h	90	13
7d	322	53
30d	2.8k	462

141 shows

269 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	14	2

Playback	Listens	Hours
48h	209	27
7d	492	68
30d	2.7k	372

Playback	Listens	Hours
48h	8	2
7d	12	4
30d	103	31

Playback	Listens	Hours
48h	39	2
7d	111	6
30d	786	44

Playback	Listens	Hours
48h	18	2
7d	60	8
30d	408	55

Playback	Listens	Hours
48h	3	47m
7d	11	1
30d	167	34

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	0	0m
7d	15	2
30d	77	12

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	4	26m
7d	9	1
30d	35	5

Playback	Listens	Hours
48h	5	24m
7d	79	8
30d	459	48

Playback	Listens	Hours
48h	4	15m
7d	110	7
30d	417	28

Playback	Listens	Hours
48h	13	53m
7d	68	6
30d	296	23

Playback	Listens	Hours
48h	38	2
7d	36	2
30d	456	28

Playback	Listens	Hours
48h	528	84
7d	1.5k	238
30d	10.6k	1.6k

246 shows

1,218 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	5	1
30d	17	4

14 shows

G. Love and Special Sauce

841

Playback	Listens	Hours
48h	43	5
7d	148	14
30d	841	77

Playback	Listens	Hours
48h	83	10
7d	113	12
30d	896	97

Playback	Listens	Hours
48h	28	4
7d	56	8
30d	324	47

Playback	Listens	Hours
48h	4	42m
7d	86	15
30d	558	113

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	62	7

Playback	Listens	Hours
48h	37	6
7d	40	7
30d	208	40

Playback	Listens	Hours
48h	28	3
7d	97	13
30d	1.3k	149

369 shows

496 tapes

Godspeed You Black Emperor!

248

Playback	Listens	Hours
48h	1	19m
7d	24	6
30d	248	60

Playback	Listens	Hours
48h	62	8
7d	66	10
30d	271	41

Playback	Listens	Hours
48h	1.5k	271
7d	3.5k	672
30d	21.8k	4.2k

Playback	Listens	Hours
48h	11	54m
7d	14	1
30d	328	31

362 shows

591 tapes

Grahame Lesh and Friends

5.1k

Playback	Listens	Hours
48h	482	77
7d	875	131
30d	5.1k	797

Playback	Listens	Hours
48h	18	2
7d	18	2
30d	110	14

Playback	Listens	Hours
48h	291	30
7d	470	54
30d	4.4k	496

Playback	Listens	Hours
48h	117	13
7d	123	14
30d	1.8k	202

220 shows

304 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	3	28m
30d	59	9

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	8	47m
30d	29	2

52 shows

56 tapes

Guitarmageddon

Playback	Listens	Hours
48h	14	2
7d	11	2
30d	71	10

Playback	Listens	Hours
48h	47	3
7d	108	7
30d	525	38

747 shows

1,024 tapes

Hard Working Americans

348

Playback	Listens	Hours
48h	42	5
7d	40	5
30d	348	39

Playback	Listens	Hours
48h	16	3
7d	139	21
30d	794	125

186 shows

225 tapes

Horseshoes and Hand Grenades

280

Playback	Listens	Hours
48h	41	4
7d	78	6
30d	280	22

Playback	Listens	Hours
48h	23	2
7d	72	7
30d	392	37

677 shows

850 tapes

Infamous Stringdusters

1.7k

Playback	Listens	Hours
48h	61	6
7d	177	15
30d	1.7k	153

623 shows

1,001 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	295	19
7d	879	60
30d	3.8k	245

