Me And My Uncle | 1970-02-13 | Grateful Dead

View NotesNotes:
-- Fixed diginoise in Little Sadie
-- All late show disc changes are seamless
-- Thanks to Rob Eaton for lending me his Dats
-- Late show between song tunings patched from shnid=18114
-- Uncle John's Band is patched from shnid=18114 and is also cut

Early Show:
d1t01 - Cold Rain And Snow
d1t02 - Beat It On Down The Line
d1t03 - Good Lovin'
d1t04 - Mama Tried ->
d1t05 - Black Peter
d1t06 - Hard To Handle
d1t07 - Saint Stephen ->
d1t08 - Not Fade Away
d1t09 - Casey Jones
Late Show:
Electric

Transferrer: Charlie Miller

3:47:20

SBD

gd1970-02-13.sbd.miller.97613.sbeok.flac16

Source:

SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k)

Lineage:

Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC

Taper Notes:

View NotesNotes:
-- All late show disc changes are seamless
-- Thanks to Rob Eaton for lending me his Dats
-- Late show between song tunings patched from shnid=18114
-- Uncle John's Band is patched from shnid=18114 and is also cut

Transferrer: Matrix by Nick Crump

gd1970-02-13.lateshow.mtx.131678.nicksmix.flac16

Source:

2-source matrix mix of shnid #97639(SBD) and shnid #123814(AUD)

Taper Notes:

View Noteshttp://www.archive.org/editxml.php?field_default_mediatype=etree&field_default_collection=GratefulDead&edit_item=gd1970-02-13.lateshow.mtx.131678.nicksmix.flac16&type=etree&field_default_description=Set 1%0D%0DChina%20Cat%20Sunflower-%3E%20I%20Know%20You%20Rider%2C%20Me%20%26%20My%20Uncle%2C%20Dire%20Wolf%2C%20Smokestack%20Lightning%0D%0DSet 2%0D%0DMonkey%20%26%20The%20Engineer%2C%20Little%20Sadie%2C%20Wake%20Up%20Little%20Susie-%3E%20Black%20Peter%2C%20Uncle%20John's%20Band%2C%20Katie%20Mae%0D%0DSet 3%0D%0DDark%20Star-%3E%20Cryptical%20Envelopement-%3E%20Drums-%3E%20The%20Other%20One-%3E%20Cryptical%20Envelopement-%3E%20Turn%20On%20Your%20Love%20Light%2C%20E%3A%20We%20Bid%20You%20Good%20Night%0D%0DLate%20show.%20Though%20actually%20all%20one%20set%2C%20it%20was%20played%20in%20electric%3E%20acoustic%3E%20electric%20segments.%20%20Other%20artist(s)%3A%20GD%3A%20The%20Allman%20Brothers%20Band%3A%20Love.%20This%20date%20is%20featured%20on%20%3Ca%20href%3D%20%22http%3A%2F%2Fmars.dead.net%22%3EDick's%20Picks%204%3C%2Fa%3E.&field_default_date=1970-02-13&field_default_subject=Matrix%3BSoundboard&field_default_venue=Fillmore%20East%20(Late%20Show)&field_default_coverage=New%20York%2C%20NY&field_default_source=2-source%20matrix%20mix%20of%20shnid%20%2397639(SBD)%20and%20shnid%20%23123814(AUD)&field_default_taper=&field_default_transferer=&field_default_md5s=d4f612236a9b82ac2975ccd2948a193e%20*gd70-02-13d1t01.flac%207d12cf53c49418c0221fa1ba795a08d9%20*gd70-02-13d1t02.flac%204ab24cec686108c9cde2441b8df20290%20*gd70-02-13d1t03.flac%20d3409ba00a37626efb0a579bd9aa81ff%20*gd70-02-13d1t04.flac%209aa37ee693edaf27fac586e256048943%20*gd70-02-13d1t05.flac%203011b9e0059780faa2ac07bd136f3d62%20*gd70-02-13d1t06.flac%202486e45bbe8351245d772ebf9b2079df%20*gd70-02-13d1t07.flac%20ca86b04285487495089d9041c8ed3d9e%20*gd70-02-13d1t08.flac%203f7e38f9290801db98f6fc8dc98caeec%20*gd70-02-13d1t09.flac%20549bc60200659a91e691393a469f0413%20*gd70-02-13d1t10.flac%2008f8bf9b533e95c8962ac0290e4dda77%20*gd70-02-13d1t11.flac%20c49b80e0c32936d5d21e880f7a7c0fb0%20*gd70-02-13d1t12.flac%2026c1e413166df527c4f4bedef54eaa06%20*gd70-02-13d1t13.flac%20e85d2dc9c87aca39392f5f96af00bcfe%20*gd70-02-13d2t01.flac%20381374d495103478d41b8486b6b9ea1a%20*gd70-02-13d2t02.flac%20c9761d06378466abd5ae2cc7ce863c80%20*gd70-02-13d2t03.flac%204522dee1bb10d4a77ea6a9435712e39d%20*gd70-02-13d3t01.flac%20ecfd395de796338985c53910c37f751f%20*gd70-02-13d3t02.flac&field_default_runtime=173%3A29.72

