gd85-03-24 s2 t11 Not Fade Away | 1985-03-24 | Grateful Dead

View Notes*thanks Eugene for the mics. I got in late to these 2 shows and was unable
to secure good FOB real estate. I was able to get good protective space on
the right side of the board for night one and directly behind for night two.

Notes: This is the 16bit version. 24bit is archived on DVDA.

Source 2 of 27

1:17:48

SBD

Rating:

8.00 / 5 ratings

SHNID:

gd85-03-24.sbd-set2.willy.11699.sbeok.shnf

Source:

SBD>?>CD

Taper Notes:

View Notes2nd set only; SBD>?>CD; via Tommy Danscuk; Seeded to etree by Willy

Taper: Michael Hessberg

Scott Clugston, Charlie Miller

SHNID:

gd1985-03-24.169120.senn.me80.hessberg.miller.clugston.flac2496

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:12 patch in "Deal, a 0:23 patch in "Drums", as well as the "US Blues" encore in its entirety
- Pitch corrected

Mastered by Scott Clugston
April 2024

Taper: Michael Hessberg

Scott Clugston, Charlie Miller

SHNID:

gd1985-03-24.169119.senn.me80.hessberg.miller.clugston.flac1648

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:12 patch in "Deal, a 0:23 patch in "Drums", as well as the "US Blues" encore in its entirety
- Pitch corrected

Mastered by Scott Clugston
April 2024

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1985-03-24.167065.beyer.m160.vita.miller.clugston.flac2496

Source:

Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Rob Hunt and Ted Mattes for the Sennheiser 441 source which supplies an 0:08 patch in the "Dear Mr. Fantasy > Throwing Stones" transition
- Pitch verified

Mastered by Scott Clugston
February 2024

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1985-03-24.167064.beyer.m160.vita.miller.clugston.flac1648

Source:

Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Rob Hunt and Ted Mattes for the Sennheiser 441 source which supplies an 0:08 patch in the "Dear Mr. Fantasy > Throwing Stones" transition
- Pitch verified

Mastered by Scott Clugston
February 2024

Taper: Stephen Thomas

Scott Clugston, Charlie Miller

SHNID:

gd1985-03-24.164362.nak304.thomas.miller.clugston.flac2496

Source:

Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Stephen Thomas for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Rob Hunt and Ted Mattes for the Sennheiser 441 source which supplies the beginning of "New Minglewood Blues" (0:08 total), as well as 0:25 and 0:15 patches in "Drums"
- Pitch corrected

Mastered by Scott Clugston
March 2023

Taper: Stephen Thomas

Scott Clugston, Charlie Miller

SHNID:

gd1985-03-24.164361.nak304.thomas.miller.clugston.flac1648

Source:

Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Stephen Thomas for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Rob Hunt and Ted Mattes for the Sennheiser 441 source which supplies the beginning of "New Minglewood Blues" (0:08 total), as well as 0:25 and 0:15 patches in "Drums"
- Pitch corrected

Mastered by Scott Clugston
March 2023

Taper: Rob Eaton

Rob, Eaton, Scott Clugston, Charlie Miller

SHNID:

gd1985-03-24.163389.akg451.neumann.u87.blend.eaton.miller.clugston.flac2496

Source:

Rob Eaton's Master (FOB) Audience Cassettes; (2) AKG 451's w/ CK8 shotguns (Left + Right) + (1)Neumann U87 (Center) blend > Nakamichi 550

Lineage:

Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies 1:47 and 1:50 patches in "Drums"
- Pitch corrected

Mastered by Scott Clugston
June 2022

Taper: Rob Eaton

Rob, Eaton, Scott Clugston, Charlie Miller

SHNID:

gd1985-03-24.163388.akg451.neumann.u87.blend.eaton.miller.clugston.flac1648

Source:

Rob Eaton's Master (FOB) Audience Cassettes; (2) AKG 451's w/ CK8 shotguns (Left + Right) + (1)Neumann U87 (Center) blend > Nakamichi 550

Lineage:

Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies 1:47 and 1:50 patches in "Drums"
- Pitch corrected

Mastered by Scott Clugston
June 2022

Taper: Rob Hunt and Ted Mattes

2:18:44

Taper:

Rob Hunt and Ted Mattes

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1985-03-24.149243.senn441.hunt.mattes.miller.clugston.flac2496

Source:

Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Hunt and Ted Mattes for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Robert Bryant for the un known audience source which supplies a 0:16 patch in the "Ramble On Rose > New Minglewood Blues" transition, a 0:15 patch in "Drums", as well as a 0:49 patch in the "Drums > Space" transition
- Pitch corrected

Mastered by Scott Clugston
March 2020

Taper: Rob Hunt and Ted Mattes

2:18:44

Taper:

Rob Hunt and Ted Mattes

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1985-03-24.149242.senn441.hunt.mattes.miller.clugston.flac1648

Source:

Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Hunt and Ted Mattes for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Robert Bryant for the un known audience source which supplies a 0:16 patch in the "Ramble On Rose > New Minglewood Blues" transition, a 0:15 patch in "Drums", as well as a 0:49 patch in the "Drums > Space" transition
- Pitch corrected

Mastered by Scott Clugston
March 2020

Taper: Robert Bryant

Charlie Miller and Scott Clugston

Taper Notes:

View NotesNotes:
- Thanks to Robert Bryant for the master audience cassette source
- Thanks to Charlie Miller for the transfer
- Thanks to the folks responsible for the shnid8461 Schoeps CMC4/MK41 source which supplies a 0:21 patch in "Drums"
- Between song transitions smoothed

Mastered by Scott Clugston
January 25, 2018

Taper: Robert Bryant

Charlie Miller and Scott Clugston

Taper Notes:

View NotesNotes:
- Thanks to Robert Bryant for the master audience cassette source
- Thanks to Charlie Miller for the transfer
- Thanks to the folks responsible for the shnid8461 Schoeps CMC4/MK41 source which supplies a 0:21 patch in "Drums"
- Between song transitions smoothed

Mastered by Scott Clugston
January 25, 2018

Taper: Rango Keshavan

gd1985-03-24.sonyecm220t.keshavan.miller.106779.flac16

Source:

Sony ECM-220T -> Cassette Master (Sony TC-D5M)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Disc change is seamless
-- Thanks to Rango Keshavan for lending me his masters

Taper: Doug Lamarre

gd1985-03-24.145292.aud.lamarre.berger.flac1644

Source:

source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's

Lineage:

nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019

Taper: Doug Lamarre

gd1985-03-24.145291.aud.lamarre.berger.flac2496

Source:

source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's

Lineage:

nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019

Source 18 of 27

gd1985-03-24.130232.schoeps.oade.BCE.flac16

Source:

Set 1: Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;

Lineage:

Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne; Set 2 Source: gd85-03-24.oade.connor.8461.sbeok.shnf: Oade's Master Audience PCM: Schoeps CMC-441 mics > Oade M118 > Sony PCM-F1 > DAT > CDR > EAC > Shn; Converted to flac using Traders Little Helper

Taper Notes:

View NotesPatches:
gd1985-03-24.nak300.morris.106780.flac16
--The beginning of Bertha and Minglewood Blues.

BCE Collaboration
twentydegreesofsolitude@gmail.com

Source 19 of 27

2:21:11

SHNID:

gd1985-03-24.125720.beyerm160.scarletdog.flac16

Source:

2 M-160s and Sony TC-D5m Cassette Master;

Lineage:

Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670

Taper Notes:

View Notes* First East Coast "Bertha" after Jerry's January 1985 bust - listen to the "Test Me, Test Me" verse

Taper: chasingwilma

gd1985-03-24.124603.chasingwilma.flac24

Source:

lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Bob Morris

gd1985-03-24.nak300.morris.114485.flac24

Source:

Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24

Taper Notes:

View NotesNotes:
 - Drums spliced at 4:28 and 7:16. 
 - Recorded by Bob Morris. Thanks to Sam for help. 
 - Transfer (Oct 2009) and 24/96 conversion and edits (Jun 2011) by Bob Morris.

Taper: Da Weez

gd1985-03-24.112149.Sennheiser421.daweez.d5scott.flac16

Source:

Source: 2 Sennheiser 421 microphones (up front-center)> Sony TC-D5M - analog master cassettes;

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper: Bob Morris

gd1985-03-24.nak300.morris.106780.flac16

Source:

Nakamichi CM-300 x2 > Cassette Master

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper Notes:

View NotesTape flip in drums spliced at 4:26 (Soundforge 9.0).

Taper: anonymous

gd1985-03-24.nak700.anon.lmpp.99178.sbeok.flac16

Source:

Nakamichi 700's > d6 > MAC

Lineage:

MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit > 16/44.1 Wave > Flac

Taper Notes:

View NotesNotes: 

- Fantastic tape of a stellar show. Thank you so much Anon for another great source

- All tape flips crossfaded

Taper: Joe D'Amico

gd1985-03-24.audiotec.damico.87182.sbeok.flac16

Source:

audio tech mics > sony d-6 > mac

Lineage:

MAC > nak dragon deck > creative extigy souncard>cool edit pro >flac frontend

Taper: Mark McCue, Adam, Monica & John

2:15:32

Taper:

Mark McCue, Adam, Monica & John

Transferrer:

Alex Ford

SHNID:

gd1985-03-24.senn421.mccue.ford.34619.sbeok.flac16

Source:

MAC: (FOB) 2 Sennheiser 421's > Sony TC-D5 > TDK MA90's

Lineage:

Master Audience Cassettes>Nakamichi CD2[azimuth adjusted]>RCA>Audiophile 2496>CEP 2.0[normalized100%]>CD Wave Editor>Flac Frontend>FLAC16.

Taper Notes:

View NotesNotes:
 - d1t06 & d1t07 have minor static.
 - d1t10 Bob's vocal mic cuts in @ 2:37

Mic Config: mics on T-Bar, chest high, pointed at the stacks
Location: FOB, 20 to 25 feet from the stage, chest high, DFC

Source 27 of 27

gd85-03-24.oade.connor.8461.sbeok.shnf

Source:

Oade's Master Audience PCM>Schoeps CMC-441 mics>Oade M118>Sony PCM-F1>DAT>CDR>EAC>ShnEAC'ed/Shn'ed and seeded to fungus and abgd by Charlie Connor 3/26/02 with thanks To Scott Clugston and to Doug Oade.

Taper Notes:

View NotesOade's Master Audience PCM>Schoeps CMC-441 mics>Oade M118>Sony PCM-F1>DAT>CDR>EAC>Shn
EAC'ed/Shn'ed and seeded to fungus and abgd by Charlie Connor 3/26/02 with thanks To Scott Clugston and to Doug Oade.