Playback	Listens	Hours
48h	64	7
7d	88	10
30d	707	72

364 shows

489 tapes

Jazz Mandolin Project

571

Playback	Listens	Hours
48h	24	3
7d	63	9
30d	571	85

218 shows

275 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	93	9

12 shows

Jerry Joseph and the Jackmormons

Jeff Austin And Friends

211

Playback	Listens	Hours
48h	0	0m
7d	1	4m
30d	211	20

Playback	Listens	Hours
48h	39	5
7d	56	6
30d	864	116

112 shows

160 tapes

2.5k

Playback	Listens	Hours
48h	139	23
7d	382	64
30d	2.5k	415

1,123 shows

1,518 tapes

Jerry's Middle Finger

2.2k

Playback	Listens	Hours
48h	207	30
7d	291	43
30d	2.2k	302

247 shows

297 tapes

Joe Russo Presents: Hooteroll? + Plus

108

Playback	Listens	Hours
48h	0	0m
7d	17	3
30d	108	15

2 shows

5 tapes

Joe Russo's Almost Dead

22.5k

Playback	Listens	Hours
48h	1.4k	251
7d	3.1k	552
30d	22.5k	4k

Playback	Listens	Hours
48h	37	5
7d	311	32
30d	1.1k	114

Playback	Listens	Hours
48h	130	13
7d	442	40
30d	2.5k	223

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	1	7m
7d	30	3
30d	64	7

Playback	Listens	Hours
48h	1	5m
7d	4	20m
30d	133	10

Playback	Listens	Hours
48h	3	35m
7d	1	11m
30d	123	13

71 shows

104 tapes

Karl Denson's Tiny Universe

424

Playback	Listens	Hours
48h	24	4
7d	62	8
30d	424	61

Playback	Listens	Hours
48h	264	26
7d	314	31
30d	3.2k	304

Playback	Listens	Hours
48h	53	7
7d	148	17
30d	327	42

40 shows

51 tapes

King Gizzard & the Lizard Wizard

13.5k

Playback	Listens	Hours
48h	628	84
7d	2k	255
30d	13.5k	1.8k

Playback	Listens	Hours
48h	112	15
7d	352	42
30d	2.2k	280

308 shows

393 tapes

Kung Fu

Playback	Listens	Hours
48h	1	10m
7d	0	0m
30d	80	11

Playback	Listens	Hours
48h	27	5
7d	89	17
30d	613	115

Playback	Listens	Hours
48h	40	5
7d	194	24
30d	2.1k	250

Playback	Listens	Hours
48h	165	15
7d	444	43
30d	2.6k	248

Playback	Listens	Hours
48h	188	26
7d	517	76
30d	3.1k	455

Playback	Listens	Hours
48h	253	22
7d	407	37
30d	4.2k	396

Playback	Listens	Hours
48h	46	3
7d	121	9
30d	1.1k	84

Playback	Listens	Hours
48h	108	21
7d	351	66
30d	1.9k	367

Playback	Listens	Hours
48h	20	3
7d	20	2
30d	217	23

Playback	Listens	Hours
48h	75	9
7d	139	12
30d	1.4k	148

Playback	Listens	Hours
48h	27	2
7d	109	10
30d	393	40

347 shows

445 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	2	9m
30d	2	9m

Playback	Listens	Hours
48h	191	30
7d	453	66
30d	3.8k	584

Playback	Listens	Hours
48h	21	2
7d	107	5
30d	459	26

Playback	Listens	Hours
48h	3	17m
7d	63	7
30d	238	27

Playback	Listens	Hours
48h	17	21m
7d	42	1
30d	179	5

Playback	Listens	Hours
48h	14	1
7d	108	8
30d	521	43

Playback	Listens	Hours
48h	496	77
7d	1.5k	226
30d	10.7k	1.8k

Playback	Listens	Hours
48h	0	0m
7d	5	21m
30d	180	20

Playback	Listens	Hours
48h	37	3
7d	24	2
30d	225	17

Playback	Listens	Hours
48h	316	33
7d	498	52
30d	4.5k	460

411 shows

597 tapes

Nathan Moore

Playback	Listens	Hours
48h	5	17m
7d	0	0m
30d	19	1

46 shows

50 tapes

Neal Francis

Playback	Listens	Hours
48h	5	17m
7d	7	54m
30d	42	4

Playback	Listens	Hours
48h	68	10
7d	126	17
30d	569	83

Playback	Listens	Hours
48h	1	36m
7d	7	52m
30d	171	25

61 shows

71 tapes

New Riders of the Purple Sage

1.1k

Playback	Listens	Hours
48h	98	10
7d	123	9
30d	1.1k	93

403 shows

589 tapes

North Mississippi Allstars

1.1k

Playback	Listens	Hours
48h	63	6
7d	199	20
30d	1.1k	116

Playback	Listens	Hours
48h	54	6
7d	132	15
30d	753	84

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	1	4m
30d	1	4m

Playback	Listens	Hours
48h	26	4
7d	7	2
30d	216	41

Playback	Listens	Hours
48h	5	41m
7d	37	5
30d	240	35