Transferrer: Jay Serafin and Patrick Murphy

56:18

SBD

Transferrer:

Jay Serafin and Patrick Murphy

SHNID:

gd1970-02-13.early.sbd.murphy.31636.sbeok.flac16

Source:

SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D >SSSB

Lineage:

EAC (High, secure) > WAV > SHNv3 by Patrick Murphy > ? > .flac

Taper Notes:

View NotesThanks to Jay Serafin for the disks!
Audio Rating: AR-2
Any/all editing, fades, NR, hiss elimination, phase shifting/"time smear"correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96 kHz data stream) at Serafin Station Studio B

Source 5 of 9

gd70-02-13.early-late.sbd.cotsman.18114.sbeok.shnf

Source:

Soundboard

Lineage:

SBD > MR > DAT > CD > EAC > SHN

Taper Notes:

View Notesmostly from SBD>MR>D>CD>EAC>SHN
with patches from:
SBD>MR>PCM>D>CD>EAC>SHN
SBD>MR>R>D>CD>EAC>SHN
mastered on 7" reels @ 15ips

Transferrer: David Gans

gd1970-02-13.early.sbd.gans.2208.sbeok.shnf

Source:

Sbd-->Mater reel-->DAT-->Sonic Solutions workstation-->CDR-->EAC-->shn

Taper: Unknown

gd1970-02-13.144856.early-late.aud.recorder2.Mk1.flac24

Lineage:

Playback 2018-xx-xx ::: 1st generation Maxell XLII-90 cassettes on Nakamichi 680ZX cassette deck, Dolby B on, azimuth adjusted for individual tapes, heads cleaned & demagnetized -> Sony Linear PCM Recorder PCM-M10 -> 96kHz/24-bit WAV files -> computer -> Audacity [normalisation to remove DC offset & channel/phase alignment for a few cross-channel patches, fades, some popmute on clapping in placed to make overall levels work, volume adjustments, 1st 75mins -2.1% then the rest at -2.4% averaged pitch (speed) fixes with single pass per segment after frequency analysis & with pitchpipe verification (but it ain't perfect), NO equalisation or noise reduction] -> wavs -> CD Wave (track splits) -> flacs (Trader's Little Helper) -> yr ears. First uploaded 2019-02-xx.

Taper Notes:

View NotesDimeTravel 491 ::: Thanks to the original taper & traders! ::: Corrections welcome ::: Since I started collecting, this has been considered one of THE classic Dead shows, and it's hard to disagree even after the multitude we been blessed with since. Here's an expanded upgrade of this source. SBDs do exist, but this is cool, for example, you realise just how stunned the audience really was in places. And, perhaps someone has some other matrixing ideas... "Stereo" audience renderings are often very effective (This would need some more cleanup work for that purpose as it's fairly untampered-with). If nothing else, this should provide a patch for "Dark Star" near the end so someone can EQ match & use it with the Cooper source for a better SBD/AUD matrix, which will make it worth the price of admission for some, I'm sure, as it is one of THE outstanding "Dark Stars". Can't remember my source for this, but I believe the master tapes were borrowed by a friend & copied for me at the same time (not by the Florida Kid as I had believed at one time). Many thanks to whomever it was. Listen, enjoy, show appreciation, share, give, spread peace. Yrs truly, Knees

Taper: Jim Cooper

gd1970-02-13.123814.aud.cooper.flac16

Source:

Late show. Recorded by Jim Cooper from seat # BB 108 (2nd row Center) Hitachi trq-222, 2 Hitachi mikes; Transferred > sony d5pro2 > dbx 2231 EQ > sony rcd w500c

Taper Notes:

View NotesVery Sweet Fillmore East Sound.

Taper: Thanks to Dwight Holmes for providing the cassette source

Thanks to Dwight Holmes for providing the cassette source

Transferrer:

Analog to digital transfer by John Oleynick

Lineage:

Denon DRW750 > Behringer UCA202 > Audacity