Playback	Listens	Hours
48h	128	21
7d	176	30
30d	1.4k	248

687 shows

915 tapes

Phil Lesh and Friends

14.5k

Playback	Listens	Hours
48h	1k	184
7d	2k	357
30d	14.5k	2.5k

788 shows

2,852 tapes

Pigeons Playing Ping Pong

1.6k

Playback	Listens	Hours
48h	83	13
7d	162	24
30d	1.6k	243

Playback	Listens	Hours
48h	105	14
7d	438	57
30d	3.5k	438

290 shows

430 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	53	4

Playback	Listens	Hours
48h	167	22
7d	427	54
30d	2.8k	364

1,231 shows

2,193 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	8	3

Playback	Listens	Hours
48h	44	6
7d	91	13
30d	787	108

Playback	Listens	Hours
48h	380	52
7d	1.3k	165
30d	9.1k	1.2k

Playback	Listens	Hours
48h	99	8
7d	222	18
30d	1.3k	102

250 shows

371 tapes

Rumpke Mountain Boys

Playback	Listens	Hours
48h	9	42m
7d	174	14
30d	1k	88

Playback	Listens	Hours
48h	152	14
7d	235	21
30d	1.6k	141

580 shows

728 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	1	26m
30d	1	26m

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	2	24m
7d	1	1m
30d	45	5

Playback	Listens	Hours
48h	259	25
7d	333	33
30d	2.7k	258

Playback	Listens	Hours
48h	11	3
7d	8	53m
30d	269	33

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	1	9m
7d	0	0m
30d	42	6

Playback	Listens	Hours
48h	10	1
7d	19	2
30d	161	17

Playback	Listens	Hours
48h	45	4
7d	161	13
30d	971	80

Playback	Listens	Hours
48h	111	19
7d	554	87
30d	3.3k	513

561 shows

758 tapes

Spafford

Playback	Listens	Hours
48h	51	12
7d	138	32
30d	2k	463

Playback	Listens	Hours
48h	66	4
7d	20	1
30d	237	15

Playback	Listens	Hours
48h	1	10m
7d	37	6
30d	153	29

Playback	Listens	Hours
48h	104	14
7d	138	17
30d	990	153

Playback	Listens	Hours
48h	126	30
7d	270	59
30d	1.2k	265

Playback	Listens	Hours
48h	43	6
7d	126	15
30d	978	124

664 shows

1,137 tapes

String Cheese Incident

11.8k

Playback	Listens	Hours
48h	779	115
7d	1.8k	283
30d	11.8k	1.9k

1,275 shows

2,059 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	17	2
7d	1	12m
30d	63	6

Playback	Listens	Hours
48h	36	7
7d	94	19
30d	472	89

Playback	Listens	Hours
48h	6	53m
7d	70	9
30d	289	36

Playback	Listens	Hours
48h	77	9
7d	160	17
30d	972	108

727 shows

1,112 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	7	23m
30d	22	1

Playback	Listens	Hours
48h	1.3k	146
7d	4.6k	525
30d	31.1k	3.5k

Playback	Listens	Hours
48h	6	10m
7d	32	2
30d	367	19

Playback	Listens	Hours
48h	33	5
7d	121	16
30d	766	101

Playback	Listens	Hours
48h	20	3
7d	24	4
30d	248	35

473 shows

629 tapes

The California Honeydrops

860

Playback	Listens	Hours
48h	91	12
7d	212	26
30d	860	108

76 shows

83 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	25	4

Playback	Listens	Hours
48h	166	26
7d	458	69
30d	2.8k	397

Playback	Listens	Hours
48h	8	53m
7d	37	4
30d	415	35

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	3	14m
30d	94	13

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	48	9

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	16	2

Playback	Listens	Hours
48h	35	6
7d	27	4
30d	109	16

Playback	Listens	Hours
48h	4	29m
7d	16	2
30d	303	41

Playback	Listens	Hours
48h	138	7
7d	150	9
30d	899	49

Playback	Listens	Hours
48h	10	46m
7d	38	3
30d	528	38

Playback	Listens	Hours
48h	4	1
7d	19	4
30d	184	45

246 shows

327 tapes

The New Mastersounds

Playback	Listens	Hours
48h	124	13
7d	178	19
30d	1k	102

Playback	Listens	Hours
48h	63	9
7d	149	22
30d	1.4k	188

Playback	Listens	Hours
48h	281	27
7d	705	68
30d	5.4k	526

1,447 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	29	2
7d	1	4m
30d	89	6

Playback	Listens	Hours
48h	153	16
7d	137	15
30d	878	93

Playback	Listens	Hours
48h	0	0m
7d	19	4
30d	235	46

145 shows

196 tapes

The Wood Brothers

Playback	Listens	Hours
48h	41	6
7d	217	21
30d	1k	91

220 shows

281 tapes

Trampled by Turtles

Playback	Listens	Hours
48h	25	1
7d	48	3
30d	1k	75

175 shows

208 tapes

Trevor Garrod

Playback	Listens	Hours
48h	1	7m
7d	3	13m
30d	41	3

12 shows

Yonder Mountain String Band

Trey Anastasio

Playback	Listens	Hours
48h	269	41
7d	691	95
30d	5k	715

Playback	Listens	Hours
48h	19	2
7d	18	2
30d	106	10

Playback	Listens	Hours
48h	55	10
7d	241	34
30d	1.6k	252

Playback	Listens	Hours
48h	265	37
7d	699	110
30d	6.2k	916

Playback	Listens	Hours
48h	18	2
7d	83	8
30d	437	37

Playback	Listens	Hours
48h	80	6
7d	51	4
30d	1.2k	85

Playback	Listens	Hours
48h	825	64
7d	1.8k	142
30d	10.9k	855

618 shows

1,125 tapes

White Denim

Playback	Listens	Hours
48h	15	59m
7d	60	4
30d	96	7

Playback	Listens	Hours
48h	8.1k	968
7d	19.2k	2.3k
30d	132.4k	15.9k

Playback	Listens	Hours
48h	36	6
7d	156	20
30d	760	103

1,417 shows

2,244 tapes

9.3k

Playback	Listens	Hours
48h	509	47
7d	1.5k	140
30d	9.3k	863

Playback	Listens	Hours
48h	36	5
7d	169	24
30d	1.6k	247

12 shows

16 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	32m

Playback	Listens	Hours
48h	90	17
7d	131	24
30d	1.2k	213

461 shows

663 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	21	4
30d	46	6

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.7k	235
7d	3.8k	527
30d	18.8k	2.6k

Playback	Listens	Hours
48h	1.2k	159
7d	2.8k	399
30d	18.8k	2.6k

Playback	Listens	Hours
48h	2.6k	335
7d	4.3k	556
30d	41.7k	5.3k

Playback	Listens	Hours
48h	479	61
7d	1.4k	188
30d	33.9k	4.4k

Playback	Listens	Hours
48h	4.5k	638
7d	7.5k	1.1k
30d	35.2k	4.9k

Playback	Listens	Hours
48h	4.8k	619
7d	22.4k	2.8k
30d	111.7k	14.3k

Playback	Listens	Hours
48h	6k	752
7d	10.1k	1.2k
30d	38.3k	4.8k

Playback	Listens	Hours
48h	5.7k	617
7d	10.8k	1.2k
30d	43.4k	5k

Playback	Listens	Hours
48h	5.5k	613
7d	11.4k	1.4k
30d	49.9k	5.8k

Playback	Listens	Hours
48h	1.7k	185
7d	4.4k	521
30d	20.8k	2.4k

Playback	Listens	Hours
48h	5.4k	602
7d	7.6k	917
30d	42k	5.1k

Playback	Listens	Hours
48h	1.5k	197
7d	5.6k	699
30d	21.9k	2.8k

Playback	Listens	Hours
48h	1.3k	163
7d	4.3k	506
30d	26k	3.2k

Playback	Listens	Hours
48h	3.1k	396
7d	5.3k	705
30d	29.1k	3.8k

Playback	Listens	Hours
48h	2k	254
7d	4.3k	544
30d	89.2k	11.5k

Playback	Listens	Hours
48h	2.4k	276
7d	12.1k	1.4k
30d	35.6k	4.1k

Playback	Listens	Hours
48h	1.8k	242
7d	3.5k	487
30d	25.8k	3.5k

Playback	Listens	Hours
48h	3.3k	445
7d	4.8k	651
30d	35.5k	4.8k

Playback	Listens	Hours
48h	7.5k	1.1k
7d	14.1k	2k
30d	113.6k	16k

Playback	Listens	Hours
48h	1.8k	247
7d	3.6k	477
30d	25.7k	3.4k

Playback	Listens	Hours
48h	360	37
7d	697	70
30d	7.5k	808

Playback	Listens	Hours
48h	3.9k	495
7d	7.5k	951
30d	54.9k	6.9k

Playback	Listens	Hours
48h	4.3k	524
7d	19.3k	2.2k
30d	100.6k	12.3k

Playback	Listens	Hours
48h	3.2k	385
7d	6.3k	750
30d	57.5k	6.9k

Playback	Listens	Hours
48h	7.5k	850
7d	3.3k	346
30d	31.7k	3.6k

Playback	Listens	Hours
48h	2.3k	236
7d	6k	610
30d	32.7k	3.5k

Playback	Listens	Hours
48h	3.1k	440
7d	1.9k	285
30d	17.6k	2.5k

Playback	Listens	Hours
48h	344	43
7d	1.8k	196
30d	7.7k	937

41 shows

125 tapes

1967

Playback	Listens	Hours
48h	84	13
7d	713	57
30d	4k	441

Playback	Listens	Hours
48h	415	25
7d	344	25
30d	6.1k	445

Playback	Listens	Hours
48h	21	2
7d	73	5
30d	475	28

2 shows

2 tapes

1985

12/31SBD

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

167

Playback	Listens	Hours
48h	10	59m
7d	49	6
30d	167	19

4:59:06

19 tapes

12/30SBD

131

Playback	Listens	Hours
48h	1	5m
7d	7	32m
30d	131	14

4:28:26

17 tapes

11/22SBD

Playback	Listens	Hours
48h	0	0m
7d	22	3
30d	89	12

2:15:35

11 tapes

11/21SBD

200

Playback	Listens	Hours
48h	36	4
7d	28	3
30d	200	22

2:15:55

11/20SBD

Community War Memorial Auditorium

216

Playback	Listens	Hours
48h	18	2
7d	13	1
30d	216	25

Playback	Listens	Hours
48h	1	8m
7d	10	1
30d	74	9

Playback	Listens	Hours
48h	0	0m
7d	20	2
30d	67	8

East Rutherford, NJ, USA

187

Playback	Listens	Hours
48h	0	0m
7d	22	3
30d	187	22

East Rutherford, NJ, USA

134

Playback	Listens	Hours
48h	19	2
7d	38	4
30d	134	16

4:40:11

27 tapes

11/08SBD

Rochester, NY, USA

198

Playback	Listens	Hours
48h	10	1
7d	45	5
30d	198	23

2:12:53

27 tapes

11/07SBD

Community War Memorial Auditorium

Rochester, NY, USA

339

Playback	Listens	Hours
48h	16	2
7d	42	5
30d	339	36

Playback	Listens	Hours
48h	3	20m
7d	19	2
30d	202	23

Playback	Listens	Hours
48h	9	37m
7d	18	2
30d	205	22

Playback	Listens	Hours
48h	13	2
7d	25	3
30d	235	30

Playback	Listens	Hours
48h	24	3
7d	51	6
30d	333	36

2:40:08

17 tapes

10/31SBD

Carolina Coliseum, U. of South Carolina

Columbia, SC, USA

212

Playback	Listens	Hours
48h	78	8
7d	51	6
30d	212	22

Playback	Listens	Hours
48h	56	7
7d	71	8
30d	412	51

Playback	Listens	Hours
48h	31	4
7d	46	6
30d	176	21

Playback	Listens	Hours
48h	12	1
7d	48	5
30d	326	31

Pembroke Pines, FL, USA

Playback	Listens	Hours
48h	8	59m
7d	18	2
30d	74	10

2:21:11

Devore Field, Southwestern College

9/15SBD

Chula Vista, CA, USA

271

Playback	Listens	Hours
48h	17	2
7d	5	40m
30d	271	30

2:21:39

9/12SBD

Playback	Listens	Hours
48h	4	37m
7d	8	1
30d	89	11

2:30:28

9/11SBD

150

Playback	Listens	Hours
48h	5	43m
7d	18	2
30d	150	17

2:22:15

9/10SBD

160

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	160	17

2:15:03

10 tapes

9/07SBD

Red Rocks Amphitheatre

Morrison, CO, USA

533

Playback	Listens	Hours
48h	79	9
7d	61	7
30d	533	60

5:00:50

22 tapes

9/06SBD

Red Rocks Amphitheatre

Morrison, CO, USA

Playback	Listens	Hours
48h	1	6m
7d	3	26m
30d	33	4

2:10:32

Southern Star Amphitheater

9/05SBD

Red Rocks Amphitheatre

Morrison, CO, USA

158

Playback	Listens	Hours
48h	25	3
7d	34	4
30d	158	21

Playback	Listens	Hours
48h	1	11m
7d	41	4
30d	101	10

Oklahoma City, OK, USA

Playback	Listens	Hours
48h	33	4
7d	14	2
30d	74	8

Playback	Listens	Hours
48h	0	0m
7d	26	3
30d	45	6

2:36:45

13 tapes

8/30SBD

Houston, TX, USA

181

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	181	22

2:15:38

Ventura County Fairgrounds

8/24SBD

Boreal Ridge Ski Resort

Donner's Summit, CA, USA

115

Playback	Listens	Hours
48h	3	19m
7d	3	16m
30d	115	12

2:12:43

5 tapes

7/14SBD

Ventura, CA, USA

231

Playback	Listens	Hours
48h	35	4
7d	8	59m
30d	231	26

2:41:38

11 tapes

7/13SBD

Ventura County Fairgrounds

Ventura, CA, USA

240

Playback	Listens	Hours
48h	36	5
7d	20	3
30d	240	32

Playback	Listens	Hours
48h	41	5
7d	34	4
30d	93	10

2:25:58

18 tapes

7/01SBD

Merriweather Post Pavilion

Columbia, MD, USA

480

Playback	Listens	Hours
48h	51	7
7d	85	11
30d	480	65

2:46:28

Merriweather Post Pavilion

6/30SBD

Columbia, MD, USA

1.2k

Playback	Listens	Hours
48h	98	12
7d	189	24
30d	1.2k	149

Playback	Listens	Hours
48h	100	13
7d	123	16
30d	443	57

2:27:36

Saratoga Performing Arts Center

6/27SBD

Saratoga Springs, NY, USA

523

Playback	Listens	Hours
48h	55	6
7d	126	14
30d	523	55

Cuyahoga Falls, OH, USA

332

Playback	Listens	Hours
48h	59	7
7d	60	6
30d	332	34

2:29:46

13 tapes

6/24SBD

River Bend Music Center

Cincinnati, OH, USA

551

Playback	Listens	Hours
48h	27	3
7d	118	13
30d	551	61

2:35:44

Alpine Valley Music Theatre

6/22SBD

East Troy, WI, USA

274

Playback	Listens	Hours
48h	25	3
7d	62	7
30d	274	31

2:30:32

Alpine Valley Music Theatre

6/21SBD

East Troy, WI, USA

257

Playback	Listens	Hours
48h	1	6m
7d	34	4
30d	257	29

Playback	Listens	Hours
48h	27	4
7d	34	4
30d	348	45

Playback	Listens	Hours
48h	20	2
7d	46	5
30d	329	36

Playback	Listens	Hours
48h	0	0m
7d	71	9
30d	386	46

Playback	Listens	Hours
48h	13	2
7d	115	13
30d	463	52

Playback	Listens	Hours
48h	9	1
7d	54	6
30d	591	69

2:50:08

Marin Veterans Memorial Auditorium

4/21SBD

San Rafael, CA

Playback	Listens	Hours
48h	9	42m
7d	8	38m
30d	18	1

Playback	Listens	Hours
48h	0	0m
7d	125	13
30d	277	32

Playback	Listens	Hours
48h	24	3
7d	112	14
30d	582	72

Philadelphia, PA, USA

345

Playback	Listens	Hours
48h	60	6
7d	106	11
30d	345	36

Philadelphia, PA, USA

446

Playback	Listens	Hours
48h	144	19
7d	75	10
30d	446	57

Philadelphia, PA, USA

270

Playback	Listens	Hours
48h	34	4
7d	60	7
30d	270	33

2:28:31

Cumberland County Civic Center

4/04SBD

Providence Civic Center

Providence, RI, USA

567

Playback	Listens	Hours
48h	3.2k	343
7d	179	19
30d	567	61

2:33:15

22 tapes

4/03SBD

Providence Civic Center

Providence, RI, USA

1.4k

Playback	Listens	Hours
48h	276	40
7d	1.2k	160
30d	1.4k	183

2:51:34

26 tapes

4/01

Portland, ME, USA

789

Playback	Listens	Hours
48h	17	2
7d	656	76
30d	789	92

2:22:23

37 tapes

3/31SBD

Cumberland County Civic Center

Portland, ME, USA

2.5k

Playback	Listens	Hours
48h	57	7
7d	2.2k	258
30d	2.5k	292

Playback	Listens	Hours
48h	8	1
7d	283	33
30d	478	55

Playback	Listens	Hours
48h	87	10
7d	216	28
30d	644	84

Playback	Listens	Hours
48h	55	7
7d	50	7
30d	979	115

2:13:05

27 tapes

3/25SBD

Springfield Civic Center

Springfield, MA, USA

2.7k

Playback	Listens	Hours
48h	52	8
7d	39	5
30d	2.7k	369

2:46:52

30 tapes

3/24SBD

Springfield Civic Center

Springfield, MA, USA

733

Playback	Listens	Hours
48h	13	1
7d	4	28m
30d	733	86

Playback	Listens	Hours
48h	31	3
7d	25	3
30d	1.4k	186

Playback	Listens	Hours
48h	18	2
7d	29	3
30d	1.3k	140

2:21:56

17 tapes

3/13SBD

4.3k

Playback	Listens	Hours
48h	19	2
7d	44	5
30d	4.3k	531

2:23:36

9 tapes

3/12

2.1k

Playback	Listens	Hours
48h	0	0m
7d	1	6m
30d	2.1k	256

2:13:21

8 tapes

3/10

2.7k

Playback	Listens	Hours
48h	22	3
7d	3	24m
30d	2.7k	340

2:18:50

3/09SBD

3.9k

Playback	Listens	Hours
48h	10	1
7d	138	17
30d	3.9k	499

2:14:44

13 tapes

2/XXSBD

Twilight Zone Sessions

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	20	32m

13:28

1 tape

2/20SBD

236

Playback	Listens	Hours
48h	1	0m
7d	11	1
30d	236	31

2:16:03

2/19SBD

209

Playback	Listens	Hours
48h	27	3
7d	19	3
30d	209	25

1:58:18

5 tapes

2/18SBD

461

Playback	Listens	Hours
48h	57	7
7d	22	3
30d	461	52

2:26:39

Songs

Sources

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152284.sbd.walker.scotton.miller.clugston.flac2496

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152283.sbd.walker.scotton.miller.clugston.flac1648

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

gd1985-04-27.sbd.miller.25467.sbeok.shnf

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Transferrer: Charlie Miller

SBD -> Master Cassette -> Dat (44.1k)

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN

gd1985-04-27.mtx.haugh.78681.flac24

View Notes-- This is a lot cleaner than what currently circulates (No diginoise/static).
-- Seamless transition between Discs 2 and 3.
-- 2nd Set is more dynamic than 1st set, plus there is no tape flip.
-- 2nd Set may be from PCM or VHS/Beta Hi-Fi.
-- Sounds keeps improving as show goes progresses.

Taper: See info file

DVD-AUDIO 24/48 SBD+AUD Matrix Mix

See info file

gd1985-04-27.mtx.haugh.78504.flac16

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

This represents the 24 bit files that are the result of all my
editing and the multitrack mixdown preserved in 24 bit. It is
unclear exactly what we have in the way of high resolution.
However it seems what we have here would not be represented
accurately in 16/44. What you are getting is the full result
of the matrix mix process. How much different does this sound?
is this better? A little and yes. This is more accurate and
has more dynamic range.  24/48 resolution versus a 16/44 of
the same material will usually result in very subtle but
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in
mind, this 24 bit copy is no different.  Small but important
gains over the same material in 16/44.  This is just one
man's take.  Take it or leave it.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Taper: See info file

SBD + AUD Matrix 3 Source Mix

See info file

gd85-04-27.fixedsbd.mattman.20683.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Source 6 of 28

Pitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265">shnid=17265</a>.

SBD > MC > DAT > CDR > EAC > mkwACT

View NotesPitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265" rel="nofollow">shnid=17265</a>.

Source 7 of 28

gd85-04-27.sbd.jerugim.359.sbeok.shnf

View NotesSource:
SBD > MC > DAT > CDR > EAC > mkwACT

Doesn't have missed lyric in The Other One. Seems like it may be still missing some music but, if it is, the d/o is much less drastic.

Source 8 of 28

SBDMC> DAT> CDR

View NotesSBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim;
no known flaws

Taper: Mark Terry

gd1985-04-27.172444.nak300.terry.miller.clugston.flac2496

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Mark Terry

gd1985-04-27.172443.nak300.terry.miller.clugston.flac1648

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Bob Wagner

gd1985-04-27.163485.nak700.wagner.miller.clugston.flac2496

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Bob Wagner

gd1985-04-27.163484.nak700.wagner.miller.clugston.flac1648

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Chris Hecht

gd1985-04-27.148416.neumann.km84i.hecht.miller.clugston.flac2496

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Chris Hecht

gd1985-04-27.148415.neumann.km84i.hecht.miller-clugston.flac1648

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Joe Noel and Charlie Miller

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Walt Keeler

gd1985-04-27.145335.s2.fob.sony..ecm150.keeler.miller.noel.t-flac16

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

Joe Noel and Charlie Miller

View NotesEdited & Mastered by Joe Noel;
WAV > Audacity > Flac 24/96
October 28, 2018

This file set is 16 bit @ 44.1

Patch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Walt Keeler

gd1985-04-27.143491.s2.FOB.ECM150.Keeler.Miller.Noel.t-flac2496

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

gd1985-04-27.166645.akgC-33e.fob.Hoey.flac24

View NotesPatch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Hoey

AKG C-33e stereo mic > akg 48v phantom power supply > Marantz PMD 430 (dbx nr Maxell MX90)

Nakamichi Dragon > dbx model 224 processor (decode) > Audio Antiquary mastering preamp (Telefunken C3g tube) > QES Labs PAD-2 mkII LE (a > d @ 24bit 96kHz) > Peak Pro 7 > xACT (flac tags)

Taper: Recording by Craig Rogers

2:50:08

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151947.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac16

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com
- Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021

Taper: Recording by Craig Rogers

2:50:07

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151970.Mouth.AKG.Rogers.Noel.fixed.151703.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com


Notes (fix);
- channels were reversed, this has been corrected.

Taper: Craig Rogers

gd1985-04-27.151703.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes

Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesNotes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com

Transferrer: 5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

2:33:35

5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

gd1985-04-27.148527.5-1.amdig.flac2448

5.1 LPCM Surround Sound Mix (48/24)

View Notes---------------------------------------------------------
- DVD-A extraction 11-DEC-2019 - DVD Audio Extractor v8.0.0
- FLAC conversion 11-DEC-2019 - Trader Little Helper
- Tagged 11-DEC-2019 - Tag&Rename
---------------------------------------------------------

Source 22 of 28

2:36:46

gd1985-04-27.148348.aud.flac2496

Analog Audience maxell mx 90's 3 tapes Namakamichi CM 700 Mics and Custom ps/preamp mixer - > modified dbx 224 (mod'd to run from battery pack) - > Sony TC D5M (dbx encoded)

Nakamichi CR7a - > dbx nx40 (dbx decoded) - > Audio Technica mixer/line amplifier - > Korg MR 2000 at 1 bit 5.6 MHz - > Audiogate software to create 24-96 files

Taper: chasingwilma

gd1985-04-27.124981.chasingwilma.flac24

lineage: sennheiser 421 (fob)> d-5> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Greg Holtz

gd1985-04-27.nak100.holtz.jaz.102035.flac16

Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5

Cassette Master, TDK MA-R90 Alluminum Core-> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD -> R8brain for Sample Rate Conversion to 16bit 44.1kHz -> Traders Little Helper flac8

Transferrer: Brion Green and ChrisJ

Brion Green and ChrisJ

gd1985-04-27.nak700.anon.lmpp.99835.flac16

Nakamichi 700's > d6 > MAC

MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit > 16/44.1 Wave > Flac

gd1985-04-27.dts.haugh.78437.flac16

View NotesNotes:

- This source sounds absolutely great. HUGE thanks to Anon for this one. One of my favorite auds I've had the 
pleasure to work on to date!!! Thank you sir!!!!

- Encore patched from SHNID 76584

Transferrer: Dan Haugh

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 used to adjust the volume for
the front, center, surround and LFE channels.  SF8.0 was used
for the EQ setting on all the sources post mixdown. Surcode CD
Pro DTS was used to encode to DTS.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

DTS-Audio-CD Info

Front
Left Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2
Right Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2

Center
Mono Mix -5db SBD DEQ'd

Surround
Left Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2
Right Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2

Sub/LFE
Mono Mix -5db SBD DEQ'd Matrix 50%-SBD/50%-AUD2

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

The mixdown of the AUD+AUD matrix mix was done a few db's
lower than the from SBD+AUD matrix mix.  In my experience
louder rear channels is an undiserable effect.  

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE SET TWO

Front Matrix Front Matrix
SBD -.5 SBD -1
AUD2 -7 AUD2 -7.5

Stereo Matrix Stereo Matrix
SBD -1 SBD -1
AUD2 -5.5 AUD2 -6

Rear Matrix Rear Matrix
AUD1 -4 AUD1 -4
AUD2 -9 AUD2 -9

Sub/LFE Matrix Sub/LFE Matrix
SBD -7db SBD -7.5db
AUD2 -5.5db AUD2 -6db

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio.  While the Audio-CD
standard (Red Book) hasn't changed to accommodate these new
sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD.  To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.

---------------------------------------------------------

Taper: B. Koucky

gd1985-04-27.nak700.koucky.gmb.76584.sbeok.flac16

MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s.

MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.

View NotesComments:
Crisp upclose sounding aud with some minor phasing issues. Thanks to Bill for taping, preserving, and sharing his recording with me for transfer.
Seeded by the green mountain bros at candyman FTP and planetFLAC - August 2006.

Taper: Adam, Justin & Monica

Adam, Justin & Monica

Alex Ford

gd1985-04-27.senn421.mccue.ford.32648.sbeok.flac

MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)]

MAC>NMAC>Nakamichi Cassette Deck 2(azimuth adjusted)>Audiophile 2496>WinXP Pro>CEP 2.0>CD Wave Editor>Flac Frontend(encoded@level 6)>FLAC16.